The RTC600 starts out with the same patented DBX compression circuit used in Maxon’s popular CP-9 Pro+ pedal - this circuit provides a very smooth, transparent, almost “glassy” compression with very low noise floor, even at maximum settings.  Your guitar sounds like your guitar, only with compression added to smooth out the dynamics.

The RTC600’s dual-triode tube is positioned pre-compression, adding classic valve warmth to the signal without increasing noise levels.

Review by No Treble

Review by Talk Bass.com

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Demo by Brett Kingman

Demo by GodlykeInc

RTC600 Real Tube Compressor/Limiter

The new AD-9 Pro model improves on one of Maxon’s most coveted models in order to produce the best-sounding, most reliable analog delay ever. Featuring 4 of Maxon’s proprietary MC4107D bucket brigade IC’s, and the world’s first RMS level sensor and companding noise reduction system, the AD-9 Pro delivers 450 millseconds of the most transparent analog delay sound ever available in a stompbox format.

Offering improved headroom, the AD-9 Pro can accept any input signal and will work in an amplifier's effects loop as well as its front-end.

The AD-9 Pro also features a switchable multi-head tape echo simulator function. This feature provides interesting new delay effects such as the “Ping Pong” repeats made famous by Tape Echo units as well as ambient effects that recreate the echoes of a large concert hall with stunning accuracy.

AD-9 Pro is outfitted with mechanical true bypass switching on both wet and dry outputs by use of a 4PDT switch assuring pure, unaltered tone when bypassed.

In a world that grows more “digital” by the day, the Maxon AD-9 Pro sets a new standard of analog innovation and audio purity.

100% Analog Delay with 450 mS delay time
Gorgeous, warm, organic delay tone
Special filtering on repeats to reduce distortion
Multi-Tap switch for “beat-split” effects
Capable of Self-oscillation effects
Stereo (wet/dry) outputs
Works in FX loop or front-end of amp
True Bypass Switching

AD-9 Analog Delay

The original 1980’s PT-9 Phaser was a great pedal, but a little known fact is that Maxon also offered a different version of that model that was only sold in Japan under the Maxon brand – dubbed the PT-9 Pro, this silver-boxed rarity featured optical circuitry for a lush, drippy, 3D phasing effect similar to vintage units such as the Mu-Tron Phaser II and the Shin-Ei Uni-Vibe.

The PT-9 Pro+ Phaser takes this ultra-rare version of the PT-9 and adds a voltage-doubling IC to offer massive headroom and an improved frequency response, yielding fat, full-bodied phasing with incredible clarity and transparency.

Review by mylespaul

Review by The Gear Page

Demo by TooNyTooN

PT9 Pro+ Phase Shifter

EQ’s may not be as sexy as overdrives, but when used properly they can add a wide variety of useful new colors to your existing guitar rig.

The GE601 Graphic Equalizer covers six carefully selected frequency bands over a five octave range with 12 dB of Boost/Cut per band (100, 200, 400 & 800 Hz, 1.6 & 3.2 KHz respectively).  There’s also a Master Level control with 12 dB of overall Boost/Cut.

Review by Harmony Central

Demo by Rockplanet Musicstore

GE601 Graphic Equalizer

The yellow FL301 Flanger produces the wide-sweeping vibrato and jet-like effects characteristic of the 70's analog boxes.

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RTC600 Real Tube Compressor/Limiter

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AD-9 Analog Delay

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PT9 Pro+ Phase Shifter

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GE601 Graphic Equalizer

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