Maestro hatte das erste Fuzz-Pedal der Welt entwickelt - das Maestro Fuzz-Tone FZ-1. Der 1962 auf den Markt gebrachte Fuzz-Tone wurde zum Sound des Rock'n'Roll und zu einem unverzichtbaren Accessoire für Gitarristen auf der ganzen Welt - insbesondere nach dem Erfolg von (I Can't Get No) Satisfaction der Rolling Stones aus dem Jahr 1965, bei dem der innovative Fuzz-Sound eine wichtige Rolle spielte. Jetzt bringt Maestro mit dem neuen Maestro Fuzz-Tone FZ-M die Freude und die Klangwucht der frühen Fuzz-Tones zurück. Dieses rein analoge Pedal verfügt über einen Modus-Kippschalter, der zwei Pedale in einem bietet und so für mehr klangliche Vielseitigkeit sorgt: So ergibt sich sowohl ein vom originalen FZ-1 inspirierter Fuzz-Sound als auch ein dicker . . .

Maestro created the world’s first fuzz pedal – the Maestro Fuzz-Tone FZ-1. Introduced in 1962, the Fuzz-Tone became the sound of rock and roll and a must-have accessory for guitarists everywhere after the success of 1965’s (I Can’t Get No) Satisfaction by the Rolling Stones, which prominently featured its cutting edge sound. Now Maestro is bringing the fun and sonic fury of those early Fuzz-Tones back with the new Maestro Fuzz-Tone FZ-M. This all-analog pedal boasts a Mode toggle switch that provides two pedals in one functionality for increased sonic versatility with both an FZ-1 inspired fuzz sound and a thicker, more modern fuzz tone. Its 3-knob control layout gives you intuitive control. The Attack knob controls the amount of fuzz. The Tone control lets you adjust the timbre from br . . .

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Fuzz-Tone FZ-M

The Maestro Invader Distortion is a high-gain, all-analog modern distortion pedal with a heavy, aggressive, dominant sonic character and loads of rich harmonics. With the Maestro Invader Distortion, users can generate a wide range of distorted sounds. The 3-knob control layout gives users intuitive control over Gain (distortion amount), Tone, and output Level, with more than enough volume on tap to easily exceed unity gain when you want to. Users can also engage a built-in noise gate with the top panel toggle switch. An internal trim pot mounted on the circuit board inside the pedal allows the user to adjust the level of the noise gate's Threshold.

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Invader Distortion

The Maestro Orbit Phaser is a descendent of the very first phaser pedal ever produced - the legendary Maestro PS-1. This classic effect has been re-engineered and tailored to the needs of today’s players. The Maestro Orbit Phaser is designed to optimize all the character and vibe you expect from an all-analog phaser. Warm and smooth, the Maestro Orbit Phaser offers all the versatility needed to dial in the tastiest of phaser effects. Its two-position Mode switch gives you a choice of 4 or 6-stage phasing. The intuitive 3-knob control layout lets you quickly set the desired Width (the intensity of the phaser effect), Feedback (emphasizing the amount of vocal phase effect), and adjust the Rate (speed) of the phasing effect. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.

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Orbit Phaser

Standard phasing effects for guitar, bass, and other electroacoustical musical signal

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MP-1 Phaser 

The Maestro Ring Modulator RM-1A is a pioneering guitar effects pedal designed by Tom Oberheim in 1972, renowned for its unique sound-shaping capabilities. It produces complex, dissonant tones by mathematically combining input signals, resulting in metallic, robotic, and sci-fi-like sounds that are not harmonically related to the original input. The RM-1A was one of the first effects pedals aimed at keyboardists and gained popularity among innovative musicians of the era, including Herbie Hancock and Joe Zawinul. Its versatility allows for a wide range of effects, from clangy robot noises to swirly tremolo and even extreme distortion. The pedal's historical significance lies in its role in shaping the experimental sound of late 1960s and early 1970s music, marking an important development in electronic music and effects processing.

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