Der One Control Mosquito Blender Expressio ist Teil der Minimal Series, die viele praktische Tools und Gadgets für moderne Pedalboards bietet. Der Mosquito Blender erweitert jedes Effektpedal oder jeden FX Loop um eine Dry/Wet-Regelmöglichkeit. Die Wet- (Effekt) und Dry- (Original) Signale lassen sich individuell regeln, um den gewünschten Sound präzise einzustellen. Der One Control Mosquito Blender Expressio bietet zudem eine Anschlussmöglichkeit für ein Expression Pedal. Dadurch lässt sich der Dry/Wet Regler und dementsprechend nachfolgende Effektpedale für Gitarristen und Bassisten auf vielfältige Art beeinflussen und nutzen. Der Blender verfügt außerdem über einen Phase-Schalter, mit dem sich die Phase des Loops drehen lässt, sodass phasenverschobene Sounds entweder vermieden oder absichtlich erzeugt werden können. Der Mosquito Blender Trail ist mit der legendären BJF Buffer-Schaltung ausgestattet, die ein- und ausgeschaltet werden kann.

The One Control Mosquito Blender Trail is part of the Minimal Series, which offers many useful tools and gadgets for modern pedalboards. The Mosquito Blender adds a dry/wet control to any effects pedal or loop. You get individual control over Wet (effect) and Dry (original) signals for a precise adjustment of your tone. The One Control Mosquito Blender Expressio also offers a connection option for an expression pedal. This allows the Dry/Wet control and subsequent effects pedals for guitarists and bassists to be influenced and used in a variety of ways. The Blender also features a Phase switch, which allows you to invert the phase of the loop, so either you can avoid out-of-phase sounds or you can intentionally create them. The Mosquito Blender Trail comes with the legendary BJF Buffer circuit that can be turned on and off.

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Mosquito Blender Expressio

Mit dem One Control MIDI-Dual-Stereo-Loop (MDSL) der Minimal Series bietet One Control dem Spieler eine einfache MIDI-Loop-Funktionalität, perfekt geeignet für kleine Pedalboards sowie für große Effektsysteme. Mono und Stereo-Signale können variabel verarbeitet werden. Es besteht z.B. die Möglichkeit Mono-Signale in Stereo-Signale umzuwandeln (Dual-Mono-Betrieb) und sie an Stereo-Effekte zu senden. Der One Control MIDI-Dual-Stereo-Loop kann zwischen 1-8 MIDI-Kanäle nutzen, um Steuersignale zu empfangen, und die beiden Effektschleifen über MIDI PC oder CC ein- und ausschalten.

With the One Control MIDI Dual Stereo Loop (MDSL) of the Minimal Series, One Control offers the player a simple MIDI loop functionality, perfectly suited for small pedalboards as well as for large effects systems. Mono and stereo signals can be processed variably. For example, it is possible to convert mono signals into stereo signals (dual-mono operation) and send them to stereo effects. The One Control MIDI dual stereo loop can use between 1-8 MIDI channels to receive control signals and switch the two effect loops on and off via MIDI PC or CC.

Minimal Series MIDI Dual Stereo Loop

The One Control Silver Bee OD 4K Mini is a version customized by BJF himself based on his legendary pedal, the Honey Bee OD.

Now that we have created it in the mini format, it can be installed on various pedal boards without taking up too much space. And after many years of research by BJF himself, it became possible to reproduce the original tone even with mini-sized SMD parts.

The design method is different between conventional handmade pedals that use through-hole parts and mini pedals. Because there is the influence of "ghost components" that do not exist as "parts" in mini pedals and do not appear in the circuit, the sound will be different if you simply make it with the same schematic.
BJF reproduced the sound of the BJFE original pedal, taking into account all the effects from the different characteristics of the parts to the ghost components.
Once the sound was completely satisfactory to BJF himself, we were able to release the Silver Bee in a mini size. And to take it to the next level, we also used BJFE's style for pedal design graphics.

The dynamic range response can be easily adjusted from clean to overdrive with the touch of your hand, which is also a characteristic of Honey Bee OD, and a tone that feels familiar as if there is a classic combo amplifier in front of you. It’s a tighter, slightly brighter tone with a firmer low end.

The flat low end and the tone of the sharp and airy top end are reminiscent of the best characteristics of the American-style combo amplifier. Despite the thick presence, the SBOD 4K Mini has a glittering tone that puts you in front of the mix. The tone also has enough flexibility to reduce gain and be used as an “always on” pedal.

While it is the same gain range as Honey Bee OD, it has the best tone for more modern rock/blues/altcountry, creating a large modern to reissue American amplifier tone, whether you are using single coils or humbuckers..

The 2-band equalizer on the SBOD 4K Mini is widely controllable and allows you to easily control the tone to adapt to various guitars and amps.
The T-knob can control the brightness, high-frequency and harmonic components of the tone, creating a drive tone with a beautiful metallic sound.
The B-knob is centered on the low mid, a critical frequency that gives the ability to adjust your tone according to the characteristics of the stage, the amplifier, and guitar.

Highly responsive overdrives sometimes feel difficult to use, but the Silver Bee OD 4K Mini has a solid presence in the sound itself, so it's easy to play with high dynamic response. It combines the expressive ability to freely control the tone with your hands and fingers, as well as sharp articulation and sense of speed.

And there is a VINTAGE/MODERN switch under the Output terminal. This is a switch that switches the response of the whole sound, especially near the low frequencies.

Originally, it was a switch to switch between the current sound of Honey Bee OD, which became the base circuit of the Silver Bee OD, and the earliest sound. Silver Bee OD was already based on "modern" HBOD when it was first developed as a circuit, so we gave you the option to switch to the earlier style circuit, with slightly more sag and a shift in the low mid frequencies.

This switch is a very subtle tonal change, and you may feel that the sound does not change at all depending on the guitar or amplifier you use. However, you can make the whole tone a little thicker or a little cleaner.

Demo by Jack Fossett

Demo by Mike Hermans

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Review by Stefan Karlsson, guitarpedalx.com

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Silver Bee OD

Dieses Pedal braucht wahrscheinlich keine besondere Vorstellung mehr - wer die Pedal-Designs von Bjorn Juhl (BJF/BJFe) kennt, der weiß, dass es sich hier um eine seiner besten Kreationen handelt. Zum 20-jährigen Jubiläum des originalen BJFe Honey Bee Overdrive hat Bjorn Juhl nun den Sound seines klassischen Low-Gain-Overdrives auf die One Control Mini-Pedalplattform gebracht, die sowohl die klassische, warme, sirupartige Honey Bee-Textur mit Modern/Vintage-Schalter als auch eine spezielle neue Custom-Version mit erhöhtem Gain und einem heißen Crimson-Finish bietet. Das Honey Bee Overdrive wurde vom Klang alter Supro-Verstärker inspiriert und ist vor allem für den warmen Overdrive Crunch bekannt, der sich flexibel kontrollieren lässt. Im Laufe der Jahre wurde das Pedal mehrmals überarbeitet, dabei ist die Version von One Control wahrscheinlich die Beste, da sie alle Verbesserungen der letzten Jahre beinhaltet. Zwei schaltbare Modi bestimmen den Klangcharakter des Pedals: Der Vintage-Modus (Original-Sound des Honey Bee OD) bietet einen milden, klassischen Overdrive mit einem einzigartigen Ansprechverhalten in den Höhen. Der Modern Mode ist der Sound des aktuellen Honey Bee OD und enthält alle vorherigen Revisionen. Im Vergleich zum Vintage-Modus erhält man hier insbesondere im Low-End mehr Gain. Zusätzlich verfügt diese Version über getrennte Regler für Tiefen und Höhen. Natürlich kann der Honey Bee OD auch von Bassisten verwendet werden.

This pedal needs no introduction. If you're familiar with the designs from Bjorn Juhl (BJF/BJFe) then you know that this is one of his best creations, inspired by the sound of an old Supro amp. For the 20th anniversary of the original BJFe Honey Bee Overdrive, Bjorn Juhl has now brought the sound of his classic low-gain overdrive to the One Control Mini pedal platform, featuring both the classic, warm, syrupy Honey Bee texture with Modern/Vintage switch and a special new Custom version with increased gain and a hot Crimson finish. The Honey Bee Overdrive is known for it's warm overdrive crunch which is easily adjustable by a twist of a knob. Over the years, there have been several revisions of this sought-after pedal and the One Control model is the best version yet, as it contains all the revisions and improvements from previous models. Two switchable modes set the general sound of the pedal: Vintage Mode (original sounding Honey Bee OD) provides a mild and classic overdrive tone with an unique high frequency response. Modern Mode is the sound of the current Honey Bee OD and includes all previous revisions. Compared to the Vintage mode, you'll notice increased gain, especially in the low ends. In addition, this version has separate controls for bass and treble. Of course, the Honey Bee OD can also be used by bassists.

Demo by John McNicholas Guitar

Review by Paolo De Gregorio, delicious-audio.com

Honey Bee OD

Einen großen Anteil am Erfolg der 'British Invasion' in den 60er und 70er Jahren hatte neben den Bands auch ihr Equipment - speziell die Verstärker. Orange Amplification zog mit einem neuen, rauen Sound Musiker auf der ganzen Welt in den Bann, der sich der Klang der Verstärker so grundlegend von allen anderen Marken unterschied. Bjorn Juhl hat es geschafft diesen einzigartigen Sound (auch bekannt als 'Crude Distortion') mit dem One Control Fluorescent Orange Amp In A Box (FOAIAB) einzufangen. Mit 56 dB Gain und einem Noise Level von -80 dB eignet sich das Pedal für Classic und Hard Rock oder frühe Metal-Sounds und bietet die volle Distortion - ohne die Störgeräusche. Das FOAIAB harmoniert wie die meisten Distortion Pedale am besten mit Humbucker Tonabnehmern, bietet aber auch eine satte, kräftige Verzerrung für Single Coils oder P-90 Pickups. Wie praktisch alle Effektpedale der One Control BJF Series lässt sich das Fluorescent Orange AIAB an jeder denkbaren Stelle der Signalkette einsetzen - ein bisschen experimentieren wird daher dringend empfohlen! Die Stompbox kann den Klang des Verstärkers alleine ändern, als färbender Pre-Amp für andere Verzerrer genutzt werden oder flexibel für Gain-Stacking mit anderen Pedalen nutzen.

A significant part of the British Invasion of the 60's and 70's was not only bands, but equipment - particularly amplifiers.  Orange was a company that built an iconic sound and guitar players everywhere were captured by this raw sound that was so different from everything else at this time. Bjorn Juhl has captured this so-called 'crude distortion' in the Fluorescent Orange Amp In A Box (FOAIAB) drive pedal. With 56 dB of gain and a noise level of -80 dB, the FOAIAB is ideal for classic and hard rock and even early metal - all of the distortion, none of the noise. The FOAIAB works best with humbucking pickups as do most distortion pedals, but there is more than enough thick distortion to satisfy the single coil and P-90 users as well. With active pickups you get less of the dynamics, but a more fluent sound. As with all the One Control BJF series pedals, the FOAIAB can be used anywhere in the signal chain, and it's highly recommended to experiment. The stompbox can change the sound of your amp on its own, or it can be used as a pre-amp for other drives, or it can be used in series with any or all of the OC BJF pedals to create a new individual sound of your own.

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