Deep Blue Delay is a natural sounding digital/analog delay, with the analog direct signal path. The Deep Blue Delay has about the same bandwidth as the classic tape echo units, and it can be used in front of an amplifier or in amplifier effects loops.

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Deep Blue Delay

Rich, fat, warm sound and well thought out functionality makes the Mad Professor Dual Blue Delay one of the most clever, intuitive, and easy to use delay pedals currently available.

The short delay has a maximum delay time of 315ms and a fatter tone well suited for slapback and old-school tape echo tones. Long delay reaches 810ms and has a modern delay voicing, great for lead and ambient tones.

Both delays have wide range Tone controls for dialing in the perfect setting. Switch between the two delay channels or combine both together for huge dual-delay sounds. Keeping the On/Off switch depressed for 1 second brings you an exciting rhythmic multi-head mode. A must-have for all instrumental rock and Pink Floyd fans.Tap Tempo function is also included for use on the Long delay channel.

Dual Blue Delay is a powerful and intuitive pedal for the progressive musician.

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Review by The Gear Page

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Dual blue delay

The pedal is called Supreme because it simply excels in both tone and functionality. Supreme was born in collaboration with the world famous tone connoisseur Matt Schofield. Matt was looking after the best guitar overdrive tones possible and a specific functionality: two pedals in one, switching from one side to the other with just a single press on the switch.

The tones were set for a great all around boost to low gain drive on the A side used mostly on a neck pickup. The A side is heavily based on our famous Royal Blue Overdrive pedal. And for the B side a fat dynamic tone containing some ”power amp” response with a lot of headroom. The B side is a completely new design and is used mostly on a bridge pickup. This is the way Matt prefers to use the Supreme pedal.

Review by Guitar.com

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Supreme

LECTRIC BLUE II - Chorus Vibrato is a super high quality modulation pedal with a small footprint. It is simple-to-use yet surprisingly versatile. Vintage technology and modern engineering ensures the most organic and purest analog tone and ultra quiet performance. Electric Blue II is innovative and beautifully complex all analog bucket brigade design.

Warm or bright? Blast from the past or from today and everything in between? You get to choose. The effective and thorough, yet simple to use, controls allow you to explore analog modulation like never before.

Demo by delamar Guitar

Review by Gearnews

Electric Blue II Chorus

A compact digital reverb pedal with pure-analog dry signal path, true-bypass switching, and controls for Time, Tone, and Reverb (depth), the Silver Spring proved a sparkling little performer in a range of settings. It ably subbed for a tube Fender Reverb Unit in front of a tweed-like combo for some surfy instrumentals, and worked equally well replacing a Bogner Goldfinger’s builtin spring reverb in the amp’s parallel FX loop. It doesn’t go splash when you kick it, and you might detect just a hair of pulsing in the wash of the effect’s decay, but all in all it’s a stellar sounding unit

Review by AMAZONA

Demo by ProGuitarShopDemos