Just feed SAM a standard 9V or 12V DC outlet (negative-centre pin) from your power supply unit, or a standard power adapter and it will give you one power output with -9V DC and one with 18V DC. Each output delivers up to 100mA, enough to feed several pedals via a daisy chain. By using the 18V DC output, SAM will breathe new life into your favourite drive and distortion pedals capable of handling increased voltages, by greatly improving their dynamics and headroom.  We simply love old fuzz boxes and know all about the – 9V DC power supply problem that can plague some old designs. Hence we felt obligated to solve that with SAM by giving you the possibility to put your vintage fuzz pedal on your board without using an extra power adapter. It will avoid error sources and you can get rid of batteries. Win Win!

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MOAI MAEA is KMA Machines’ homage to the powerful analog octaver tones of yesteryear. The pedal generates one higher octave and up to two sub-octaves, helping you create massive walls of synthy sound from a single note.

The MOAI MAEA’s upper octave section has an edgy and fuzzy character which is reminiscent of the iconic late ‘60s early ‘70s octave-up tones, as used by legends like Hendrix or The Stooges.
The sub-octave section turns your guitar into a filthy sub bass with ground shaking lows. Choose between either the first (-I), the second (-II) or both sub-octaves together (-I/-II), for an absolutely bone-breakingly heavy subsonic attack.

Review by Gitarre & Bass

Demo by Eytschpi42

Official Product Video

Moai Maea

After years of development work, ENDGAME is our most ambitious creation to date. A highly flexible and comprehensive solution for the end of your signal chain, it is a superb problem solver and convenient creative companion.

Talk about feature packed! With an integrated Stereo FX loop, KMA’s proprietary True Double-Tracker doubler, our own DUAL IR cab with power amp simulation, an Aux Input (also via Bluetooth), real pro-level XLR outputs and extensive routing options, ENDGAME really is a powerhouse for your board, whether touring as a fly rig or practicing at home with headphones. Oh, did we mention Stereo? Now you can finally use all your stereo devices with just one easy to use and compact product – let the alchemy begin!

Review by AMAZONA

Review by Premier Guitar

Demo by Thomann's Guitars & Basses

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ENDGAME - Duality Calibrator

The Dead Stag is based on one of the most classic discrete fuzz/distortion circuits in pedal history. This design has been built into countless versions by many pedal builders along the last forty odd years, however we wanted to take the evolution further than ever before and give you a Big Muff style pedal, but one with many more tonal options and smart features to make as versatile a fuzz/distortion pedal as possible.

Beneath the active Bass/Treble EQ with a 15db cut/boost, KMA designed a parametric mid EQ with a 12db cut/boost between 400Hz and 2.4kHz. Apart from the internal Q Bandwidth control, every EQ control is on top of the pedal which gives you a ton of tonal options. From a thick low-end rumble or spitty mid-range, to scooped mids or a low mid hump, everything is possible.

Review by Stompbox Steals

Review by reddit /guitarpedals

Review by Pedal of the Day

Demo by Alberto Barrero

Dead Stag

Calling a pedal legendary or a cult classic is often stretching the truth, but when it comes to the Boss HM-2 MIJ it’s absolutely on the money. From its beyond brutal and grinding distortion tones, bands like Dismember and Entombed birthed Swedish chainsaw metal. While WURM 2 absolutely nails that death-metal sound, its thick walls of gain and sustain is not all about that genre – the pedal is also adept for so many other styles, from Shoegaze to Prog Rock. To give you an idea, famous players like David Gilmour, Prince, Johnny Marr, Belinda Butcher, Lee Ranaldo, Daron Malakian and more have all made their mark with this style of distortion.

Review by bonedo

Demo by Rabea Massaad

Wurm 2

Wurm 2 by KMA Machines

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