Based on the Boss CE-2.  Stock circuit is pretty good as is so there's only a few tweaks to make it sound perfect.  Uses a vintage MN3207 BBD Analog chip.  Rate and depth controls give you all the control you need.  True bypass.  Runs on a standard 2.1mm boss style 9v power adapter. 

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Demo by Played in Canada

Demo by Matt Foy

Theatre of Magic Chorus

The Interstellar Burst is an envelope filter or auto wah based on the green DOD 440.  I built one for some friends doing a complete performance of OK Computer and had to make it a regular offering.  Reversed engineered from my original with a custom hand rolled opto isolator it's full of awesome Radiohead type tones.  Level controls the sensitivity of the filter and the range sweeps the frequency from peaky treble to wooly bass.

Demo by  Robert Renman's Master Guitar Academy

Demo by Jackson Brooksby

Interstellar Burst

The Moth Killer is a dirt pedal based on the Marshall Shredmaster.  I built one for some friends doing a complete performance of OK Computer and had to make it a regular offering.  Full sized version has volume, gain, treble, bass and contour knobs plus an added bright switch to go from stock shredmaster to a more versatile bright setting.  The Jr. version is exactly the same with hardwired bass and bright controls (bass halfway up, bright on).  The contour knob is this pedals' unique feature, letting you go from a nice fat midrangy tone to full on scooped metal mids.  Pedal name came from a lyric in Fitter Happier. 

Moth Killer

Based on the Dallas Rangemaster with a few mods.  Available in both Silicon and Germanium versions. Very versatile for such a small package with three knobs controlling bass, gain and volume.  Not the cleanest booster but that's not a bad thing. 

Demo by Minimalist Musician

Boost

The Detuned Radio is the new improved version of the Squarewave Generator in a smaller package with only the important knobs.  Same great tone, much more convenient package.  Based on the fuzz section of the Schumann PLL it's full of glitchy fuzz awesomeness with tons of volume on tap. Volume and fuzz knobs are self explanatory but the tune knob changes the bias of one of the gain stages to make it more or less gated.  Center is ideal bias with the most sustain while left or right of center bias it negative or positive to make it more gated.

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Theatre of Magic Chorus

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Interstellar Burst

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Moth Killer

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