Versatile, 2-way signal routing tool

Instantly switch between two inputs or two outputs, or to use two inputs or two outputs simultaneously.

For example: alternate between two different amps or amp channels; or quickly switch between two guitars going into one amp.

In A or B Mode, the footswitch is used to select either Input/Output A or Input/Output B.  In Y (A+B) Mode, both Input/Output A and Input/Output B are in use simultaneously, and the footswitch is inactive.

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Manual

Demo by Ben Coombs

THE WYE ABY BOX

Wide array of gritty, overdriven tones; at home across multiple genres.​

Two distinct overdrive modes:

• EIGHTS: Smooth, amp-like breakup perfect for rhythm, warm blues styles, etc.

• ACES: Hotter, thicker overdrive with added sustain, suitable for soaring lead parts

Review by Pedal of the Day

Review by The Ugly Guitar Truth

Demo by Plunk & Boom audio

Demo by Derek Paul Guitar

Dead Man’s Hand Overdrive

Classic warm, creamy screamer-inspired drive is tonic for your tone.
JUICED/NORMAL toggle switch offers additional versatility, with higher gain setting accessible with a flick of a switch:

• NORMAL: Traditionally warm and creamy breakup, great for rhythm parts, blues guitars, etc.

• JUICED: Ups the gain dosage to extra strength, and lets you tear through even the densest of mixes.

Demo by Distortion LTD

Demo by Stu Weinberg

Review by Premier Guitar

Cactus Juice Overdrive

Loads of rich, cascading sustain with crisp attack and subtle compression. 

Go from waxy smooth, violin-like sustain to grittier tones with razor-sharp bite. 

Sculpt your fuzz tone into everything from the thick leads of 1970's classic rock to heavier alternative sounds of the 80's and 90's.

Demo by NORTHERN LIGHTS STUDIO

Demo by  Chuck's Guitar Geekery

Review by Guitar World

Five o’Clock Fuzz

Enhances your tone with a classic analog phase shifting effect.​

Go from discreet shimmer to more dramatic, rapidly sweeping effects.

Two modes:

• THEN: warm, rich, mid 1970s’-era sound

• NOW: cleaner, more modern-sounding and dramatic effect

Review by Bass Magazine