After nearly six years of production, we have expanded our flagship pedal, the Black Fountain Oil Can Delay. The Black Fountain captures the sound of vintage oil can delay units, which processed the instrument signal through actual oil in order to create warm, modulated repeats unlike anything else. This previously rare and unwieldy sound is now available in the Black Fountain, which features three modes and ample control over the signal.

Old Blood Noise Black Fountain Product Page 

Old Blood Noise Black Fountain Demo 

Black Fountain

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Haunt Fuzz Explained by Old Blood Noise Endeavors 

Haunt Fuzz Demo by Old Blood Noise Endeavors 

Haunt Fuzz

BL-82 is a chorus pedal within our BL line. It challenges the definition of chorus, managing to be both lush and grimy. The Clock slider moves from a shimmering three-dimensional mono chorus through to a long, deeply modulated delay, with many textures in between.

Demo by TUNNEL OF REVERRB

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Review by guitar pedal X

Review by Russo Music

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BL-82 Chorus

Stereo Routing-, Split- und Zusammenfühurngs-Pedal. Zwei TRS-IN/OUTs, vier TS-IN/OUTs. Passives Pedal, Strom nur für LEDs benötigt. Typische Anwendung ist z. B., wenn aus einem Stereopedal zwei Mono-Ausgänge kommen, das nächste Signal in der Kette aber nur einen Stereo-Eingang hat. Das T- und R-Signal werden dann einfach zu einem TRS zusammengeführt. 

Split | Meld Is a passive, non-summing, non-destructive way to manage parallel dual-mono and stereo signal paths. 

Split | Meld is an audio routing solution. 

Split | Meld consists of 2 pairs of a TRS (or Stereo) Jack & 2 TS Mono jacks.
The TIP & RING of each TRS jack is routed to a corresponding Mono jack.

Use SPLIT | MELD to route your parallel signal path in a myriad of ways—Especially useful with devices that have TRS input & dual-mono output.

Official Website

Review by Guitar World

Review by Gearnews

Demo by Jam in the closet

SPLIT|MELD

Beam Splitter takes one signal and makes three copies of it, each with differing overdrive voices and delay times. It is specifically our way of creating a huge sound out of a regular one. Output can be kept in parallel mono or split individually to three places. While the goal is singular bigness, you can also find strange filters, flangers, lo-fi vibratos, and trailing slap-back echoes using the delay controls and blending everything to taste.

Beam Splitter

Beam Splitter by Old Blood Noise Endeavors

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BL-82 Chorus

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SPLIT|MELD

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