Pipergate is our homage to the guitar tone of the psychedelic rock pioneer Syd Barrett and his sound presumably using the Selmer Buzz Tone booster/fuzz pedal.
While faithful to the three-transistor topology of the original pedal, we have improved the circuit so that today’s guitarists can easily use it on their pedalboards. The pedal runs now on standard DC9V instead of the 3V of the originals.

The improvements include a new function, namely the Buzz knob that allows the user to adjust the bass gain range. Every control went through a little fine tuning from us that now allows a way broader range of tones to be set. The same sound of the original with new possibilities added.

This is a specialty box built around three extremely rare, matched Germanium transistors. It is the imprint of the sound world of an era that does not belong to the mainstream these days.

Review by delicious audio

Demo by Kris Barocsi

Demo by Buddy Blues

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Pipergate

The signal chain is Rangemaster into a Fuzz Face that combined together basically can give you a Tonebender Mk2. Lots of tweaking options, for those whom would like to have years of Germanium tone history into one box. Three of the most coveted legendary Germanium sounds in the same pedal.

A planned Limited Run of 100 units made with hand selected NOS transistors. The transistors used in this pedal are not made anymore for decades. Specially blended together to cover the sounds of the three Germanium legends. I’ve been tinkering by quite some time, how to incorporate three of my favorite fuzz circuits under the same hood. It’s almost impossible as we are talking about three very sensitive circuits, so this project was not so simple and honestly it became an obsession.

Review by The Gear Page

Official Product Video

Demo by Sam Vilo

King Of Stone

Kasleder Effects proudly introduces the Kasleder Germanium Acid Fuzz pedal. The circuitry of the light green fuzz pedal is based on two very rare NOS SFT 308 Germanium transistors inside. These - now are hard to find - transistors were responsible for the sound of the original Dallas Arbiter Fuzz Face and Tone Bender MK 1.5 pedals as well.
The Kasleder Germanium Acid Fuzz faithfully reproduces the tonal qualities of the original Fuzz Face stomp boxes so delivers a sound true to its great predecessors. However its circuitry is based on the classic Fuzz Face circuitry, it has a few modifications to meet the demands of the present day player. The GE Acid Fuzz effects pedal’s maximum gain level is relatively low so it delivers a true warm vintage “wooly” fuzz tone character to your sound.

Demo by DivKid

Germanium Acid Fuzz

Als Sound-Grundlage diente das legendäre LA2A Studio Compressor/Limiter, hier aber in einem kompakten, kleinen Gehäuse.Der Schaltkreis basiert auf einem äußerst besonderen Opto-Schalter, für den perfekten Klang - ohne Kompromisse. Verwendbar auch als überzeugender Clean-Booster, sehr ähnlich dem berühmten Solo Dallas. Ein richtiges -always on- Pedal, das man gar nicht mehr ausschalten möchte. Nicht nur für Gitarre sondern auch für E-Bass oder andere Instrumente eine ausgezeichnete Wahl.Handgefertigt in Ungarn, by Albert Kasleder.

The legendary LA2A Studio Compressor/Limiter served as the sound basis, but here in a compact, small housing, the circuit is based on an extremely special opto-switch for the perfect sound - without compromise. Can also be used as a convincing clean booster, very similar to the famous Solo Dallas. A real -always-on pedal that you won't want to switch off. An excellent choice not only for guitar but also for electric bass or other instruments, handmade in Hungary by Albert Kasleder.

Demo by absurducus

Pressure Drop

The birth of the Kasleder Yeti Drive was inspired by the first incarnations of Big Muff pedals, but instead of it being just another clone, there is something more mysterious and sinister hiding under its bonnet, giving it a unique tone and drive texture. Typically, most Muffs are voiced with a very heavy low-end and piercing highs, however, their mid-range is usually very „scooped” and hollow. In order to create a less obtrusive and better balanced sound spectrum, the frequency range of the Yeti Drive has been re-tailored to give a tighter low-end, gentler highs and a slight hump in the mid-range, making the sound extremely controllable and versatile, allowing it to cut through the mix a whole lot better.

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