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Das JHS Pedals 3 Series Overdrive bietet Musikern ein breites Spektrum an unterschiedlichsten Drive-Sounds und überzeugt außerdem mit einfachen, intuitiven Regelmöglichkeiten. Egal ob Colour Boost, transparenter Low-Gain Drive oder ein satter, natürlicher Medium-Gain Overdrive - den klanglichen Möglichkeiten sind kaum Grenzen gesetzt. Die Regelmöglichkeiten für das Distortion Pedal sind Volume, Body (oder EQ) und Drive, mit denen sich in allen denkbaren Settings interessante und vor allem spielbare Sounds erzeugen lassen. Der Gain-Schalter wählt zwischen einer eher gesättigten, komprimierten oder einer eher offenen, crunchigen Verzerrung und hat zusätzlich großen Einfluss darauf, wie das Pedal auf die Pick Attack und die Dynamik im Spiel reagiert. Jedes Pedal der 3 Series wird von JHS Pedals in Kansas City, MO, hergestellt. Wie man es von JHS Pedals kennt, überzeugen auch hier hochwertige Teile, eine zuverlässige Qualitätskontrolle und die Liebe zum Detail. Jedes Pedal kommt mit drei einfachen Regelmöglichkeiten und einem Schalter, die eine breite Palette an möglichen Sounds bieten und sowohl für Anfänger als auch für Profis geeignet sind. Die JHS Pedals 3 Series wurde entwickelt, um Musiker zu inspirieren und bei der Suche nach neuen Sounds zu einem absolut erschwinglichen Preis zu helfen.

The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. Each 3 Series pedal is made by JHS Pedals in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.

Official Product Page

Manual

JHS Pedals 3 Series - Review by Gitarre&Bass [DE], [12-2020]

JHS Pedals 3 Series - Review by Muzikus [CZ], [03-2021]

JHS Pedals 3 Series Overdrive - Demo Video - shnobel

JHS Pedals 3 Series - Demo / Review Video - Reverb

JHS Pedals 3 Series - Fuzz / Overdrive / Distortion - Demo / Review Video - R.J. Ronquillo

JHS Pedals 3 Series - Official Demo Video

JHS Pedals 3 Series - Demo / Review Video - Musiker TV

JHS Pedals 3 Series Overdrive - Demo Video - Living Room Gear Demos

JHS Pedals 3 Series - Review by Bonedo [DE], [11-2020]

3 Series Overdrive

Das JHS Pedals AT ist Andy Timmons Signature Overdrive-Pedal, das Andy seinen unverwechselbaren Lead- und Rhythm Tone verleiht. Der Drive Kanal des AT + ist identisch mit dem Original-AT-Pedal. Dazu gehören Volume, EQ, Drive, Air und ein Dreiwege-Schalter für 25-Watt-, 50-Watt- oder 100-Watt-Modi. Der Volume Regler bietet dir viel Spielraum zum Spielen, während der Drive Regler einen großen Bereich von High-Gain-Blues bis hin zu donnernder Distortion bietet. Die Klangregler arbeiten zusammen, um dir die Möglichkeit zu geben, deinen Ton zu formen und perfekt in den Mix zu setzen. Der EQ arbeitet als Standard Hell / Dunkel-Regler, während der Air-Regler im oberen Bereich wie ein Präsenzregler rollt, so dass du genau die richtige Helligkeit für die Artikulation und Klarheit hast. Der Drei-Wege-Schalter gibt dir das Gefühl von verschiedenen Leistungsverstärkern. Neu beim AT + ist ein eigenständiger fußschaltbarer Boost. Da der Boost unabhängig ist, kann er alleine verwendet werden, um den Verstärker oder andere Pedale in Verbindung mit dem AT + Drive-Kanal zu betreiben.

The JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. The drive channel of the AT+ is identical to JHS original AT pedal. They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different wattage amplifiers. New to the AT+ is an independent foot-switchable Boost. Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.

JHS The AT+ - Review by Gitarre & Bass [DE], [12-2018]

Andy Timmons demo of the new signature AT+ by JHS Pedals

Guitar Equipment Special_ Andy Timmons - Keeley Halo Dual Echo & JHS Pedals The AT+ - Review by Darkstars.de, [03-2023]

JHS The AT+ - Review by Muzikus [CZ], [03-2019]

JHS Pedals The AT+ (demo)

The AT+

Das JHS Kodiak Tremolo Pedal ist das nächste JHS-Pedal in der Tap-Tempo-Serie mit allem, was man braucht, um den größten Tremolo Growl zu erzeugen, welchen man jemals gehört hat! Der Kodiak hat fünf einfache Controls: Volume, Speed, Mix, Ratio, und Wave. Basierend auf den klassischen Vox- und Black Face-Tremolo-Sounds, bringt der Kodiak Vintage-Tremolo in die moderne Ära, mit vier verschiedenen Wellenmustern, Onboard Tap-Tempo und Tap-Tempo Unterteilungen, um dir volle Kontrolle und viel Inspiration zu geben. Mit all den Eigenschaften des braunen Bären, kannst du dich mit einem Topf Honig hinsetzen und dir viel Zeit mit deinem neuen Bärenfreund nehmen, um  heurauszufinden was er alles zu bieten hat! Der Kodiak verfügt auch über eine Tap / Expression-Buchse auf der rechten Seite des Pedals. Schließe ein externes Tap-Tempo oder ein Expression-Pedal an, um die Geschwindigkeit des Tremolos zu steuern. Wähle entweder TAP oder EXP über den Schalter auf der linken Seite des Kodiak und lass deinem Tone eine bärenstarke Umarmung verpassen!

The JHS Pedals Kodiak Tremolo is the next JHS pedal in their tap-tempo series featuring all the bells-and-whistles you need to create the biggest tremolo growl you’ve ever heard! The Kodiak has five simple controls: Volume, Speed, Mix, Ratio, and Wave. Based around classic Vox and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, onboard tap-tempo, and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation. With all the features brown beast bears, you can sit down, grab a jar of honey, and spend lots of time with your new bear-friend to really get to know what he has to offer! The Kodiak also features a Tap/Expression jack on the right side of the pedal. Plug in an external tap tempo or an expression pedal to control the speed of the tremolo. Select either TAP or EXP via the switch on the left side of the Kodiak and let it give your tone a bear hug!

JHS Kodiak demo by Rabea Massaad

JHS Kodiak tremolo pedal - demo by RJ Ronquillo

"The KODIAK is HERE!" JHS VLOG

JHS Kodiak - Review by Gitarre & Bass [DE], [06-2019]

JHS Kodiak - Review by Bonedo [DE]

Kodiak Tremolo

In 1962 the worlds first manufactured guitar pedal was introduced in the Maestro Fuzz-Tone. Three years later in 1965, it made its way across the pond from the USA to the hands of a British engineer named Gary Hurst in London. The legend has it that he was asked by a London session player to modify the circuit for more bass and better sustain. After some tweaking, the Tonebender was born. The Tonebender MKI was a three transistor circuit as was the following MKII that came later in 1966. Decades after the Tonebenders heyday of the 1960s, a collector named Dennis Johannsen realized that his 60's era Tonebeder had only two transistors, not three. This discovery caused a puzzling situation because all Tonebender circuits through MKIV are a three transistor design. Through further investigation, it came to light in an interview with Gary Hurst that he did make a very small batch of two transistor Tonebenders in February and March of 1966. Dennis Johannsen named his discovery the MK1.5, and it is one of the rarest pedals ever produced, a collectors dream. The Arbiter Fuzz face that came in late 1966 is an almost direct clone as well as various other two-transistor fuzz circuits of the era. The MK1.5 is a true legend of guitar that almost went unnoticed to history. The sound of this fuzz is very aggressive, full of low end, and sustain. You may also notice a slight velcro-ish type decay as notes decay off in extreme settings. As with most classic fuzz pedals, it loves a dirty amp or overdrive afterward in the signal path. Staying true to the original, I used high-grade carbon composition resistors, oversized capacitors, and two germanium transistors that I hand-matched to the circuit. 

Each small batch of Benders will use different transistors as it is challenging to find reliable sources of these devices in large quantities. The circuit uses vintage positive ground voltage, so do not daisy chain your power with other pedals. Inside the pedal is a battery snap or use any isolated power supply with a normal polarity power cable like your other pedals as I have wired it internally to work that way. The Bender is identical to the original except that I adjusted the taper of the pots to feel more intuitive. I also added a single power supply filter capacitor to help with noise and adjusted one resistor value for more volume. The switching is true-bypass. Each pedal in this batch is built-in identical form, but because of parts tolerances and the slight variance in the transistors, they will all be a bit different while still being the same. Be sure to always have this pedal first in your signal chain; the guitar must be plugged into its input due to the impedance it requires on its input, no exceptions. 

Product Page

Product Review 

Product Demo 

1966 Series Bender

Dies ist JHS’ “Medium bis High-Gain 2-in-1” Pedal und es deckt alles vom Clean Boost, leichten Break-up. Blues Rock, Heavy Grind und mehr ab. Die Rechte Seite ist der brandneue Moonshine V2, eine massiv getweakte Version des legendärsten aller Overdrives. mit dem neuen “Clean” Regler um dein trockenes Signal stufenlos zumischen zu können. Auf der linken Seite thront der JHS Angry Charly, der dir JCM 800-artige High Gain Brown Tones bietet. Ein absolut authentischer Marshall Sound im Stompbox Format. Das Sweet Tea verfügt außerdem über den Order-Kippschalter ergänzt, der die Reihenfolge der beiden Effekte in der Signalkette schaltbar macht – für ein noch breiteres Spektrum an Sounds.

This is JHS’ "Everything Medium to High Gain 2 in 1" and it covers all the bases from clean boost, light breakup, blues, rock, heavy grind and more.
The right side is JHS' Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created housed in a little green enclosure. It also features the new “Clean” knob to blend in the perfect amount of clean signal with your overdrive signal. On the left side is JHS’s very own Angry Charlie V3. High gain JCM 800 type “Brown” sound tone that we believe is the most accurate Marshall tone ever put in a stomp box! Also the Sweet Tea offers the famous order toggle so you can choose what circuit comes first in the chain. This is great for stacking in different ways and for getting a wide range of tones.

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