Holy Spirit of the forest, the Fuzzly Bear fuzz pedal is here, so kick the Switch to unleash the beast!

The sound of this fuzz-pedal is influenced by an old rare and underrated fuzz box from the 1970s, the classic Jordan Boss Tone. The main reason though, why this pedal did not conquer the world of effects back in the day, was due to its massive lack of bass.

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Demo by LowEndStrings

Demo by Living Room GD

Official Product Video

Fuzzly Bear

Just feed SAM a standard 9V or 12V DC outlet (negative-centre pin) from your power supply unit, or a standard power adapter and it will give you one power output with -9V DC and one with 18V DC. Each output delivers up to 100mA, enough to feed several pedals via a daisy chain. By using the 18V DC output, SAM will breathe new life into your favourite drive and distortion pedals capable of handling increased voltages, by greatly improving their dynamics and headroom.  We simply love old fuzz boxes and know all about the – 9V DC power supply problem that can plague some old designs. Hence we felt obligated to solve that with SAM by giving you the possibility to put your vintage fuzz pedal on your board without using an extra power adapter. It will avoid error sources and you can get rid of batteries. Win Win!

Manual download

KMA Machines released the original QUEEQUEG in 2016. The pedal was our take on how simple and effective an analog monophonic suboctave device could be.
Time doesn’t stand still and so with QUEEQUEG 2, KMA’s aim was not only to update the device with a more striking appearance, but also add an additional sub-octave and the ability to switch and mix between them. With a small footprint, the updated pedal also has top mounted jacks and relay based soft switching for the modern age. QUEEQUEG 2’s super, easy-to-use and ultra-fast tracking sub-octaver works equally well on guitar, bass and synth, so these classic earth-shakingly awesome tones can find their way to any setup out there.

Review by gearnews

Manual Download

Review by Gitarre & Bass

Demo by The Pedal Zone

Queequeq 2

The Horizont’s mission is to push way beyond the classic phasing sounds of yesteryear, and take you to uncharted phaser worlds the second you plug in. By combining lush analog JFET phasing with digitally controlled dynamics, Horizont creates a vivid and expressive modulation experience, all while providing experimental and creative features that’ll kick phasing well into the 21st century.

The implemented envelope generator is one of Horizont’s absolute key features. It transforms your input signal into a control source to modulate the speed of the digitally controlled LFO or lets you manually phase for a resonant touch wah-like sound, depending on the state of the SWP- and SPURTCONTROL-Switch. 

Review by Pedal of the Day

Review by reddit /guitarpedals

Review by Ultimate Guitar

Review by AMAZONA

Demo by Alberto Barrero

Horizont

The Dead Stag is based on one of the most classic discrete fuzz/distortion circuits in pedal history. This design has been built into countless versions by many pedal builders along the last forty odd years, however we wanted to take the evolution further than ever before and give you a Big Muff style pedal, but one with many more tonal options and smart features to make as versatile a fuzz/distortion pedal as possible.

Beneath the active Bass/Treble EQ with a 15db cut/boost, KMA designed a parametric mid EQ with a 12db cut/boost between 400Hz and 2.4kHz. Apart from the internal Q Bandwidth control, every EQ control is on top of the pedal which gives you a ton of tonal options. From a thick low-end rumble or spitty mid-range, to scooped mids or a low mid hump, everything is possible.

Review by Stompbox Steals

Dead Stag

Dead Stag by KMA Machines

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