josh scott pedal board

1966 Series Fuzz

Domino

Unicorn V2

Prestige

Beano Boost Mini

Pitch Fork

Polytune 3

Morning Glory v4

KTR - Klon 3

Flashback X4 Delay

CE-2

F-Stop white

Dispatch Master V3 - Digital Delay / Reverb

ISO Power Block V16

The Honey Comb Deluxe gives you true vintage analog tone and ease of operation that will open up a new palette of sounds reminiscent of early Fender blackface and vintage Vox tremolo circuits from years gone by. The only difference is that this one has those over the top options for the more demanding trem-o-holic. JHS start by giving you an extra LED for the rate speed that stays on even when the pedal is in bypass. This allows a constant monitor on your speed. The next thing we do is add a second footswitch that allows you to alternate between two independently controlled speed knobs! This is like having two tremolos in one enclosure.

Demo by 60 Cycle Hum

Demo by Living Room GD

Official Website

Review by Pedal of the Day

Honeycomb

The Fuzz Face was released in 1966 by Dallas Electronics Ltd. and is one of the most iconic fuzz pedals ever made. This British fuzz is recognized instantly by its "Smiley Face" enclosure that was developed after Mr. Arbiter used the circular base of a microphone stand as inspiration. It is one of the first things we think of when we hear "fuzz pedal" because it lived at the feet of the great Jimi Hendrix. The Fuzz Face was released just a few months after the Sola Sound "Tonebender" 1.5 hit the market, and upon investigation, it is an almost identical circuit. The original Fuzz Face manual even said that it was a "battery-powered TONE-BENDING unit," clearly showing its inspiration. Though the circuit is much like the Tonebender MK1.5, the tone is very different. It possesses a very full and thick fuzz sound with roaring low-end frequencies. I can't help but think of how this made the three-piece Jimi Hendrix Experience sound larger than life. The most amazing feature of this fuzz is its ability to change into something magical as you roll your guitar volume down. Many of Hendrix, as well as players like Eric Johnson's clean tones, are in fact, the Fuzz Face with the fuzz control maxed, but the guitar volume turned way down. This setting results in an unreal and almost mythical light overdrive that you have to feel and hear to understand. As with most classic fuzz pedals, it loves a dirty amp or overdrive afterward in the signal path. Staying true to the original, I used high-grade carbon composition resistors, oversized capacitors, and two germanium transistors that I hand-matched to the circuit.

Each small batch of Fuzzes will use different transistors as it is challenging to find reliable sources of these devices in large quantities. The circuit uses vintage positive ground voltage, so do not daisy chain your power with other pedals. Inside the pedal is a battery snap or use any isolated power supply with a standard polarity power cable like your other pedals as I have wired it internally to work that way. The Fuzz is identical to the original except that I adjusted the taper of the pots to feel more intuitive. I also added a single power supply filter capacitor to help with noise and adjusted one resistor value for more volume. The switching is true-bypass. Each pedal in this batch is built-in identical form, but because of parts tolerances and the slight variance in the transistors, they will all be a bit different while still being the same. Be sure to always have this pedal first in your signal chain; the guitar must be plugged into its input due to the impedance it requires on its input, no exceptions. 

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Der Space Commander bringt dir den Space-Sound der 80er-Jahre mit einem kraftvollen Clean-Boost an Bord. Der Space Commander besteht aus drei Effekten in einem, mit einem Regler für jeden der Effekte: Boost, Chorus und Reverb. Jeder Effekt wird unabhängig durch einen Kippschalter unter dem Knopf aktiviert, und der Pedal Master On / Off ist der Fußschalter. Erforsche die unendlichen Weiten des Raums! Also, machen Sie sich bereit, schnappen Sie sich Ihren Weltraumblaster und bereiten Sie sich auf den Start vor. Alle drei kombiniert werden dich in kürzester Zeit "Friday, I'm in love" schreien lassen. Der Space Commander ist deine Zeitmaschine, um dich zurück in die wunderbaren Jahre von Chorus und Reverb zu katapultieren! Besonderer Dank geht an Robert Keeley für sein Fachwissen, seine Unterstützung und seine Zauberei im digitalen Teil dieses Pedals!

The Space Commander brings you the 80's style spacey sounds chorus and reverb with a powerful clean boost on board. The Space Commander is three-effects-in-one, with a one-knob control for each of the effects: Boost, Chorus, and Reverb. Each effect is independently engaged by a toggle below the knob, and the pedal's master on/off is the footswitch. You'll find yourself fully in command of your spacial exploration like none other! So let's suit up, grab your space blaster, and prepare for take-of. All these combined will have you screaming "Friday, I'm in love" in no time. The Space Commander is your time machine to take you back to the wonder years of chorus and reverb! Special thanks to Robert Keeley for his expertise, assistance, and wizardry on the digital part of this pedal!

Official Product Page

Manual

JHS Space Commander - Review by Gitarzysta [PL], [10-2019]

JHS Space Commander - Review by TopGuitar [PL], [09-2019]

JHS Space Commander - Review by Muzikus [CZ], [10-2019]

Space Commander

The JHS Hard Drive is the first attempt in our company’s fifteen-year history at a full-blown and respectable modern distortion pedal that is not based on a previous circuit or classic topology. In 2016, Josh had the idea to develop a circuit that covered the best high-gain distortion tones of the ’90s and 2000s, a sound that embodied the post-grunge alternative rock movement. We started by looking at pedals, then amps, and after exploring the typical paths of circuitry, we took a sharp turn and started from scratch. Eight years later, the pedal is finished and ready to take you to the next level. The Hard Drive goes harder and further than any gain or distortion we’ve released so far.

Demo by Jamie Slays

Official Product Video

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Review by Guitar Bomb

Review by musicradar

Review by gearnews.de

Hard Drive

Pink Floyds "Breathe", Jimi Hendrix "Star Spangled Banner live in Woodstock 1969" und Robin Trower's "Bridge of Sighs" zementierten den Sound eines photozellen-basierten Vibe-Effekts als E-Gitarren-Standard. Das Unicorn ist die JHS Version dieses einfallsreichen Effekts und setzt die inspirierenden Modulation / Phasing / Rotary-Sounds fort, die immer neue musikalische Grenzen sprengen. Das Unicorn macht alles mit nur vier Knöpfen und einem Mini-Toggle-Schalter. In einer Zeit, in der alles gesehen und getan wurde, bringt JHS dir den allerersten, 100% analogen Photozellen-Modulator mit Onboard Tap Tempo.

Pink Floyd’s “Breathe,” Jimi Hendrix’s live Woodstock performance of “The Star-Spangled Banner,” and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard. The JHS Pedals Unicorn is our version of this heralded effect, continuing the inspiring modulation/phasing/rotary sounds that never fail to push musical boundaries. And just like the originals, we included a toggle for choosing between a Uni-Vibe* effect and a traditional vibrato setting. What sets Unicorn apart from all other vibe-style circuits is that it is the first-ever fully analog, photocell-based vibe with tap tempo as well as ratio, external tap control, and external rate control via expression pedal (optional). And the Unicorn does it all with only four knobs and a mini-toggle switch. In a day and age when everything has been seen and done, we bring you the first-ever, 100% analog vibe photocell modulator with onboard tap tempo.

JHS Pedals, Unicorn V2

JHS Pedals Unicorn V2 (demo)

JHS The Unicorn V2 - Review by Gitarzysta [PL], [07-2020]

Unicorn V2 by JHS

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