New Pedal Board

Ruby '63

Drop

HX Stomp - Cosmic Gray 

GLXD16 Wireless System

Cali76 Fet Compressor (Brushed Aluminium)

Morning Glory v4

Protein Dual Overdrive V3 (Black)

HX One

Brigadier

Flint

GE-7 Equalizer

DC 7

Jeff's Pedal Board

Simplifier Classic

MC6 Pro

Microcosm

FC05 Mod

POG2

Hall of Fame Reverb

DD-7 Digital Delay

Full-Drive 3

DD-3 Digital Delay vintage

Volume Pedal Jr. 250K 

Iridium

MBFR

Compressor +

Polytune 3 Mini

BigSky Multi Reverb

Timeline

Zuma

Ojai r30

EP Booster

Synesthesia

SparkGo

DISO+ – Original Dual Line Isolator

Timmy v3

Preamp

Kilt V2

Unity 6 Midi Controller and Looper

PickBox

VOLUME (X) MINI (DVP4) 

Julia V2

dB+ Boost / Independent Buffer

Tap Switch

Sandbox Pedal Board

BigSky MX

COMPADRE

Bank Manager

KO ACS1 Amp & Cab Simulator

GLXD16+

H90 Harmonizer®

Canvas Stereo Dual Line Isolator / D.I.

DC 10 Link

a board

Spring Tank

Haunting Mids

Hard Drive

HX Stomp Black

Wannabee

Canvas Power 15

main board no sends 4 cable

Fuzz Bender

Prestige

CS-3 Compression Sustainer

ODR-Mini Overdrive

DS-1 40th anniversary (black)

Polytune 2 mini

M294 Sugar Drive

VOLUME (X) 8 PEDAL

Crux

dream board

Sweet Tea v3

Golden Fleece

Bluesky V1

Panther Cub V2

ARP-87 Multi-function Delay

MOD 11 Modulator

Argonaut

Good Vibes

Pulp 'N' Peel V4

josh scott pedal board

1966 Series Fuzz

Domino

Unicorn V2

Beano Boost Mini

Pitch Fork

Polytune 3

KTR - Klon 3

Flashback X4 Delay

CE-2

F-Stop white

Dispatch Master V3 - Digital Delay / Reverb

ISO Power Block V16

praise and worship board

Line 6 HX Stomp XL Silver

Studio Compressor

Aspen Overdrive

JULIA

Afterneath V3

ISO Power Block V10 

Chris's board

Julianna Onyx

SA 263 Collider Delay+Reverb

Power Block

TU-2

Red Remote

MXR M199 TapTempo Switch

RC Booster Classic

TS-808 Tubescreamer

Hall of Fame 2

FS-1 Ampero Switch

Rd Compact HOT ROD

Quad 4.2 Worship Board

Nano POG

Deep Six Compressor V3

El Capistan

ES-5 Effects Switching System

Mini Katana

Jonassus Drive

Jan Ray

TIMELINE

Direct Drive v3

CH-1 Super Chorus

Prism

Cali76 STD

SP Compressor

Seán Marsh's Vocal, Guitar & Backing Track Rig

Pitchfork

Mobius

Buzzz

Voicelive 3 Extreme

Expressionator

MINI EXPRESSION

My Ideal Board (Layout not finished)

LT Dual

GP-200

Skysurfer Reverb (digital)

ED-1 The Compressor

New Pedal Board-copy

Hall of Fame Mini 2

TU-3S Tuner

DC-2W Dimension C (Waze Craft)

Super Clean

Super Sweet

HX Stomp Red Limited Edition

A SOLDERLESS DIY KIT!
We’re proud to present the NOTAKLÖN DIY Overdrive kit, which utilizes the unique “Shamrock” modification that JHS performed on the *Klon KTR for several years. With easy-to-understand instructions (no soldering required), this kit is for anyone who wants a particularly mythical overdrive and the experience of easily building their own pedal. We’ve even included "goop" so that you can conceal the "magical" diodes.

It’s NOTAKLÖN 'til you build it. 

**ALL SALES FINAL**  This product is a DIY kit.  No returns will be accepted under any conditions.  This product is covered by a limited liability warranty. 

**NOTAKLÖN is excluded from any discounts. 

CONTROLS
Output - Controls the overall volume of the pedal. Left is less, right is more.
Treble – Controls the amount of treble boost or cut. Noon is neutral.
Gain – Controls the amount of overdrive. Fully left is clean, which gives the ability to add up to +16dB of clean boost in conjunction with the output. Fully right is max overdrive. As the control is turned clockwise, there is an increase in the mid-frequency range.
Shamrock Mod Switch – Increases the overall gain +4dB for unmatched boost abilities with an increase in mid frequencies and an additional stage of hard-edge clipping.

JACKS
Input - 1/4” jack on the top right side of the pedal.

Output - 1/4” jack on the top left side of the pedal. 

POWER  – Requires 9V DC negative center power and consumes 30mA. Do not use more than 9V DC as the pedal internally converts 9V to 18V. If you do, you will void your warranty.

*THE KLON KTR IS A REGISTERED TRADEMARK. THE JHS PEDALS NOTAKLÖN IS IN NO WAY AFFILIATED WITH OR ENDORSED BY KLON.

Product Page

The JHS NOTAKLÖN Official Build Tutorial


The New JHS Pedals NOTAKLÖN (Solderless Klon DIY Kit)

NOTAKLÖN

In 1966 the electric guitar was still in its infancy. As early as the mid-1940's guitarist had discovered the magic of turning up their valve amplifiers to create overdrive and distortion, but this sound was a very new frontier. In 1962 we saw the first mass-produced fuzz box in the Maestro Fuzz-Tone as well as the second-ever in 1965 by Sola Sound, the Tonebender. These fuzz boxes produced massive amounts of distortion and fuzz within themselves, even if your amp's tone was clean. In 1966 a company called Dallas Musical LTD who was known for producing amplifiers and guitars released something different, a first of its kind. The name of this effect was the Rangemaster Treble Booster. It wasn't a pedal but a stand-alone box with no footswitch that sat on your amplifier. The Rangemaster is similar in design to what we consider a fuzz to be, but the sound is not. In 1966, English manufactured amplifiers such as Vox and Marshall were much darker than the American made Fenders. This new effect unit allowed you to boost the middle and high-frequency range of your guitar into these darker amps so that you could achieve a brighter and more aggressive tone that would cut through a band mix. It also gave the guitarist a powerful amount of boost/volume that could push the preamp valves into beautifully overdriven and distorted tones. This circuit gave us some of the most beloved tones in guitar history as players like Rory Gallagher, Brian May, Tony Iommi, Marc Bolan, and Billy Gibbons made it their secret weapon. As with most classic fuzz pedals, it loves a dirty amp or overdrive afterward in the signal path. Staying true to the original, I used high-grade carbon composition resistors, oversized capacitors, and a single germanium transistor that I hand-selected. 

Each small batch of Boosts will use different transistors as it is challenging to find reliable sources of these devices in large quantities. The circuit uses vintage positive ground voltage, so do not daisy chain your power with other pedals. Inside the pedal is a battery snap or use any isolated power supply with a normal polarity power cable like your other pedals as I have wired it internally to work that way. The Boost is identical to the original except that I adjusted the taper of the pot to feel more intuitive. I also added a single power supply filter capacitor to help with noise and pull-down resistance to relieve switch pop. The switching is true-bypass. Each pedal in this batch is built-in identical form, but because of parts tolerances and the slight variance in the transistors, they will all be a bit different while still being the same. Be sure to always have this pedal first in your signal chain; the guitar must be plugged into its input due to the impedance it requires on its input, no exceptions.

Product Page 

Product Demo 

Product Review 

1966 Series Boost

In 1963 Silvertone* introduced the 60 Watt Model 1484 guitar amplifier.  Originally a student model amplifier, the 1484 has since become legendary, hard to find, and coveted by some of the biggest names in music.  From the time of its debut in the Sears Catalog until its discontinuation only four years later in 1967, the model 1484 "Twin Twelve" amplifier is considered a Van Gogh of sorts as it developed a great appreciation and worth years after being discontinued.  Artists such as Beck, Death Cab For Cutie, The White Stripes/Jack White, and more recently Vampire Weekend and Coldplay have brought this rare amp to the forefront of popular music.  The JHS Pedals  "Twin Twelve" channel drive is the first ever all analog stomp box that replicates the classic preamp/overdrive tones only found in the Silvertone 1484 "Twin Twelve" amplifier.

Official Website

Quick Start Guide

Review by Honest Distortion

Official Product Video

Demo by Living Room GD

Twin Twelve V2

Das JHS Pedals 3 Series Fuzz ist eine extrem vielseitige Fuzz Box, die wunderschön mit dem Volume-Regler der Gitarre interagiert. Das Pedal bietet mit einem 'sägenden' Sustain und einer definierten Ansprache die perfekte Balance aus Vintage und Modern. Über die einfachen Regelmöglichkeiten lässt sich ein breites Spektrum an möglichen Sounds abdecken. Der Bias-Regler kontrolliert die Spannung in der letzten Gain Stage und erzeugt Gated Fuzz Sounds, wenn man ihn aufdreht. Der Fuzz-Regler erzeugt im Gegensatz zu vielen anderen Pedalen spielbare Sounds im kompletten Regelweg und ermöglicht sogar Distortion- oder Overdrive-ähnliche Verzerrungen. Der Fat-Kippschalter bietet einen Bass Boost, der den Sound des Pedals insgesamt kräftiger und satter macht. Jedes Pedal der 3 Series wird von JHS Pedals in Kansas City, MO, hergestellt. Wie man es von JHS Pedals kennt, überzeugen auch hier hochwertige Teile, eine zuverlässige Qualitätskontrolle und die Liebe zum Detail. Jedes Pedal kommt mit drei einfachen Regelmöglichkeiten und einem Schalter, die eine breite Palette an möglichen Sounds bieten und sowohl für Anfänger als auch für Profis geeignet sind. Die JHS Pedals 3 Series wurde entwickelt, um Musiker zu inspirieren und bei der Suche nach neuen Sounds zu einem absolut erschwinglichen Preis zu helfen.

The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp-style overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

Official Product Page

Manual

JHS Pedals 3 Series - Official Demo Video

JHS Pedals 3 Series - Fuzz / Overdrive / Distortion - Demo / Review Video - R.J. Ronquillo

JHS Pedals 3 Series - Demo / Review Video - Musiker TV

JHS Pedals 3 Series - Review by Gitarre&Bass [DE], [12-2020]

JHS Pedals 3 Series - Fuzz / Reverb / Delay - Demo / Review Video - 60 Cycle Hum

JHS Pedals 3 Series Fuzz - Demo Video - Dennis Kayzer

JHS Pedals 3 Series - Review by Muzikus [CZ], [03-2021]

JHS Pedals 3 Series Fuzz - Demo Video - Living Room Gear Demos

JHS Pedals 3 Series - Review by Bonedo [DE], [11-2020]

JHS Pedals 3 Series - Fuzz / Reverb / Delay - Demo / Review Video - Rabea Massaad

JHS Pedals 3 Series - Demo / Review Video - Reverb

3 Series Fuzz

Über die Jahre hat sich das Morning Glory zweifellos zum bekanntesten und meistgepriesenen JHS Pedal entwickelt. Er wurde ursprünglich in 2009 aus Bedarf an einem Overdrive Pedal entwickelt, das den Sound eines Amps nimmt und ihn aufs nächste Level katapultiert ohne Mitten und den Klangcharakter eines TS-Style Overdrives hinzuzufügen. Das Ziel war ein einfaches Pedal, verdammt transparent – nicht mehr nicht weniger. Egal ob du Strat oder Paula spielst, du wirst sofort feststellen wie gut das Morning Glory auf deine Spieldynamik anspricht und das Feel deines Instruments dabei 100 % intakt lässt.

Over the years the Morning Glory is undoubtedly JHS’ most known and praised overdrive pedal. It was created in 2009 out of a need for an overdrive pedal that simply took a guitar and amplifier’s tone to the next level without adding strong mid frequencies or any other characteristic that came along with the Tubescreamer style circuits on the market. Its goal was, and still is, to be incredibly easy to use and to be the most transparent overdrive out there. Whether you play a Stratocaster or a Les Paul, you will instantly recognize how the Morning Glory is touch sensitive and keeps 100% of your instrument’s feel in place.

JHS Morning Glory V4 - Livingroom Gear Demo

JHS Morning Glory V4 Review Bonedo DE

JHS Morning Glory V4 Demo by Bonedo

Morning Glory v4 by JHS

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Morning Glory v4

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Boards mit diesem Pedal

New Pedal Board

Jeff's Pedal Board

Sandbox Pedal Board

a board

Weitere Pedals von JHS

JHS

NOTAKLÖN

JHS

1966 Series Boost

JHS

Twin Twelve V2

JHS

3 Series Fuzz

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