The Stylus adds vinyl and tape style warmth, warble, and anomalies to any instrument through simple and 
intuitive controls. Whether your goal is to add a rich analog preamp character or something more seriously warped and degraded, the Stylus has you covered!:

Demo by Galen Bundy

Demo by  B's Music Shop

Review by delicious audio

Review by Premier Guitar

Product Page

Stylus - LoFi Vinyl Modulator

The Mojo Hand FX El Guapo® is an ultra-flexible fuzz machine offering a plethora of great fuzz tones. It can get nasty and gnarly with the best of them, but it can also be dialed back for nice, smooth, classic fuzz, and all the way down to an “almost” overdrive.

The “Starve” knob controls the amount of voltage being fed to the circuit. The higher that it’s set the nastier things get. This can be used in conjunction with the “Gain” control for a wide variety of fuzz sounds. “Volume” controls the overall level of the pedal, while “Cut” controls the amount of high end that comes through.

Review by The Gear Page

Review by Premier GUitar

Official Product Video

Demo by Iga Massardi

El Guapo

The DMBL is our take on what many consider to be the “Holy Grail of overdrive tones." Rich in harmonic content with a spongy low end and growling mid range. Featuring Burr Brown op-amps and germanium clipping diodes, the DMBL’s circuit is fine tuned with all of the elastic and touch responsive characteristics that helped make it’s inspiration legendary. 

Review by Sugaree Licks

Review by guitartest.de

Demo by Hired Gun

Demo by kinsmen

DMBL

Say "hello" to the 1979! An evolution of the now discontinued Mojo Hand FX 1978, the 1979 is based on the notoriously high gain Big Muffs that were manufactured during the late 70s. Favored by many players for it’s outrageous grungy distortion (most notably Billy Corgan), it features op-amps instead of the traditional transistors found in every other Big Muff variant.

The 1979 features a footswitch to bypass the tone knob, so you get ALL the bass, ALL the treble, and a HUGE helping of extra mids and volume. Perfect for slamming your amp into a ripping solo, or doom/stoner mode. But most importantly, the tone bypass has it’s own volume knob so you can set it to unity or boost! We also adjusted the taper of the original gain pot to have a more usable sweep.

This peculiar Muff uses an IC, instead of the traditional transistor set, resulting in something that’s both familiar and different at the same time. The sound is more raw and aggressive than a typical BMP. Please do not expect subtlety. This pedal does not “clean up well” with your volume knob. It doesn’t sound pretty. It’s probably not appropriate for waltzes or jazz standards. It’s not supposed to be. It smashes you in the face.

Review by reddit /guitarpedals

Demo by 60 Cycle Hum

Demo by Reverb

1979

The Sericon is an a bold interpretation of the gold standard of overdrives with more gain shaping options than other “Klones”. The Sericon has a highly tweakable, interactive mystique all its own, with three separate controls for gain manipulation; Drive, Gain and Blaze. All types of drive are on tap, ranging from clean always-on boost to edge-of-breakup to all out shred.

The Sericon begins by splitting the Gain control of the original design into its two op-amp stages with separate Gain and Drive controls. These two can be finely adjusted to taste to affect the harmonic complexity of the tone.

Next, a low pass filter is placed in the feedback loop with a “Blaze” control to further tailor response. At lower Gain/Drive settings, the filter behaves in a typical fashion, bringing in low end warmth as you increase it, while being very interactive with the Gain/Drive controls.

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Stylus - LoFi Vinyl Modulator

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El Guapo

Mojo Hand Fx

DMBL

Mojo Hand Fx

1979

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