EQ’s may not be as sexy as overdrives, but when used properly they can add a wide variety of useful new colors to your existing guitar rig.

The GE601 Graphic Equalizer covers six carefully selected frequency bands over a five octave range with 12 dB of Boost/Cut per band (100, 200, 400 & 800 Hz, 1.6 & 3.2 KHz respectively).  There’s also a Master Level control with 12 dB of overall Boost/Cut.

Review by Harmony Central

Review by The Gear Page

Demo by Rockplanet Musicstore

Demo by GodlykeInc

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GE601 Graphic Equalizer

The Maxon AF9 Auto Filter takes the most desirable auto-wah and swept filter effects and offers them up in a compact, user-friendly package. Opto-coupler circuitry produces the shimmering, watery filtering of legendary vintage units. Threshold and Peak sliders control the degree of effect; while Range and Drive switches determine range and direction of the filter sweep. Three selectable filter types (Low Pass, Band Pass, and Hi Pass) and a frequency range of 100 Hz – 4 kHz allow the AF9 to function with virtually any instrument or input signal.

Review by Marcels Guitars

Review by Talk Bass.com

Demo by Pedal of the Day

AF9 Auto Filter

Introducing the Maxon SM-9 Pro+ Super Metal – specifically designed for high-gain distortion tones, the SM-9‘s flexible saturation circuit can churn out everything from classic NWOBHM crunch through to the throaty chunk of today’s drop-tuned metal extremes.

Developing such a pedal was no easy task, and the Pro+ was on the drawing board for years before Maxon felt it was ready for release.  Several unique “tricks” were incorporated into its design to create a pedal that is as versatile as it is merciless.

Review by Premier Guitar

Review by reddit /guitarpedals

Demo by Guitar World

Demo by Regent Sound

SM-9 Pro+ Super Metal

The Maxon D&S II Distortion Sustainer pedal uses a dual op-amp design similar to the OD808, yet with increased low-end, output and gain. Distortion, Tone, and Balance knobs give the user complete control over the distortion effect providing subtle crunch to intense saturation. If you like the 808’s bark but could use a little more bite, the Maxon D&S II is the pedal for you.

Review by Guitar Noise

Demo by TheToneShack

Demo by Mike Hermans

D&S II Distortion & Sustainer II

The FWA10 Water narrows the playing field by taking the authentic Ram’s Head replication of the Fuzz Elements Earth and adding a parametric EQ circuit to the mix.

Water’s powerful parametric equalizer covers a massive frequency range from a punchy 100 Hz to ear-splitting 5 kHz. Select a frequency and then boost or cut to tweak your tone with pinpoint accuracy.

By manipulating Water’s EQ, the user can dial in the entire palette of Big Muff variations, from the more mid-heavy, musical snarl of the original Triangle-Knob Muff to the harmonically-rich sustain of the Ram’s Head all the way through to the super-compressed, scooped-mid mayhem of the Green Russian Sovtek’s.

The FWA10 Water: Why settle for one Muff, when you can have them all?

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Fuzz Elements - Water (FWA10)

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GE601 Graphic Equalizer

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AF9 Auto Filter

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SM-9 Pro+ Super Metal

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D&S II Distortion & Sustainer II

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