With its huge range of tonal frequencies and high sound definition the SmoG will make you notice every string’s twang and every note in your chord.
Furthermore, the SmoG is highly touch sensitive and dynamic responsive which makes the SmoG feel like an organic extension to your guitar.
The SmoG has also been specifically designed to respond well to low frequencies, therefore it will work perfectly with bass guitars as well.

Demo by  giovanni favuzza

Demo by BassYourLife

Review by guitar pedal X

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Smog

Area is an extremely versatile Multi Reverb with which you can obtain many
reverberation environments. From short reverberations to huge spaces and
celestial atmospheres, without clouding the Dry signal.
Area is built on the base of powerful digital algorithms of our own creation,
reproducing 4 diferent reverberation efects with an exceptional sound quality.

Review by Premier Guitar

Review by mixdownmag

Demo by LIving Room GD

Official Product Video

Area

A hybrid of germanium and silicon, combining the correct dynamics and well-defined granular effect typical of germanium with the grittiness and high sustain levels of silicon.

An endless variety of resonances can be achieved by synchronizing choices of timbre with use of the filter and fuzz controls: from the resonances typical of valve distortions to the various fuzz timbres.

Demo by BassTheWorld

Demo by gearmanndude

Love Buzz

Have you always felt the lack of an extra lead channel on your amplifier?
You may definitely consider the Tempesta as a lead channel.
Designed to sound and respond like a saturated valve, the Tempesta will sing beautifully on any amp.
Moving the gain control clockwise will get you from a subtle fuller sound through warm, gritty rhythms, to the
most spectacular saturated valves sound, with an endless sustain.
The "deep" option on the toggle switch will slightly boost your mids helping your sound to cut more easily up front.

Demo by 스쿨뮤직 TV

Tempesta

The OFF1 pedal features 3 analog stand alone circuits in series: Octave (sub1 & sub2) + Fuzz (with switchable octave up effect) + Ladder Filter.
Octave and Fuzz can be used individually for a more canonical approach of the two effects, while from their combination more experimental results can be obtained. The first effect in the internal signal chain is the Octave and then in series come the Fuzz and the ladder Filter. By applying the Fuzz’s high octave effect and Filter on the low octaves you get out of the ordinary sounds and are projected towards moods close to the world of synths.

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