The Boost/Overdrive offers the combination of a simple dynamic overdrive and an independent clean boost circuit—all in one compact pedal. The overdrive section is truly "classic", adding warmth, sustain and punch, without coloring your sound. It can go from a bluesy, slightly overdriven sound to full-metal crunch with a twist of the gain knob. The MC402 also cleans up nicely when you roll back your guitar volume, making it extremely touch sensitive and responsive to picking dynamics, without becoming thin sounding. The boost circuit alone is a bonus, as it is the exact same circuit CAE has used for years to solve a wide variety of signal conditioning problems in major guitar systems. The MC402's high quality components provide quiet operation and trouble-free interaction with other pedals on your board. In keeping with the CAE tradition, the design is simple and straight forward, with a minimum of controls—only what is necessary to do the job.

Demo by Kevin Copley

Demo by  Viejo Macabro

Review by Harmony Central

Review by audiofanzine

Review by AMAZONA

Manual

Product Page

MC402 CAE Boost/Overdrive

This pedal recreates the sounds of the two heavily modified amplifiers—represented as separate and blendable High Gain and Crunch Gain circuits—that Billie Joe Armstrong used to get his dirty-yet-articulate sound when recording Green Day’s groundbreaking record, Dookie. We’ve dressed this special edition version up with a finish that speaks to the explosive impact of that record and the explosive sonic potential of its namesake pedal.

Review by Guitar World

Demo by Anndy Negative

Dookie Drive V4

Designed in conjunction with indie pedal builder Analog Man, the MXR Duke of Tone Overdrive is for players who want to add a touch of warmth and grit to their rig while allowing the natural tone and feel of their high-end gear to shine. Based on the Prince of Tone Overdrive, the single-channel version of the King of Tone Overdrive, this pedal is a vintage connoisseur’s dream come true. Analog Mike personally tested and matched all of the various thru-hole components to the King of Tone Overdrive, ensuring that sweet sonic seasoning stays in the line of succession: a warm-yet-clear-and-open sound that allows all of the nuances of your signal chain to come through, from your individual guitar strings to the dynamics of your amp’s tubes.

The Duke of Tone Overdrive likewise carries forward the same simple-yet-effective control interface. Volume, Drive, and Tone knobs cover all your basic tweaks while the Boost/OD/Distortion switch allows you to set the overall attitude of the pedal’s output. Boost mode gives you a clean-yet-vigorous bump, OD mode adds a touch of grit and compression, and Distortion mode adds a touch more of each. In all modes, your rig still sounds like your rig. Don’t be afraid to get creative—the Duke of Tone Overdrive is excellent when stacked with other gain pedals, and running the pedal on 18V will give you an extra helping of headroom and clarity, especially in Boost mode.
For a sound that’s yours, but only more of it, you can’t do better than the Duke of Tone Overdrive from MXR and Analog Man. Put one on your pedalboard, and elevate your signal chain.

Demo by Martin Clayton 

Demo by Jim Dunlop USA

Official Product Video

DUKE OF TONE OVERDRIVE [CSP0399]

The Micro Flanger provides the same tones and textures as its big brother but with a simpler interface featuring Speed and Regeneration controls

Review by bonedo

M152 Micro Flanger

The M-181 MXR Bass Blowtorch bass overdrive pedal is made to deliver the hottest sounds this side of Hades--from a tube-like growl to full-blown distorted madness. Because the Bass Blowtorch's overdrive is focused in the midrange frequencies, you'll retain your low-end thunder and high-end sizzle while the overdriven mids cut through any mix. An active 3-band EQ with a mid shift switch provides precise signal balancing, while the Blend knob lets you balance the distortion with the direct signal for the exact tone you're after. 18-volt performance equals increased dynamic headroom, clarity, and low noise no matter the volume level, and true bypass circuitry means it's really off when you want it off, leaving your signal completely unaffected.

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MC402 CAE Boost/Overdrive

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