Das One Control Super Apricot OD ist ein Amp-In-A-Box Pedal, das entwickelt wurde um den legendären Sound alter Supro-Verstärker aus den 60er Jahren zu reproduzieren. Die Stompbox bietet den rauen, knurrigen Sound der alten Röhren-Verstärker, überzeugt aber vor allem durch ein extrem dynamisches Ansprechverhalten. Der Tone ist schön gesättigt, ohne dabei zu komprimiert zu klingen. Der Grad an Verzerrung lässt sich bequem über den Volume-Regler der Gitarre und die Pick-Attack kontrollieren: Dreht man den Volume-Regler zurück oder spielt eher sanft klart das Signal schön auf und man erhält einen satten 'Hot Clean' Tone, dreht man den Volume-Regler voll auf und spielt sehr kräftig, lassen sich sogar satte Verzerrungen an der Grenze zur Distortion realisieren.

The One Control Super Apricot OD is an Amp-In-A-Box pedal, designed to capture the classic tone of mid 60's Supro amps. The stompbox produces the rustic, raw, gnarly tones of a vintage Supro tube amp, with surprising amount of dynamic control. The tone is saturated, without feeling overly compressed. You can easily control the gain with the Drive control and use the guitar's volume control and picking intensity to clean up the tone. However, there is a feeling of saturation somewhere in that clean tone; it becomes more of a 'hot clean' sound. You can also create a heavy distortion by increasing the Drive, setting the guitar volume to maximum and play with heavy, sharp picking or strumming.

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Review by Stefan Karlsson

Review by The Gear Page

One Control Super Apricot OD - Demo Video - Jake Cloudchair

One Control Super Apricot OD - Demo Video - Erik Holmbom

One Control Super Apricot OD - Demo Video - Hans Johansson

One Control Super Apricot OD - Demo Video - Visual Guy

SUPER APRICOT OD

Dieses Pedal braucht wahrscheinlich keine besondere Vorstellung mehr - wer die Pedal-Designs von Bjorn Juhl (BJF/BJFe) kennt, der weiß, dass es sich hier um eine seiner besten Kreationen handelt. Zum 20-jährigen Jubiläum des originalen BJFe Honey Bee Overdrive hat Bjorn Juhl nun den Sound seines klassischen Low-Gain-Overdrives auf die One Control Mini-Pedalplattform gebracht, die sowohl die klassische, warme, sirupartige Honey Bee-Textur mit Modern/Vintage-Schalter als auch eine spezielle neue Custom-Version mit erhöhtem Gain und einem heißen Crimson-Finish bietet. Tonal bringt diese CUSTOM Version zusätzlichen Gain und Push im Low-Mid-Spektrum mit einem fetteren Sound. Diese Version hat auch den VINTAGE/MODERN-Schalter, so dass man sowohl den originalen Honey Bee mit hohem Gain als auch den modernen Honey-Bee mit hohem Gain bekommt. Das Honey Bee Overdrive wurde vom Klang alter Supro-Verstärker inspiriert und ist vor allem für den warmen Overdrive Crunch bekannt, der sich flexibel kontrollieren lässt. Im Laufe der Jahre wurde das Pedal mehrmals überarbeitet, dabei ist die Version von One Control wahrscheinlich die Beste, da sie alle Verbesserungen der letzten Jahre beinhaltet. Zwei schaltbare Modi bestimmen den Klangcharakter des Pedals: Der Vintage-Modus (Original-Sound des Honey Bee OD) bietet einen milden, klassischen Overdrive mit einem einzigartigen Ansprechverhalten in den Höhen. Der Modern Mode ist der Sound des aktuellen Honey Bee OD und enthält alle vorherigen Revisionen. Im Vergleich zum Vintage-Modus erhält man hier insbesondere im Low-End mehr Gain. Zusätzlich verfügt diese Version über getrennte Regler für Tiefen und Höhen. Natürlich kann der Honey Bee OD auch von Bassisten verwendet werden.

This pedal needs no introduction. If you're familiar with the designs from Bjorn Juhl (BJF/BJFe) then you know that this is one of his best creations, inspired by the sound of an old Supro amp. For the 20th anniversary of the original BJFe Honey Bee Overdrive, Bjorn Juhl has now brought the sound of his classic low-gain overdrive to the One Control Mini pedal platform, featuring both the classic, warm, syrupy Honey Bee texture with Modern/Vintage switch and a special new Custom version with increased gain and a hot Crimson finish. Tonally, this version will bring you additional gain and push in the low-mid spectrum with a thicker tone. This version also has the VINTAGE/MODERN switch, so you get both original Honey Bee with high gain and modern Honey Bee with high gain. The Honey Bee Overdrive is known for it's warm overdrive crunch which is easily adjustable by a twist of a knob. Over the years, there have been several revisions of this sought-after pedal and the One Control model is the best version yet, as it contains all the revisions and improvements from previous models. Two switchable modes set the general sound of the pedal: Vintage Mode (original sounding Honey Bee OD) provides a mild and classic overdrive tone with an unique high frequency response. Modern Mode is the sound of the current Honey Bee OD and includes all previous revisions. Compared to the Vintage mode, you'll notice increased gain, especially in the low ends. In addition, this version has separate controls for bass and treble. Of course, the Honey Bee OD can also be used by bassists.

Review by Lars Lehmann, bonedo.de

one control"honey bee od 4k mini custom"

Demo by Hans Johansson

Honey Bee OD 4K Mini Custom

Das One Control Golden Acorn Overdrive Special wurde entwickelt, um den legendären Overdrive und den enormen Dynamik-Bereich der bekannten D-Style Verstärker zu reproduzieren. Obwohl diese Verstärker ursprünglich von Blues- und Fusion-Leadgitarristen verwendet wurden, kann dieses Pedal für ein breites Spektrum an unterschiedlichen Musikstilen verwendet werden. Das Pedal nutzt eine 'weiche' Verzerrung, die wichtig ist, damit die Notenläufe möglichst nahtlos klingen. Um den extrem großen Dynamik-Bereich bestmöglich zu nutzen sollte das Golden Acorn am Anfang der Signal-Kette platziert werden, insbesondere vor einem Kompressor.

The One Control Golden Acorn Overdrive Special was designed to reproduce the iconic overdrive and tremendous dynamic range of the renowned D-style amplifiers. Although these amplifiers were originally used by blues and fusion lead guitarists, this pedal can be used for a wide range of different music styles. The pedal features a soft type of distortion, which is essential to make expected note progressions sound seamless. It is important to place the Golden Acorn at the beginning of your signal chain, especially before a compressor, to take advantage of its enormous dynamic range.

Review by guitartest.de

One Control Golden Acorn Overdrive Special - Demo Video - Mike Hermans

One Control Golden Acorn Overdrive Special - Demo Video - Hans Johansson

One Control Golden Acorn Overdrive Special - Demo Video - Jake Cloudchair

Review by Stephan Güte, amazona.de

GOLDEN ACORN OVERDRIVE SPECIAL

Mit dem One Control Basilisk kann jeder Musiker seine MIDI-Geräte einfach und problemlos steuern. Mit der Möglichkeit, Program Change / Patch Change (PC) und Control Change (CC) Befehle zu senden, erhält man volle Kontrolle über alle MIDI-Geräte. Drei verschiedene Schalt-Modi (Normal Access, Direct Access, Flash Access) bieten die perfekte Lösung zur Kontrolle der 128 Presets für jedes Setup.

The One Control Basilisk allows any musician to control MIDI devices with ease. With the capability of sending Program Change / Patch Change (PC) and Control Change (CC) messages, total control of your MIDI devices can be achieved. Three different switching modes (Normal Access, Direct Access, Flash Access) offer the perfect solution to control the 128 presets for each setup.

One Control Basilisk - One Control MIDI Controllers - Review Video - JayLeonardJ

Review by Sweetwater Customers

Basilisk

STRAWBERRY RED OVERDRIVE 4K – “And the Legend was Born”
It’s been decades since the first effects pedal called an “Overdrive” was born. How many overdrive pedals have been made so far? And can a new overdrive be found that is not a recreation of one of the older designs?
Our new SROD4K does not imitate the sound of existing pedals. For those seeking unique sounds for their creative spirit, we bring to you the latest edition of our founder’s favorite overdrive pedal in the 4K (four knob) style mini enclosure, as well as a special limited art “Japonism” edition. While many pedals seek to “simulate” a style of amplifier, the SROD4K boldly goes forward into the new.
We have ensured that the SROD4K will work well with an extremely wide range of amplifiers – from small solid state practice amps to large tube amplifers with 4x12 cabinets. The most important thing to most players is to have a great dynamic sound that they are comfortable with, so that they can perform their best in various equipment situations. Björn Juhl has designed some of the world’s most desirable tube amplifiers and he has done his best to include as many of the characteristics of these “boutique” amplifiers as is possible. A great pedal can be your “secret weapon” to help get your sound and feel anywhere, anytime.
One of the most important features of the SROD4K is the single GAIN knob. This knob will take you from a low gain treble booster style of effect, up to low gain and medium gain overdrives before noon on the dial. Using the volume knob on your guitar (or your fingers/pick attack) you can easily control the gain level and dynamics. Where many pedals will turn into a “mush” unless played at full volume, the SROD4K behaves like a tube amplifier would and gives both the tone and feel players demand. Using the SROD4K into British-style amps will give the player the ability to further emphasize the characteristics of the amplifier without the entire tone turning to “mush”. You can even help dial in a high gain amplifier by judicious use of the GAIN and TREBLE/LOW knobs to further sculpt a wall of sound. If you happen to like playing a more American style combo amp, these are usually brighter sounding and harder to work with for overdrive pedals – but you can use the tone controls on the STRAWBERRY RED to balance the tone and create a singing, cohesive sound that is impossible to create on those style amps without some pedal assistance.
Many times, players will be using solid-state amps, as they are much more affordable and lighter to carry. The characteristics required for a high-quality amplifier remain the same whether they are constructed with tubes or solid-state components. However, the SROD4K can help bring out the best from any amplifier, regardless of the construction. If you have a high-wattage amp with a large speaker (such as a 12” model) the STRAWBERRY RED can help get a tone and feel similar to a large tube amp with a 4x12 speaker cabinet. While it is not an amp simulator pedal, the SROD4K can help “tame” even the stiffest and most unforgiving transistor amplifiers. The compression and dynamic character introduced into your sound from this pedal will delight your ears and your fingers.
The SROD4K’s TREBLE control is an active tone control that works in the mid to high range from -3db to +6db. When the TREBLE knob is lowered, the range between 70hz and 7khz is adjusted; and when the knob is raised, the range of 700hz to 7khz is lightly boosted. This allows what Björn calls the “luxury trebles” to be heard. It is the difference between painful or annoying high-end content, or a sound that makes sound engineers and music fans smile. No matter how you set the knob, it will give you a great tone that emphasizes the overtone components for a warm sound with great presence. This is one of the secrets of the high-end tube amplifiers. The LOW knob will cut and boost the low end to help adjust for the style of amplifiers that you may be plugged into.
We have always used the highest quality machined aluminum ultra-compact housings for our effects pedals, as well as industry-leading artwork and hardware. Even though the size is small, you can still power our pedals with a 9v battery if you desire. Also, if you wish to experiment with some more dynamic high-headroom tones, the power input can support 9v to 18v operation, which can give you a more “three-dimensional” characteristic to your sound.

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