Bow down before the unholy unity of two behemoths of gain, the collision of dark and light, and the meld of black and white distortion deities - the ANTI WAVE, a full range amp destroyer stacking the two most sought after distortion sounds in an easily operated pedal.
The first circuit of the ANTI WAVE is based on that of the famous white face rat - a very versatile but deeply characteristic distortion whose extensive filter has converted many a guitarist. This 'white moon' side is controlled by the Anti Gain knob.

The second circuit is based on our favourite version of the black Russian muff - a touch less abrasive than the American twin, but with a remarkable bass response and exceptionally colourful distortion qualities. This is the active 'black moon' circuit of the pedal and can be fine tuned via the Wave Gain knob, but also further manipulated with the on board 'mid scoop' or tone bypass switch (former being controllable via expression pedal, for those who seek adventure).

Official Website

Demo by Kai Niggemann

Official Product Video

Anti Wave

The most brutal Muff - so heißt es in einem Youtube Video, und das trifft es genau: das JPTR FX Warlow Pedal ist ein OP-Amp Style Muff mit der gewissen Schippe mehr! Der Warlow liefert den charakteristischen Seattle Grunge Sound mit Bravour. Ungewöhnlich, aber sehr effektiv ist die neu designte Tone Control - hier kann zwischen Rat Style Filter oder klassischer Muff Style Tone Control gewählt werden. Als Clipping Dioden finden im Warlow LEDs Verwendung, der Bassbereich ist druckvoll und definiert, das Gain deutlich erweitert.
Der gute, alte Muff auf 11!!!

Looking for a pedal that captures the raw, wild sound of the Seattle music scene? Look no further than the JPTR FX Warlow - a premium-quality OP Amp Big Muff pedal. It has a unique filter section, which combines both classic and Proco Rat filters for a truly versatile and dynamic sound. This pedal was rebuilt using a vintage Big Muff from the same release date as the Siamese Dream album, and with its incredible sound and build quality, the Warlow is sure to become a staple in your rig for years to come.

Product Page

Review by delicious audio 

Demo by Eric Merrow 

Demo by Riff, Beards & Gear 

Warlow

After hearing your calls, we've taken one of our most in-demand pedals and meticulously redesigned it, ultimately delivering the Silvermachine in its now final, compact form. We understand that pedalboard real estate is precious, and our goal was to provide you with the same outstanding tone and versatility you've come to expect, all while fitting seamlessly into your rig. The result is a smaller, more pedalboard-friendly Silvermachine, ready to unleash its fuzz magic on stages and studios around the world.

Review by delicious audio

Demo by EytschPi42

Review by Stompbox Steals

Silvermachine

If you're a musician who loves to explore the vast and immersive sonic landscapes that reverb pedals can create, then the Kaleidoscope is the perfect addition to your pedalboard. With a plethora of reflective possibilities at each turn of a knob, the Kaleidoscope is a breath of fresh air to add to the end of any pedal chain. In fact, the only downside might be that your signal chain may never sound as exciting when it's turned off!

Review by Gitarre & Bass

Demo by Jackson Brooksby

Kaleidoscope

The Katastrophe is a well-rounded, articulate distortion pedal that complements a diverse range of playing styles, built to work perfectly in front of the amp, but also as a full preamp into a rental amp on stage.
Enabling the player to retain fidelity as well as drastically reshape their signal - and to do so conveniently - has been a crucial objective in the KATASTROPHE's circuit design. Thus, the pedal comes equipped with an assortment of external and internal knobs for radical manipulation. Volume determines how hard you push the amp, or how loud you want your setup to be when using the Katastrophe as a preamp. Gain is pretty self-explanatory as always and so are the EQ controls Bass, Treble, and Presence, with presence controlling higher frequencies than the Treble knob.
The externally located low cut will remove low rumble if you wish for a more modern high gain sound, or to go full doom with all the low end untouched. The analog Octave Up section has more gain than the usual octave-up circuits and is identical to the one found in our Silvermachine. An added footswitch for this circuit offers players more flexibility and allows for more drastic changes while playing.

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