7In Soviet Russia fuzz plays you. Like the original Limited Edition BMP-1, the BMP-2 is based on the highly sought after Russian Muff. Unlike the previous pedal, this one is more pedalboard friendly, more affordable, and has slightly higher gain transistors for even more crushing, fuzzy goodness.

Demo by OrkSmegga

Demo by Prymaxe

Official Website

BMP 2

The Dewdrop excels in both versatility and usability by offering a simple, intuitive layout. It’s carefully voiced to give you 100% usable spring reverb tones ranging from subtle and damp to full on ambient wetness. It’s designed to give your tone a splash of color alongside a minimal set of controls that allow multiple shades and textures.

Review by The Gear Page

Demo by musictoyznetwork

Demo by Curti Kent

Product Page

Dewdrop

Winner of the Premier Guitar Premier Gear award! The Mr O was created to reproduce the special and beloved sound of the original phase shifter pedal. Released in the early 1970's intending to replicate the sound of a Leslie rotary speaker, the phase shifter turned into a widely popular effect that influenced the sound and role of the electric guitar ever since. After many hours of careful listening, playing, and tweaking, we finally arrived at a design that earned its colors and has the elusive magic of this historic pedal. Mr O stays true to the original's six phase stages while packing much more inside of a smaller, pedalboard friendly footprint. Since the original had just three speed switches and no other adjustments, we gave the Mr O extra flexibility to satisfy the needs of a modern instrumentalist seeking the tones of this vintage classic.

Official Product Video

Demo by Tri Pedal Reviews

Review by gearnews.de

Review by Pedal of the Day

Review by Premier Guitar

Mr O

The Extra Special takes the idea behind the highly successful Mojo Hand FX DMBL and cranks it to eleven. The Extra Special excels at the medium to higher gain tones associated with those legendary amps. Don’t be fooled though, it’s no “one trick pony." It boasts a nice range of usable sounds, from clean to mean.

Controls include the standard Volume, Gain, and Tone knobs, along with an Accent knob that acts much like a Presence or Contour control. It also features a 2-way toggle for Jazz or Rock voicings. Like all Mojo Hand FX pedals, it comes in a sturdy, die-cast aluminum enclosure with true bypass switching, powder-coated finish, and UV printed artwork.

Review by delicious audio

Review by zZounds

Demo by Jon is just TOO LouD!!

Demo by Mike Hermans

Extra Special DMBL+

Say "hello" to the 1979! An evolution of the now discontinued Mojo Hand FX 1978, the 1979 is based on the notoriously high gain Big Muffs that were manufactured during the late 70s. Favored by many players for it’s outrageous grungy distortion (most notably Billy Corgan), it features op-amps instead of the traditional transistors found in every other Big Muff variant.

The 1979 features a footswitch to bypass the tone knob, so you get ALL the bass, ALL the treble, and a HUGE helping of extra mids and volume. Perfect for slamming your amp into a ripping solo, or doom/stoner mode. But most importantly, the tone bypass has it’s own volume knob so you can set it to unity or boost! We also adjusted the taper of the original gain pot to have a more usable sweep.

This peculiar Muff uses an IC, instead of the traditional transistor set, resulting in something that’s both familiar and different at the same time. The sound is more raw and aggressive than a typical BMP. Please do not expect subtlety. This pedal does not “clean up well” with your volume knob. It doesn’t sound pretty. It’s probably not appropriate for waltzes or jazz standards. It’s not supposed to be. It smashes you in the face.

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