igtronix Rototron is an all analog rotary speaker effect that combines frequency modulation, phase shifting, tremolo, bucket brigade-based chorusing and a three-way crossover all meticulously voiced to achieve unsurpassed, three-dimensional rotary realism in a compact, easy to use pedal.

Designed by Howard Davis and David Koltai, the Pigtronix Rototron accurately recreates the complex acoustic phenomenon of the legendary dual rotor 122 and 147 cabinets as used by Peter Frampton, Danny Gatton, the Beatles and many more. The analog design approach used within the Rototron sounds warmer, fatter and feels far more realistic than the digital rotary effects currently available from other companies. Line-level headroom and full stereo input and output options make the Rototron ideally suited to keyboardists as well as guitarists who use a stereo setup live or in studio.

Demo by PJ and the Beard

Demo by Mike Hermans

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Manual

Rototron

Gamma Drive is a germanium-enhanced overdrive with active Treble and Bass EQ controls. Achieving articulate, touch-sensitive performance characteristics via a unique mixture of germanium, LED and silicon diodes arranged to produce asymmetrical clipping, Gamma Drive offers overdrive rich in 2nd order harmonics, which creates sweet, blooming tone. Offering a range of overdrive from sparkling clean boost to a raging distortion, Gamma Drive was designed for versatile playing across a wide variety of musical genres.

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Gamma Drive

Pigtronix Echolution 2 combines state-of-the-art analog and digital processing designed to deliver the ultimate delay pedal experience. Echolution 2 achieves the ambient richness of the finest studio delay processors by using 100% analog Class-A, discrete transistor limiters as well as non-linear tape emulator stages and filters to massage the audio coming through the delay line. Fully capable of handling instrument and line level sound sources, the Echolution 2 delivers low-noise, high-headroom delay processing with any rig. Echolution 2 features stereo inputs and outputs, sporting an all analog dry signal path along with extensive analog tone shaping and filtering before and after delay line. Rather than try to mimic the sound of analog delays, the Echolution 2 uses real analog filters and non-linear saturation stages to achieve its signature warmth and dynamic range.

Demo by MJGuitar

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Echolution 2 Ultra Pro

MORPH ACROSS THE SPACETIME SPECTRUM.
Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces—Theatre, Temple, and Cosmos—as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it’s fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both “red” and “green” values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.

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Cosmosis

The Pigtronix Envelope Phaser pours on the special sauce to take your tone into outer space. Accentuating and sweeping through the harmonics of any musical source, the motion of this revolutionary phase shifter can be controlled by Envelope, LFO or a blend of both.

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