The TwinSonic MkII brings back our classic TwinSonic and takes it to another level. What we got here is two OD circuits which can be used independently or stacked together.
Combining the both opens up plenty possibilities, you can go all the way from edge of breakup into heavy vintage distortion or fuzz territory.

The blue channel is the original TwinSonic circuit, a discrete OD with a bold, open, grainy sound like a cranked vintage amp. It’s incredibly dynamic and cleans up perfectly with the guitar volume control.
The newly designed red channel is a transparent Overdrive with a slightly smoother gain structure, designed to perfectly stack with the blue side or to add some dirt and harmonics to your base sound on its own. The gain range goes from sparkly clean to dynamic singing mid gain overdrive.

Review by bonedo

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Demo by Demos in the Dark

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In memory of one of the (if not THE) last true rock’n’roll icons, OKKO presents the MOTÖRBASS pedal. You’re all familiar with Lemmy’s signature sound – ultra powered rumbling grind, distorted, slightly fuzzy but with a lot of edge and definition for high speed hammering powerchords.

It would be presumptuous to claim you could get the exact sound of the iconic modified Marshall Super Bass stack from a 9-volts-powered box... but we did a lot of tweaking to capture that sonic character and we’re pretty happy with the result.

When trying the recreate the Lemmy sound with distortion pedals you easily run into problems. Bass distortions often lack the aggressive edge or get muddy when playing chords. Guitar distortions usually cut too much low end and often sound too fizzy. The MOTÖRBASS runs on an internal voltage of 24 volts*. Paired with carefully chosen filtering, this massive headroom ensures for a raw but tight distortion sound all across the fretboard.

Controls are easy: FASTER controls the gain from almost clean to full blast. HARDER works on the upper mids. Lower settings sound more rounded, turning up adds aggressive bite and attack. LOUDER? Hmm....

The MOTÖRBASS is not only for die hard Motörhead fanatics but for every bass player wanting a powerful, tight rock sound. Now, grab a pick and PLAY HARD!
Btw., don’t lend it to your guitar player, chances are you’ll never get it back...

Review by Talk Bass.com

Review by Gitarre & Bass

Demo by MrExcane

MOTÖRBASS

The Cocaine features the same optical compressor circuit as its little two-knob brother, the much beloved COCA COMPRESSOR but offers a lot more controls and tone-shaping features.

The compression is controlled by two knobs. They do pretts much what their labels say:
SUSTAIN adds nothing but clean undistorted sustain to your tone.
SQUASH goes from subtle tone-enhancing to a more pronounced compression effect, but even at full tilt it will preserve the attack of your instrument and keep its character.

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