Bass Main Board w/FX to Amp (v.2)

SA 249 One Series C4 Synth

Ultrawave Bass

Gemini Chorus

BP-1 Compact

Gecko MkIII

Spark Mini Booster

Sonic Stomp Mini MS-92

Polytune 3 Mini

Neuro Hub

CompIQ Stella Pro 

Amp1 H90 1

AMP1 Iridium Edition

DMC.micro Pro

Midi Baby

H90 Harmonizer®

Amp1 H9 Max HX One 2

VOLUME (X) 8 PEDAL

HX One

H9 Max Dark

Polytune 3 Noir

Stage Tuner V2

WL-50

Pedalboard-copy

HX Stomp Red Limited Edition

BigSky Multi Reverb

Drop

Aeros Loop Studio

XP-100 Whammy Wah

Little Dual II

POG2

Superego Plus

Microcosm

El Capistan

OC-5

CE-2W Chorus (Waza Craft)

Polytune 2 mini

Ribbons

Quad Cortex

Vibrophase

DC-2W Dimension C (Waze Craft)

EV 30

FV-30H

Double Switch

MXR M199 TapTempo Switch

Red Remote

DITTO+ LOOPER

EX-50

Cntl Knob

TRIPLE AUX PEDAL - STEREO

Little Lehle III

Basilisk

DUOPHONY

FS-7

VOLUME (X) MINI (DVP4) 

Die One Control Hooker's Green Bass Machine 4K bietet einen weiten Dynamik-Bereich, der locker mit klassischen Röhren-Verstärkern mithalten kann. Dabei erhält das Pedal alle klanglichen Nuancen im Sound, die Bassisten mit ihren Fingern erzeugen können. Das breite Spektrum an möglichen Overdrive- und Distortion-Sounds beinhaltet eine schöne, musikalische Kompression, die an alte Transistor-Verstärker erinnert. Die klare, nicht zu scharfe Attack und die dynamische Ansprache überzeugen auch beim schnellen Spiel mit einem Plektrum und selbst Slap-Sounds kommen wunderbar zur Geltung. Für drückende Heavy-Sounds steht zusätzlich ein Low Boost-Regler zur Verfügung, der den Bass-Bereich im Signal boostet. Die Hooker's Green Bass Machine 4K bietet eigentlich mehr als genügend Low End, aber wenn es etwas mehr sein soll, hat man mit dem Regler alle Möglichkeiten. Der Treble-Regler hat einen vergleichsweise eingeschränkten Regelbereich. Da moderne Bass-Verstärker mit sehr leistungsfähigen EQs ausgestattet sind liegt der Fokus hier bewusst auf einer sehr feinfühligen Feinanpassung des Sounds. Natürlich harmoniert die Hooker's Green Bass Machine 4K auch ohne Probleme mit einer Gitarre.

The One Control Hooker's Green Bass Machine 4K has a dynamic range as wide as a bass tube amp and picks up all the subtle expressions that bassists create with their fingers. Transitions between clean and distorted sounds are smooth and it creates a gorgeous but stable compression tone like an old transistor amp when you increase the distortion. It won't miss any finger touches and accurately produces any groove from blues, fusion, or hard rock to metal. Its moderately sharp attack and clear sounding keys do not decrease the speed realized by picking. With slapping, percussive chunks of sound by thumbing pop up, and sound created by pulling can be maintained and kept stable. The ability to freely control distortion enables you to play in a relaxed and comfortable way. For heavy tracks using a multi-string bass, the Low Boost control does its job. The OC Hooker's Green Bass Machine 4K has enough low-end, but if it's not enough, adjust the Low Boost to unlock even more low-end. The Treble knob has a limited range to allow subtle adjustment. Many music venues and studios have modern bass amps equipped with powerful EQ and basic bass sound is created using that. What is required for an overdrive pedal is delicate sensory adjustment that is impossible with amp EQ. This pedal can also be used as an overdrive pedal when paired with a guitar.

Official Product Page

Manual

Review by TalkBass

Demo by the wetter bass

Hooker's Green Bass Machine 4K

Der One Control Minimal Series Black Loop ist ein Dual-Loop True Bypass Switcher mit zwei zusätzlichen DC Hohlstecker-Ausgängen. Das Pedal lässt sich je nach Setup als A+B Switch, Bypass Looper oder Tuner Output / Mute Switch verwenden. Der Black Loop bietet eine Vielzahl an Funktionen und praktisch unbegrenzte Anwendungsmöglichkeiten. Natürlich ist der Looper ein großartiges Tool um alte Vintage Effekte oder Pedale ohne True Bypass aus dem Signalweg zu nehmen, wenn sie nicht gespielt werden. Zusätzlich lässt sich das Pedal als AB Box nutzen. Man verbindet einfach einen Verstärker mit dem Output und einen zweiten Verstärker mit dem Send 2 - tritt man dann auf den Loop 2 Fußschalter wechselt die Signalführung zwischen Send 2 und dem Output. Dieses Feature lässt sich auch nutzen um den Black Loop als Tuner Output / Mute Switch zu verwenden, wenn das Stimmgerät mit einem der beiden Send-Ausgänge verbunden wird. 
Der Black Loop ist mit der legendären BJF Buffer-Schaltung ausgestattet, die ein- und ausgeschaltet werden kann. Der BJF Buffer wurde von Björn Juhl, einem der größten Verstärker- und Effektdesigner der Welt, auf Wunsch vieler der weltbesten Gitarristen entwickelt und ist die Antwort auf die Frage, wie man seinen Ton in allen Arten von Signalketten, von der Bühne bis zum Studio, unverfälscht erhalten kann. Je mehr Effekte später angeschlossen werden, desto wichtiger ist ein Buffer. Dies ist die Funktion des BJF-Buffers, der in den Eingang integriert ist. Wenn Sie den BJF Buffer einschalten, können Sie den Gesamtklang stabilisieren und einen warmen und natürlichen Sound mit weniger Signalverlusten und -verschlechterungen erzielen.

The One Control Minimal Series Black Loop is a two-loop true bypass switcher with two DC barrel outlets. It can be used as an A+B switch, bypass loopers or tuner output / mute switch. The Black Loop has several functions and offers endless possibilities. The Black Loop is a great tool to bypass vintage effects or pedals without true bypass while they are not in use to get them out of the signal chain. In addition to being a true bypass looper, the Black Loop can be used as an AB Box. Simply connect one amp to the Output and the other amp to Send 2. Stepping on the Loop 2 switch will toggle between Send 2 and the Output. You can use the same feature as a tuner output / mute switch if you connect your tuner to one of the Send outputs. 
The Black Loop comes with the legendary BJF Buffer circuit that can be turned on and off. Created at the request of many of the world’s greatest guitarists by Björn Juhl-one of the greatest amp and effects designers in the world-the BJF Buffer is the answer to keeping your tone pristine in all sorts of signal chains, from the stage to the studio. When more effects are connected later, the more critical a buffer is. This is the function of incorporating the BJF Buffer into the input. By turning on the BJF Buffer, you can stabilize the overall tone to a warm and natural sound with less signal loss and degradation.

Demo by JayLeonardJ

Demo by  Soundfackery

Review by The Gear Page

Minimal Series Black Loop

STRAWBERRY RED OVERDRIVE 4K – “And the Legend was Born”
It’s been decades since the first effects pedal called an “Overdrive” was born. How many overdrive pedals have been made so far? And can a new overdrive be found that is not a recreation of one of the older designs?
Our new SROD4K does not imitate the sound of existing pedals. For those seeking unique sounds for their creative spirit, we bring to you the latest edition of our founder’s favorite overdrive pedal in the 4K (four knob) style mini enclosure, as well as a special limited art “Japonism” edition. While many pedals seek to “simulate” a style of amplifier, the SROD4K boldly goes forward into the new.
We have ensured that the SROD4K will work well with an extremely wide range of amplifiers – from small solid state practice amps to large tube amplifers with 4x12 cabinets. The most important thing to most players is to have a great dynamic sound that they are comfortable with, so that they can perform their best in various equipment situations. Björn Juhl has designed some of the world’s most desirable tube amplifiers and he has done his best to include as many of the characteristics of these “boutique” amplifiers as is possible. A great pedal can be your “secret weapon” to help get your sound and feel anywhere, anytime.
One of the most important features of the SROD4K is the single GAIN knob. This knob will take you from a low gain treble booster style of effect, up to low gain and medium gain overdrives before noon on the dial. Using the volume knob on your guitar (or your fingers/pick attack) you can easily control the gain level and dynamics. Where many pedals will turn into a “mush” unless played at full volume, the SROD4K behaves like a tube amplifier would and gives both the tone and feel players demand. Using the SROD4K into British-style amps will give the player the ability to further emphasize the characteristics of the amplifier without the entire tone turning to “mush”. You can even help dial in a high gain amplifier by judicious use of the GAIN and TREBLE/LOW knobs to further sculpt a wall of sound. If you happen to like playing a more American style combo amp, these are usually brighter sounding and harder to work with for overdrive pedals – but you can use the tone controls on the STRAWBERRY RED to balance the tone and create a singing, cohesive sound that is impossible to create on those style amps without some pedal assistance.
Many times, players will be using solid-state amps, as they are much more affordable and lighter to carry. The characteristics required for a high-quality amplifier remain the same whether they are constructed with tubes or solid-state components. However, the SROD4K can help bring out the best from any amplifier, regardless of the construction. If you have a high-wattage amp with a large speaker (such as a 12” model) the STRAWBERRY RED can help get a tone and feel similar to a large tube amp with a 4x12 speaker cabinet. While it is not an amp simulator pedal, the SROD4K can help “tame” even the stiffest and most unforgiving transistor amplifiers. The compression and dynamic character introduced into your sound from this pedal will delight your ears and your fingers.
The SROD4K’s TREBLE control is an active tone control that works in the mid to high range from -3db to +6db. When the TREBLE knob is lowered, the range between 70hz and 7khz is adjusted; and when the knob is raised, the range of 700hz to 7khz is lightly boosted. This allows what Björn calls the “luxury trebles” to be heard. It is the difference between painful or annoying high-end content, or a sound that makes sound engineers and music fans smile. No matter how you set the knob, it will give you a great tone that emphasizes the overtone components for a warm sound with great presence. This is one of the secrets of the high-end tube amplifiers. The LOW knob will cut and boost the low end to help adjust for the style of amplifiers that you may be plugged into.
We have always used the highest quality machined aluminum ultra-compact housings for our effects pedals, as well as industry-leading artwork and hardware. Even though the size is small, you can still power our pedals with a 9v battery if you desire. Also, if you wish to experiment with some more dynamic high-headroom tones, the power input can support 9v to 18v operation, which can give you a more “three-dimensional” characteristic to your sound.

Demo by Jack Fossett

Product Page

Review by Chris Hauke, gitarrebass.de

Product Manual 

STRAWBERRY RED OVERDRIVE Japonism Edition

One Control STRAWBERRY RED OVERDRIVE DLX (SRODDLX) is the newest edition of our classic STRAWBERRY RED OVERDRIVE (SROD) that has been very popular with One Control users for its high-quality tones and superb dynamic response.
This new DLX six knob model gives you more control over your tones with finely tuned precision. The SRODDLX still retains the classic original circuit developed by Björn Juhl and One Control with an overdrive that transcends style and genre. To be able to interface with a wide variety of amplifiers and speakers, the DLX has a classic four knob tone circuit “stack” like many classic UK amplifiers – BASS, MIDDLE, TREBLE, and PRESENCE. With a single knob, this circuit can produce overdrive ranging from low bluesy tones to a hard and powerful overdrive as well as heavier distortions at the far-right side of the dial. With the DRIVE set to minimum, the SRODDLX can be used as a clean or treble booster style pedal. When the DRIVE knob is raised a bit more and the guitar volume knob lowered, the resulting clean sound can be rich with overtones and a thick responsive tone can be had, resembling older one knob tube amps. With the gain levels set higher, the SRODDLX still retains the characteristics of various guitars and amplifiers, never losing your core tone.
For many of us, the STRAWBERRY RED OVDERDRIVE has been a favorite pedal for years.
Now we have it available in this six-knob dynamic and toneful version with standard and limited edition “Japonism” artwork.

Demo by Hans Johansson

Demo by Mike Hermans

Review by Stephan Güte, amazona.de

Review by Paolo De Gregorio, delicious-audio.com

Rock and Roll in a Box! One Control Strawberry Red Overdrive Deluxe

STRAWBERRY RED OVERDRIVE DLX Japonism Edition

Der One Control Gecko MKIII ist eine kompakte und leichte Lösung um schnell die MIDI-Programme an mehreren Geräten umzuschalten. Viele Effektpedale nutzen eine MIDI-Steuerung und die Möglichkeit schnell und direkt auf verschiedene Presets zugreifen zu können ist inzwischen eine der wichtigsten Anforderungen bei vielen Live-Shows. Der Gecko MKIII bietet Musikern drei wählbare Schalt-Modi (Select, Instant, Direct) für insgesamt 20 Presets. Jedes Preset kann ein Program Change (PC) Signal in jedem der 16 MIDI-Kanäle speichern. Außerdem lässt sich in jedem MIDI-Kanal das Control Change (CC) Signal festlegen, das gesendet wird, wenn man den OK/TAP Fußschalter tritt. Da man das CC Signal für jeden Kanal frei bestimmen kann, lässt sich so das Tap Tempo von bis zu 16 Geräten gleichzeitig kontrollieren.

The One Control Gecko MKIII is a compact, lightweight solution for quickly switching between programs on MIDI devices. With an increasing number of guitar pedals being built with MIDI capabilities, having the ability to access presets in a quick and efficient manner has become an important part of playing live. The Gecko MKIII gives guitarists three modes to access programs (Select, Instant, Direct) and features 20 presets. Each preset can store one PC (program change) message for each of 16 MIDI channels. Also, for each MIDI channel, you can set the CC number to send when pressing the OK/TAP footswitch and use it as tap tempo control. Since you can set individual CC numbers for each channel, you can control tap tempo of up to 16 devices at once.

Review by Sweetwater Customers

One Control Gecko MKIII - One Control MIDI Controllers - Review Video - JayLeonardJ

Gecko MkIII by One Control

Featured Artists

Gecko MkIII

Beschreibung

Media

Videos

Handbücher

Reviews

Links

Technische Daten

Boards mit diesem Pedal

Bass Main Board w/FX to Amp (v.2)

Amp1 H90 1

Amp1 H9 Max HX One 2

Pedalboard-copy

Weitere Pedals von One Control

One Control

Hooker's Green Bass Machine 4K

One Control

Minimal Series Black Loop

One Control

STRAWBERRY RED OVERDRIVE Japonism Edition

One Control

STRAWBERRY RED OVERDRIVE DLX Japonism Edition

Produkte

Bau dein Board

Services

Community