My new reverb and delay Pedal Board

RC-600

SDD-3000 pedal

2290p

TU-3W Tuner

BigSky MX

ISO Power Block V6 IEC

Der erste Pandora-Effektprozessor aus dem Jahr 1995 war seinerzeit eine Revolution: Kaum größer als ein Kassettenrecorder, legte er die Messlatte für Multi-Effektgeräte aus dem Stand enorm hoch. Die Nachfolgegeräte wurden selbstverständlich immer weiterentwickelt. Irgendwann stellten wir auf REMS-Modeling um und spendierten den Geräten eine weitaus leistungsfähigere Rhythmussektion. Anno 2013 kommt das erste Pandora in einem Pedalgehäuse. Obwohl es sich äußerlich kaum von anderen Bodentretern unterscheidet, bietet es sagenhafte 158 Effektmodelle, von denen bis zu 7 simultan verwendet werden können. Unter den 200 Presets finden sich so gut wie alle Sounds zum Nachspielen des bekannten Repertoires, und die 100 Rhythmus-Pattern liefern bei Bedarf die passende Begleitung dazu. Der Auto-Tuner mit seinem LED-Meter hilft Ihnen in Spielpausen beim Nachbessern der Stimmung. An den AUX-Eingang kann ein MP3-Player für komplette Begleitarrangements angeschlossen werden, dessen Signal sich bis zu 1 Oktave höher oder tiefer transponieren lässt. Der kostenlose Editor für Ihren Rechner erlaubt nicht nur die Bearbeitung, sondern auch die Verwaltung Ihrer Sounds. Das Pandora Stomp macht zwar zahlreiche Effektpedale obsolet, allerdings arbeitet es auch hervorragend mit Ihren unverzichtbaren Bodentretern zusammen.

The first-generation Pandora, which appeared in 1995, was a revolutionary product that packed an amazing amount of functionality into a unit the size of a cassette tape, overturning all expectations of multi-effect units. Subsequently, it has continued to evolve to meet the needs of a wide range of users, adding "REMS" modeling technology and enhanced rhythm functionality. Now in 2013, the latest unit in the Pandora series is a stomp-box type unit. Although it looks like a compact effect unit in a die-cast body, it's actually a multi-effect unit that contains 158 types of modeling effects; seven of which, you can use simultaneously. Two hundred preset programs include many well-known signature sounds as well as 100 rhythm patterns that cover a diverse range of styles. There's also an auto tuner with an eye- catching LED meter that’s easy to read. You can also enjoy jam sessions by connecting your MP3 player to the AUX input, which provides a +/-1 octave pitch shift function. The freely downloadable PC editor/ librarian makes it easy to create and manage sounds. Whether used on its own, or alongside your pedal board, the Pandora Stomp delivers exactly what you need for practice and recording at home or on stage.



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Pandora Stomp

Der Pitchblack XS bietet außer dem True Bypass-Modus für die naturbelassene Ausgabe des Eingangssignals auch einen ULTRA-BUFFER.

Was ist daran so besonders?

Die meisten E-Gitarren sind mit passiven Tonabnehmern ausgestattet und haben eine entsprechend hohe Ausgangsimpedanz. Bei Verwendung eines Gitarrenkabels von 6m oder länger geht im Höhenbereich je länger je mehr vom Gitarren-Sound verloren. Ein Puffer kompensiert diese Signalbeeinträchtigung und somit den Sound-Verlust für lange Kabel – selbst, wenn die Stimmfunktion aus ist.

Der ULTRA-BUFFER verbessert die Klangqualität im Bypass-Betrieb und erhält bei Verwendung eines langen Kabels somit den Sound, ganz gleich, ob es direkt mit dem Tuner oder zunächst mit einem komplexen Effekt-Board verbunden ist.

Der Pitchblack XS erlaubt Wechsel zwischen dem True Bypass- und dem Ultra Buffer-Modus, um in jeder Lebenslage den optimalen Sound zu erzielen.

The Pitchblack XS not only features a true bypass for outputting the sound exactly as it was input, but now includes a built-in ULTRA BUFFER.

Why is this important?

The majority of electric guitars use passive pickups with a high impedance output. When you are using a cable there is a loss of tone, usually high frequencies, after about 6 m (around 18 feet) and this problem gets worse the longer your cable. A buffer boosts the signal over long cables to avoid loss of tone, keeping it clean and clear - even when your pedal is off.

The ULTRA BUFFER enhances the sound quality in bypass mode, so that you can still maintain audio quality even when using a long cable to connect to the tuner, or when inserting the tuner into a complex effects board.

On the Pitchblack XS, you can switch between true bypass and the ULTRA BUFFER, according to your tastes and environment.

Pitchblack XS 

Loved by guitarists for decades, it's a Japanese made modulation-type effect unit that made a blazing debut at the Woodstock festival; you already know the one we're talking about. The inimitable sound of this distinctive modulation effect has captivated numerous guitarists and audiences.
Yet, because only a very small number of the original units exist, and because the circuit itself was not accurately understood and its components were difficult to obtain, it was rare to have the opportunity to try out the unit that produced these famous sounds. Such factors elevated the original to a semi-divine status. Numerous clone models were produced by major manufacturers and boutique shops alike, but all of these remain facsimiles that are pale imitations of the original model.
Now, this legendary classic has been reborn under the ideal circumstances of the original engineer's supervision. Starting with original circuits that simulate hard-to-obtain parts, the distinctive modulation sound has been perfectly reproduced. Not content with a simple reproduction, new WAVE sliders have been added, allowing original waveforms to be generated.
This highly sought after pedal with a long history of allure is now unveiled in its new incarnation: the Nuvibe

Demo by Pedal of the Day

Review by Sound on Sound

Review by The Gear Page

Review by musicradar

Review by Premier Guitar

NuVibe Vibrato Chorus effector

Das HD-S Effektpedal kombiniert drei verschiedene Verzerrungsschaltungen, um eine harmonische Modulation zu erzeugen, die über das traditionelle Konzept der Verzerrung hinausgeht.
Dieses völlig neue Effektgerät wurde von Fumio Mieda entwickelt, dem Entwickler vieler legendärer Geräte wie dem Univibe. Diese neue Art von Effektgerät unterscheidet sich in vielerlei Hinsicht von den üblichen "Fuzz"- oder "Distortion"-Pedalen.
Mit dem HD-S können Sie die drei verschiedenen Distortion-Schaltkreise frei kombinieren, um eine breite Palette von bisher unentdeckten Sounds zu erzeugen, vom traditionellen Fuzz bis hin zu außergewöhnlichen verzerrten Sounds und mehr. Diese breite Palette an traditionellen und völlig neuen Sounds bedeutet, dass der HD-S nicht nur mit Gitarren, sondern auch mit Bassgitarren, Synthesizern und immer dann, wenn neue und einzigartige Sounds benötigt werden, eingesetzt werden kann.

The HD-S effects pedal combines three different distortion circuits to create harmonic modulation that goes beyond the traditional concept of distortion.
This all new effects unit has been developed by Fumio Mieda, developer of many famous legendary devices such as the Univibe. This new kind of effects unit differs from the usual “fuzz” or “distortion” pedal in many ways.
The HD-S lets you freely combine the three different distortion circuits to produce a wide range of previously undiscovered sounds, from the traditional fuzz to out of this world distorted sounds and more. This wide range of traditional and all new sounds means the HD-S can be used not only with guitars but also with bass guitars, synthesizers and anytime new and unique sounds are required.

Review by Gearnews

Review by Guitar World

Review by Guitar.com

Demo by Knobs & Switches

Demo by K Sakuma

HD-S

The rack-mounted SDD-3000 which appeared in 1982 was a classic digital delay that dominated the world thanks to its peerless sonic character. The classic delay effect that’s central to the guitar sounds in world-class rock bands owe a great deal to the SDD-3000, which has been the driving force behind numerous famous songs over the years.

The SDD-3000 PEDAL packs all of the SDD-3000's functionality into a convenient pedal unit. Featuring a pre-amp with ample headroom, a filter circuit that modifies the feedback sound, and modulation waveforms that allow a diverse array of delay effects, it covers all of the SDD-3000's important elements. In addition to specifications that will satisfy SDD-3000 users, it provides many new functions such as eight delay types, long delay times up to 4,000 milliseconds, selectable modulation waveforms, stereo input/output, and MIDI compatibility. The user interface has also been updated for dramatically improved ease of use.

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My new reverb and delay Pedal Board

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