Based on REVV G3

The G3, inspired by the renowned Generator 120 Purple Channel, boasts one of the most distinct tones found in contemporary amplifiers. It offers exceptional clarity and tightness, coupled with just the correct level of saturation to suit any musical scenario. This tone, previously reserved for a select few, can now be experienced by all in the form of an amp in a box. It provides a tactile experience that guitarists will truly appreciate.

Demo by  Barnstormer001

Demo by Kenre Buctuan

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G III Blue

a pedal that offers excellent, stable buffering AND a fantastic clean boost, in one great, durable, easy-to-use ! With one single knob to accomplish everything, it trims the fat – we didn't want to make a booster that does too much to be considered just a booster, but not enough to be considered a legitimate light overdrive. Plus, functionality like that tends to just run up the price. our goal was to make sure that this pedal can buffer with excellent fidelity, boost like nobody's business, yet be as easy to work with as possible. No unnecessary complications of either function, and no sacrifices when it comes to the core tone!

Review by The Harley Benton Club

DEC Buffer Booster

Review by Medium.com

Demo by ChoptonesOfficial

Demo by Dan Leggatt

MM Silver Overdrive

Based on Mad Professor Sweet Honey Overdrive.

HONEY OVERDRIVE - DYNAMIC LOW GAIN OVERDRIVE PEDAL .
It is designed to overdrive distorted amplifiers and give dynamically controlled light overdrive on clean sounds.

Honey Box

Based on EarthQuaker Devices Ghost Echo V3 
Vintage Voiced Reverb

This creepy analog/digital spring reverb emulationmachine boasts a terrifying 30ms – 150ms of pre-delay, controllable via the Attackknob, for everything from a quick, rockabilly slapback, to viscous pools of ectoplasmic reverberations.
When playing staccato, you’ll hear the tortured trails of the reverb,resulting in more of a slapback,
or echo sound. playing will reveal a massiveambient “depth” that fattens up the sound – and look out it’s right behind you!Phew, that was close.

The Dwell control sets the length and thickness of the decay,which is to say that it controls how long the disembodied spirits of notes no longer with usfloat through the ether;
at the maximum setting, it will decend into an infinite loop of selfoscillation. The Depth sets the intensity of the reverb, which you probably know as the
wet/dry mix, but we like to think of it more as how scary the overall effect is.

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