EQ’s may not be as sexy as overdrives, but when used properly they can add a wide variety of useful new colors to your existing guitar rig.

The GE601 Graphic Equalizer covers six carefully selected frequency bands over a five octave range with 12 dB of Boost/Cut per band (100, 200, 400 & 800 Hz, 1.6 & 3.2 KHz respectively).  There’s also a Master Level control with 12 dB of overall Boost/Cut.

Review by Harmony Central

Review by The Gear Page

Demo by Rockplanet Musicstore

Demo by GodlykeInc

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GE601 Graphic Equalizer

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Review by Legendary Tone

Demo by The Pedal Picassos

Demo by Emma Dangers

AD80 Analog Delay

The DS830 can generate insane amounts of gain while still retaining remarkable evenness and transparency.  Yet far from being a one-trick pony, the DS830 is also capable of lightly overdriven blues tones and even semi-clean solo boosts at lower Gain settings.

Clarity and punch may seem like self-canceling traits, yet the DS830 provides both.  The high-gain settings don't force a particular color on your tone - a great trait if you're pleased with your particular guitar/amp combination.

Review by musicradar

Review by audiofanzine

Demo by  อานนท์ ปานสอาด

DS-830 Distortion Master

Demo by  Peta Lukács

DCP series PPE1

With its single knob, the PT999 Phase Tone looks deceptively simple.  Yet packed into this tiny blue box is a host of the most authentic 70’s-era phasing effects available in a current production unit.

The secret behind the PT999’s timeless tone lies in the fact that its circuit is exactly the same as it was when first introduced in 1974.  While many “reissue” effects are far from true to the original designs, Maxon has taken great pains to keep the Phase Tone unchanged for close to 45 years.

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