The ASC10’s chorusing effect is set especially wide in the stereo spectrum, offering a lush tonality that actually sounds like two guitars playing at once.

The extended operation range of the Rate and Depth controls conjure up everything from gorgeous 12-string simulations to punch-drunk rotary speaker spins.
Stunning on clean sounds and aggressive on distorted tones, the ASC10 is equally at home in the front-end or the FX loop of an amp.

Review by Performer Mag

Review by delicious audio

Demo by Brett Kingman

Demo by Dennis Kayzer

Product Page

ASC10 Ambient Stereo Chorus

Official Website

Review by Legendary Tone

Demo by The Pedal Picassos

Demo by Emma Dangers

Review by The Gear Page

AD80 Analog Delay

Review by Squid Guitar

Review by bonedo

Demo by Regent Sounds

Demo by GodlykeInc

AD9Pro Analog Delay

The analog signal path of the Maxon FL-9 Flanger pedal uses the Panasonic MN3207 BBD IC to create some of the richest, thickest flanging and time-delay effects possible. Rate, Depth, and Regeneration controls allow the user to dial in everything for shimmering chorus and vibrato to hollow, metallic overtones to thick, jet-like flanging sweeps. In addition to standard controls the FL-9 features a Delay Time knob that allows for a vast array of all-new spatial effects. Silent operation makes the Maxon FL-9 at home on the stage or in the studio.

Review by Talk Bass.com

Demo by collector//emitter

FL9 Flanger

The RTC600 starts out with the same patented DBX compression circuit used in Maxon’s popular CP-9 Pro+ pedal - this circuit provides a very smooth, transparent, almost “glassy” compression with very low noise floor, even at maximum settings.  Your guitar sounds like your guitar, only with compression added to smooth out the dynamics.

The RTC600’s dual-triode tube is positioned pre-compression, adding classic valve warmth to the signal without increasing noise levels.

Review by No Treble