The Megalith Delta high-gain distortion is a design like no other. All of the tone of the MI Amplification Megalith Beta 180W amplifier distilled down to stompbox form by none other than the designer himself. The Megalith Delta contains all of the tightness and heavy bottom-end giving you that complex and sophisticated signature Megalith tone.

From Michael Ibrahim:

“So many amp-in-the-box designs leave so much behind. It takes years of R&D to truly understand the variables behind great high gain tones. But by designing the amplifier from the ground up, I was able to really grasp how to make a complex, sophisticated high gain sound that kept all the nuances, huge bottom end and the clarity and character of the top end. Without this knowledge, it is very hard to capture all of the feel and tone that, as a guitarist, we come to connect with in our amplifier. Factors such as operating points, dynamic range, scaling of clipping thresholds, output impedances, and intrinsic capacitances due to things like the miller effect etc. all went into the design of the Megalith Delta. It is not a standard JFET copy of a preamp circuit, but for a design that captures the power of the Megalith Beta amplifier.”

Review by Stompbox Steals

Review by sevenstring.org

Review by The Gear Page

Review by Premier Guitar

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Demo by Peter H

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Megalith Delta

The backbone of the Cross Over Drive is four FET transistors designed to capture the response and touch-sensitivity of an amp’s organic overdrive. But making a FET stage behave like a particular tube stage is actually a very complex affair and is not a simple substitute like most other FET-based preamp circuits. Our experience in designing valve amplifiers at MI Audio has seen us obsess over every minute detail of the Cross Over Drive’s circuit from operating points, dynamic range, scaling of clipping thresholds, output impedances, intrinsic capacitances due to the Miller Effect… you get the idea! This obsession has led to an original pedal design like no other that becomes a natural extension of your guitar, amp and playing style.

The most coveted guitar tones are those where the guitar, player and amplifier work as one. Every attack on the guitar string, be it by plectrum or finger pick, legato to down-stroke, neck or bridge pickup –all provide a different tone and feel that traditional overdrive pedals can struggle to capture. This response has been the driving force behind the design of the Cross Over Drive and this attention to detail is what sets it apart from the pack.

Demo by Prymaxe

Cross Over Drive 

The Megalith Delta high-gain distortion is a design like no other. All of the tone of the MI Amplification Megalith Beta 180W amplifier distilled down to stompbox form by none other than the designer himself. The Megalith Delta contains all of the tightness and heavy bottom-end giving you that complex and sophisticated signature Megalith tone.


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Demo by Dennis Kayzer

The Pollyanna begins our move away from the comfort of straight laced overdrive and distortion pedals. The basic idea of this pedal was to combine the most common types of dirt and nasty analogue octave effects in one unit. With this pedal if you are after a smooth polished polyphonic digitised octave then forget about it and look elsewhere. One thing to keep in mind with this pedal is you cannot just play like ‘normal' and turn the pedal on. This is a pedal which you need to work with and meet half way to get the best result.

Demo by  JimijaymesGuitarist

Review by Harmony Central

Review by Talk Bass.com

Official Website

Pollyanna Octave

The MI Audio Blue Boy Deluxe V2 Overdrive is a highly-regarded guitar effects pedal, praised for its smooth, singing low and medium gain sounds. It’s an excellent choice for Blues and Fusion leads.
The Blue Boy Deluxe V2 is an overdrive pedal designed to deliver Tube Screamer-inspired tones with enhanced gain and volume. This pedal builds upon the original Blue Boy Deluxe, offering improved performance and versatility.

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Megalith Delta

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