Resotron is an analog filter pedal that brings the sound of 70s keyboard synthesizers to the world of envelope pedals for guitar, bass and beyond. The filter at the heart of the Resotron is based on the SSM2040 chip found in the legendary Prophet 5 and Octave CAT synthesizers. This 24db/octave, state-variable filter provides the full gamut of familiar envelope filter sounds with Up and Down sweeping modes, as well as a Sensitivity control to dial in the response of the effect based on how hard you play. In addition to these vintage-correct filter tones, the Resotron incorporates an analog pitch-tracking system to move the cutoff frequency of the filter up and down. The pitch-following filter effect found in the Resotron moves around based on the notes you play instead of how hard you play. The attack time and rate of filter motion can be adjusted using the Glide knob to dial in how long it takes for the cutoff to travel between pitches.

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Resotron

Gamma Drive is a germanium-enhanced overdrive with active Treble and Bass EQ controls. Achieving articulate, touch-sensitive performance characteristics via a unique mixture of germanium, LED and silicon diodes arranged to produce asymmetrical clipping, Gamma Drive offers overdrive rich in 2nd order harmonics, which creates sweet, blooming tone. Offering a range of overdrive from sparkling clean boost to a raging distortion, Gamma Drive was designed for versatile playing across a wide variety of musical genres.

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Gamma Drive

Philosopher’s Gold is a variation on the original Philosopher’s Tone, featuring the same optical sustain engine with the addition of an optional layer of germanium-enhanced distortion. The unique diode arrangement found in the Philosopher’s Gold delivers a smooth top end and rich midrange response, tailored to match the characteristics of the optical sustainer driving it. The clean side of the Philosopher’s Tone remains the same—dial in your Blend and Volume to get your desired signal, and Sustain for compression. What defines Germanium Gold is the Grit control. More than a simple gain knob, Grit acts as a blend for the supreme germanium-enhanced distortion folded into the unit.

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Philosopher's Gold

Pigtronix Echolution 2 combines state-of-the-art analog and digital processing designed to deliver the ultimate delay pedal experience. Echolution 2 achieves the ambient richness of the finest studio delay processors by using 100% analog Class-A, discrete transistor limiters as well as non-linear tape emulator stages and filters to massage the audio coming through the delay line. Fully capable of handling instrument and line level sound sources, the Echolution 2 delivers low-noise, high-headroom delay processing with any rig. Echolution 2 features stereo inputs and outputs, sporting an all analog dry signal path along with extensive analog tone shaping and filtering before and after delay line. Rather than try to mimic the sound of analog delays, the Echolution 2 uses real analog filters and non-linear saturation stages to achieve its signature warmth and dynamic range.

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Echolution 2 Ultra Pro

MORPH ACROSS THE SPACETIME SPECTRUM.
Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces—Theatre, Temple, and Cosmos—as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it’s fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both “red” and “green” values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.

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