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Little Black Amp Box

The landmark bass recordings captured on the West Coast during the 1960s may seem challenging to achieve without truckloads of bulky, expensive vintage gear. But with a little help from the all-in-one Punchline Bass Station and the soldering artisans at JHS, you can enjoy the benefits of iconic bass tone inspired by the late-’60s sessions of The Beach Boys and their talented hired guns from the LA studio scene. Conceived in celebration of “The Beach Boys” documentary on Disney+, The Punchline is named for an unreleased track from the group’s early instrumental days, and it supplies four ways to shape output: a VCA compressor, an overdrive tailored to bass, a vintage amp simulator, and robust 3-band EQ. Together, these effects elicit musical results faster than you can say oom bop bop! Footswitch controls for Compressor and Overdrive sections enable quick dynamic shifts, making the Punchline Bass Station pedal an excellent choice for live performances. Moreover, your clean tone can be blended with the overdrive, which allows sculpted cleans with just a hint of vintage breakup, all the way up to the roaring heft of a vintage bass amp growling with tube-like punch and ample harmonics. Two-way switches for adjusting the compressor and amp sim add four ways to tweak the Punchline’s signal order to suit different needs. And, like any proper bass channel strip sold these days, the Punchline has an XLR DI output for sending the signal to mixing desks, audio interfaces, or other devices. The Punchline by JHS is available only at Sweetwater for a limited time — enjoy the last laugh and good (bass) vibrations when you grab a JHS Punchline Bass Station here at Sweetwater!

Official Product Video

Demo by Sweetwater

Product Page

Review by Talk Bass.com

Review by Guitar.com

Review by reddit /basspedals

Punchline

This JHS The AT (v1) Andy Timmons Signature Drive First Edition

Link

Manual for V1 and V2

Demo by Living Room GD 

Demo by Andertons Music Co

Demo by Mike Hermans

THE AT

Im Jahre 1968 drang ein schneidender Gitarrensound durch die Lautsprecher der Welt – in den Beatles Songs auf „Revolution 1“. Dies ist wohl das berühmteste Beispiel für eine direkt an das Mischpult angeschlossen Gitarre, um den Sound, der mittlerweile als „Direct-In Distortion“ bezeichnet wird zu erreichen. Dieser Sound ist einer der einzigartigsten Gitarrensounds mit enormem Wiedererkennungswert, der in den letzten 60 Jahren unzählige Gitarristen und auch die JHS Colour Box inspiriert hat. Viele haben daraufhin eine etwas abgespeckte Version der Colour Box angefragt – eine schlichte Direct-in dirt box, ohne XLR, ohne 3-Band EQ… Einfach nur simplen Dirt. Also haben JHS einfach den Crayon aus der Colour Box herausgenommen…

In 1968 a piercing guitar tone came through the speakers on the Beatles “Revolution 1”. This is one of the most famous uses of plugging a guitar straight into a mixing console and creating the now referred to as “Direct-In Distortion". That tone is one of the most recognizable and unique guitar tones of the last 60 years and was one of the inspirations for the JHS Colour Box that we released in May of 2014. Many players over the last few years have expressed their interest in a unit that is like the Colour Box but more streamlined for the one basic application of a dirt box. No XLR function, no 3 band EQ… Just the dirt in an easy to use format for guitarists… So JHS decided to pull the Crayon out of the Colour Box.

Official Product Page

JHS Crayon demo by Livingroom Gear Demos

Manual

JHS Pedals Crayon demo by ProGuitarShop

JHS Crayon demo by Chicago Music Exchange

Crayon

Du suchst nach einem Overdrive, der NICHT “transparent” ist und deinem Sound seinen eigenen Stempel und Charakter aufdrückt? Dann ist der Moonshine Overdrive genau das richtige für dich – vorausgesetzt du magst seinen Charakter. Eine einzigartige Version des berühmtesten aller Overdrives (der im grünen Gehäuse), an der heftigst herumgebastelt wurde. Ob Blues, Rock, Country (und Western), Jazz, oder sogar Hardcore/Metal – für Gitarristen aller Art ist dies ein unverzichtbares Tool zum Formen eines Mid-Heavy Sounds. Wie der SuperBold, nutzt auch der Moonshine die interne 9-18V Konverterschaltung für mehr Headroom, Low-End und Punch. V2 kommt mit zusätzlichem Blend Regler um das trockene Signal zum Effekt stufenlos hinzuzumischen.

Are you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine is for you - highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country (and western), jazz, and even hardcore/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need. Just like our SuperBolt pedal, the Moonshine uses an internal 9v to 18v charge pump for an enormous amount of headroom, added low-end and more overall punch. V2 comes with a Clean Blend control that lets you add your clean signal to the mix.

JHS Pedals Moonshine V2 - Video Demo by ProGuitar Shop Demos

JHS Pedals Moonshine V2 - Video Demo by Mike Hermans

JHS Pedals Moonshine V2 - Video Demo by Livingroom Gear Demos

JHS Moonshine V2 - Review by Tonereport -EN

Moonshine V2

Wenn du einen Amp mit Effektloop hast, schleife diesen kleinen Helfer einfach dort ein und nutze ihn, um deine Vorstufe bei Zimmerlautstärke ordentlich in die Sättigung zu treiben!

Funktioniert ohne Spannungsversorgung!

If your amp has a “send/return” effects loop simply connect the input to your SEND and the output to your RETURN. You can use the LBAB to saturate your preamp section and get some cranked tube tone at bedroom levels!

Little Black Amp Box by JHS

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Little Black Amp Box

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