David Gilmour’s lead guitar tone throughout the years has consistently been as varied as it is sought after. Numerous different fuzzes, overdrives, and boosters coupled with various amps and guitars have created some of the most gloriously rich and vibrant tones in the history of rock. It’s clear that no sole effect can duplicate the “Gilmour sound," but when it comes to fuzz his go to unit for the majority of his career has been the legendary Big Muff. However, with so many different incarnations and variants being employed at different time periods, his tone has remained extremely difficult and elusive to pin down.

The Iron Bell isn’t based on any particular Muff circuit. Instead, we’ve tweaked it to be a platform that is wide, yet focused. Unlike the Colossus Fuzz which is based on the Sovtek/Civil War era Muff, the Iron Bell is voiced to be very open and rich, with an almost 3D-like harmonic quality. Alongside the standard Gain and Volume controls, the Tone and Colour knobs allow you to sculpt the overall spectrum of the EQ. That Iron Bell is tweakable enough that combining it with various set ups and effect combinations will allow an ample array of colors and shades.

Demo by Iga Massardi

Demo by gilmourish

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Review by reddit /Guitar

Review by The ADHD Guitarist

Review by The Gear Page

Iron Bell

Since its release back in 2011, the Rook Overdrive has been hailed as the “New Standard of Boutique Overdrives” and has been seen on the pedal boards (and heard on albums) of numerous top shelf players including:

Brad Whitford (Aerosmith), Ty Tabor (King’s X), Andy Timmons, Mark Tremonti and Myles Kennedy (Alter Bridge), Audley Freed (The Black Crowes/Cry of Love), Mato Nanji (Indigenous), Marlon Young (Kid Rock), Mike Zito (Royal Southern Brotherhood), Lance Lopez, Pepper Keenan (Down), Cody Canada and Seth James (The Departed), Ryan McGarvey, and others.

With its Baxandall-driven EQ section and 3-way voicing switch, the Rook’s versatility has verged on uncharted territory for a small, simple 4-knob OD. It was this combination of versatility, sound/build quality and affordability that led to the Rook being named “Pedal of the Year” by What’s That Dude Play in ______ .

Demo by  yuecomusic

Demo by Mark Stuart GUITARIST

Review by Les Paul Forum

Review by Z-Talk

Rook Royal

The Extra Special takes the idea behind the highly successful Mojo Hand FX DMBL and cranks it to eleven. The Extra Special excels at the medium to higher gain tones associated with those legendary amps. Don’t be fooled though, it’s no “one trick pony." It boasts a nice range of usable sounds, from clean to mean.

Controls include the standard Volume, Gain, and Tone knobs, along with an Accent knob that acts much like a Presence or Contour control. It also features a 2-way toggle for Jazz or Rock voicings. Like all Mojo Hand FX pedals, it comes in a sturdy, die-cast aluminum enclosure with true bypass switching, powder-coated finish, and UV printed artwork.

Review by delicious audio

Review by zZounds

Demo by Jon is just TOO LouD!!

Demo by Mike Hermans

Extra Special DMBL+

Based on the revered EP-3 circuit, the Speakeasy one-ups the competition by giving you more shaping ability and tonal range. The separate gain and volume controls essentially double the preamp’s usability while the addition of a full range tone knob and 3-way "thickness" switch allows you to tailor the Speakeasy’s tone to your needs.

Review by reddit /guitarpedals

Review by The Tone Chef

Demo by thegearshark

Demo by Curtis Kent

Speakeasy

The Dewdrop excels in both versatility and usability by offering a simple, intuitive layout. It’s carefully voiced to give you 100% usable spring reverb tones ranging from subtle and damp to full on ambient wetness. It’s designed to give your tone a splash of color alongside a minimal set of controls that allow multiple shades and textures.

Demo by musictoyznetwork

Demo by Curti Kent

Dewdrop

Dewdrop by Mojo Hand Fx

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