So what is a " barber pole through-zero flanger?"
Well, essentially, the Shepard's End is a flanger, but its unlike any flanger you've ever heard, played or experienced.  While the term "Barber Pole" sounds neat-o-speed-o, what it really means is that this flanger does not have a beginning, or an end to its cycle.  WHAT?!

You know how most flangers go up, then back down?  Well, this one doesn't do that.  Nope.  It goes up, continually.  It goes down, continually.  It can even go through the zero-point (that amazing over the top wooshing sound you hear on so many records), continually.  This just depends on how you set the controls.  And they're pretty easy to use.

Demo by collector//emitter

Official Product Video

Product Page

Review by Marshall Forum

Review by The Gear Page

Review by reddit /guitarpedals

Manual

Shepard's End

This is:  the world's first Barber Pole Through-Zero Flanger.

So what is a " barber pole through-zero flanger?"
Well, essentially, the Shepard's End is a flanger, but its unlike any flanger you've ever heard, played or experienced.  While the term "Barber Pole" sounds neat-o-speed-o, what it really means is that this flanger does not have a beginning, or an end to its cycle.  WHAT?!

You know how most flangers go up, then back down?  Well, this one doesn't do that.  Nope.  It goes up, continually.  It goes down, continually.  It can even go through the zero-point (that amazing over the top wooshing sound you hear on so many records), continually.  This just depends on how you set the controls.  And they're pretty easy to use.

Demo by Silver Burst

Review by Talk Bass.com

Review by Stompbox Steals

Shepard's End Sub Zero

While the JDS-50’s sleek and un-assuming looks may insinuate that you’ve got a standard overdrive pedal before you, the JDS-50 really isn’t quite like any other overdrive out there.

From its perfectly balanced frequency spread, to the ridiculous dynamic response held within, the JDS-50 is not only an indispensable pedal-board staple, but a highly expressive instrument unto itself.

Effortlessly delivering tones ranging from meticulously tuned, touch-responsive crunch, to thick harmonic-laden overdrive and even to near-full distortion, the JDS-50 not only sounds phenomenal, but responds and feels like a high-quality tube amplifier, all while retaining the unique signature tonal characteristics of your guitar, or bass.

Demo by Living Room GD

Demo by 60 Cycle Hum

JDS-50 Overdrive

A haunting expansion of the legendary, coveted SuperMoon Modulated Reverberator, the SuperMoon Chrome takes things up a notch with additional brighter early reflections, a staggering 30+ second reverb tail and a lossless full wet-dry mix control. Add in a touch (or a lot) of its unique and proprietary Sway modulation and you truly have ambience in a box, but the delight and tones don’t stop there...

The SuperMoon Chrome can be easily dialed back and tamed for just a touch of space with the Decay and Sway set modestly, and then quickly extended into a jaw dropping, dramatic lush wash of delicate micro-reflections, seamlessly blending together as they gently float away into the abyss. And it sounds phenomenal with distortion.

This is one powerful reverberator.

Demo by Sean Gibson

Review by Offset Guitars

Review by TDPRI

SuperMoon Chrome

The Mr. Black Solid State Echo Chamber (SS-850) is a digital delay pedal that emulates the sound of vintage tape echo units. It features a unique design with a slider-based time control, reminiscent of the old EchoPlex or Fulltone Tape Delay. The slider allows for precise delay time adjustments, and an LED on the slider flashes the tempo as you move it or when using the tap tempo function.

Review by Pedal of the Day

Demo by Shelter Dog Demos