My future guitar pedalboard

Ampero II Stomp

Kilt V1

Helios Overdrive - Gold Series

Keep Control Expression

Halo – Andy Timmons Dual Echo

Supernova Controller

Polytune 3 Mini

Dual Foot Switch

Hammerhead Compressor

Duopass DI-2PS

Isopower 7

Das JHS Pedals AT ist Andy Timmons Signature Overdrive-Pedal, das Andy seinen unverwechselbaren Lead- und Rhythm Tone verleiht. Der Drive Kanal des AT + ist identisch mit dem Original-AT-Pedal. Dazu gehören Volume, EQ, Drive, Air und ein Dreiwege-Schalter für 25-Watt-, 50-Watt- oder 100-Watt-Modi. Der Volume Regler bietet dir viel Spielraum zum Spielen, während der Drive Regler einen großen Bereich von High-Gain-Blues bis hin zu donnernder Distortion bietet. Die Klangregler arbeiten zusammen, um dir die Möglichkeit zu geben, deinen Ton zu formen und perfekt in den Mix zu setzen. Der EQ arbeitet als Standard Hell / Dunkel-Regler, während der Air-Regler im oberen Bereich wie ein Präsenzregler rollt, so dass du genau die richtige Helligkeit für die Artikulation und Klarheit hast. Der Drei-Wege-Schalter gibt dir das Gefühl von verschiedenen Leistungsverstärkern. Neu beim AT + ist ein eigenständiger fußschaltbarer Boost. Da der Boost unabhängig ist, kann er alleine verwendet werden, um den Verstärker oder andere Pedale in Verbindung mit dem AT + Drive-Kanal zu betreiben.

The JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. The drive channel of the AT+ is identical to JHS original AT pedal. They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different wattage amplifiers. New to the AT+ is an independent foot-switchable Boost. Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.

Official Product Page

Manual

Andy Timmons demo of the new signature AT+ by JHS Pedals

Guitar Equipment Special_ Andy Timmons - Keeley Halo Dual Echo & JHS Pedals The AT+ - Review by Darkstars.de, [03-2023]

JHS Pedals The AT+ (demo)

JHS The AT+ - Review by Gitarre & Bass [DE], [12-2018]

JHS The AT+ - Review by Muzikus [CZ], [03-2019]

The AT+

In 2017, Josh built his longtime friend and session / touring guitarist Mason Stoops a one-off Superbolt with a unique taco graphic. The taco icon was a reference to the jam sessions / taco nights they often attended together in LA.

The practice of giving a custom built pedal as a gift was normal in the JHS world, but something far less normal happened when Stoops plugged it in: he noticed a glitch. The internal bias trim pots had never been properly adjusted, resulting in a wildly unbiased sound that Stoops instantly adored. No longer an overdrive, and somewhere between a fuzz and a blown-out Tweed amp, the TacoBolt was the definition of a happy accident. Over the years this sound has become a staple of Stoops’s work and piqued the curiosity of his collaborators. In 2024, we have recreated this serendipitous circuit with the last remaining (now discontinued) Superbolt materials in the limited edition JHS TacoBolt.

Product Page

Review by reddit /guitarpedals

Official Product Video

Review by The Gear Page

Tacobolt

The landmark bass recordings captured on the West Coast during the 1960s may seem challenging to achieve without truckloads of bulky, expensive vintage gear. But with a little help from the all-in-one Punchline Bass Station and the soldering artisans at JHS, you can enjoy the benefits of iconic bass tone inspired by the late-’60s sessions of The Beach Boys and their talented hired guns from the LA studio scene. Conceived in celebration of “The Beach Boys” documentary on Disney+, The Punchline is named for an unreleased track from the group’s early instrumental days, and it supplies four ways to shape output: a VCA compressor, an overdrive tailored to bass, a vintage amp simulator, and robust 3-band EQ. Together, these effects elicit musical results faster than you can say oom bop bop! Footswitch controls for Compressor and Overdrive sections enable quick dynamic shifts, making the Punchline Bass Station pedal an excellent choice for live performances. Moreover, your clean tone can be blended with the overdrive, which allows sculpted cleans with just a hint of vintage breakup, all the way up to the roaring heft of a vintage bass amp growling with tube-like punch and ample harmonics. Two-way switches for adjusting the compressor and amp sim add four ways to tweak the Punchline’s signal order to suit different needs. And, like any proper bass channel strip sold these days, the Punchline has an XLR DI output for sending the signal to mixing desks, audio interfaces, or other devices. The Punchline by JHS is available only at Sweetwater for a limited time — enjoy the last laugh and good (bass) vibrations when you grab a JHS Punchline Bass Station here at Sweetwater!

Demo by Sweetwater

Review by Talk Bass.com

Review by Guitar.com

Review by reddit /basspedals

Punchline

In den 1990er Jahren machte ein Effektpedal-Hersteller aus England auf sich aufmerksam - mit Ideen abseits des Mainstreams und Sounds, die noch heute als 'legendär' bezeichnet werden. Innerhalb kürzester Zeit fanden sich die Pedale in den Setups von The Edge (U2), Jimmy Page, Radiohead, Kevin Sheilds (My Bloody Valentine), Jeff Tweedy (Wilco), Gary Moore und vielen anderen und die Preise auf dem Gebrauchtmarkt steigen heute teilweise über 800 $. Mit dem Cheese Ball bietet JHS Pedals jetzt eine akkurate Nachbildung der legendären Lovetone Big Cheese Schaltung und das Pedal hält was der Name verspricht! Neben den klassischen Reglern für Volume, Gain und Tone kommt das Effektpedal mit einem 4-Wege Mode-Schalter, der zwischen verschiedenen Tone- und Gain-Settings wählt. In der 'Off' Position wird der Tone-Regler deaktiviert und das Pedal erzeugt einen hellen, bissigen Fuzz / Distortion Sound. In der '1' Position liefert der Cheese Ball einen Sound mit Mid-Scoop, der an satte Big Muff Verzerrung erinnert. Position '2' bietet einen Mid-Boost der sich durch jeden Mix schneidet und Position '3' kommt mit einem aggressiven Gated Fuzz Sound, der spuckt, beißt und schreit!

Long ago in a mysterious time that we call the 1990's, a new pedal company was created in England. Its ideas were off the beaten path, and its sounds were otherworldly. Despite existing only a few short years, these creations became the things of legend and one product in particular cast the biggest shadow. With such artists as The Edge (U2), Jimmy Page, Radiohead, Kevin Sheilds (My Bloody Valentine), Jeff Tweedy (Wilco), Gary Moore, and many others using the out-of-production units, their Used market prices have begun to rise more and more, sometimes into the $800 range. The Cheese Ball is JHS Pedals faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time! The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections. In the 'off' position, the Tone knob is disengaged, giving you a bright and trashy fuzz / distortion sound. In the '1' position you have a mid-scooped sound that will give you a Big Muff style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way. The '2' position is a mid-boost sound that will cut through a mix like a hot knife through Velveeta. Finally, the '3' position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like gorgonzola naturale.

JHS Cheese Ball - Demo Video - Living Room Gear Demos

JHS Cheese Ball - Demo / Review Video - Dennis Kayzer

JHS Cheese Ball - Demo Video - Pedal Of The Day

JHS Cheese Ball - Demo Video (No Talking) - Guitar Bonedo

Cheese Ball

Das Kilt wurde in Zusammenarbeit mit StuG von Delirious entwickelt und ist ein 2-in-1-Overdrive/Boost-Pedal mit einem äußerst vielfältigen Klangspektrum. Dieses Pedal verfügt über vier Overdrive-Einstellungen mit zusätzlichen Low-Cut- und Order-Schaltern, um alle Ihre verschiedenen Drive- und Dirt-Bedürfnisse abzudecken, ähnlich wie ein Kilt.

Designed in conjunction with StuG of Delirious, the Kilt is a 2-in-1 Overdrive/Boost pedal with an extremely diverse tone set to work with. This pedal features four overdrive settings with added low-cut and order switches to cover all your various drive and dirt needs much like a Kilt might cover things.

Demo by Lightfoot FX

Review by Pedal of the Day

JHS The Kilt, Stu G Signature - Livingroom Gear Demo

Kilt V1 by JHS

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Kilt V1

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Tacobolt

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