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Star Eater

Disnortion is an analog Fuzz and Overdrive offering gushing tone. A single gain knob controls the saturation of both the fuzz and overdrive circuits simultaneously. Disnortion features the ability to switch from parallel routing to a new, super-saturated series routing where the 6-stage CMOS overdrive circuit is cascaded into unique diode-clipping fuzz and then output through a 6-way passive filter network. The Parallel routing mode is ideal for players who like to pile on the gain without sacrificing clarity, dynamic response, punch or low end. It’s like double-tracking your guitar within a single pedal. The Series routing mode offers an even wider range of gain and more extreme filter effects for metal tones and beyond, including self-oscillating timbres that can be modulated by pickup selection and guitar control settings.

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Demo by Pigtronix 

Disnortion Micro

Class A Boost will fatten up and boost anything you feed it. This deceptively simple design uses discreet J-FET transistors in a single-ended “Class A” configuration to achieve the warmest possible tone. Class A Boost can deliver up to 20db of clean boost and remains effective with both instrument and line level signals. Superior signal to noise performance allows you to put the Class A Boost anywhere in your pedal chain. It can add punch and extra output to a classic overdrive sound and is able to push distortion pedals into extremely aggressive crunch land. Class A Boost is also ideal for hitting the front end of a tube amp to achieve an added layer of sweetness.

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Class A Boost Micro

MORPH ACROSS THE SPACETIME SPECTRUM.
Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces—Theatre, Temple, and Cosmos—as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it’s fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both “red” and “green” values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.

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Cosmosis

Phase Ranger is an analog phase shifter pedal offering two distinct varieties of classic, vintage-inspired modulation in an easy-to-use, micro package. At the heart of Phase Ranger is an octet of precision-matched VCAs that produce silky smooth linear phase shifting with remarkable dynamic range, low-noise performance and crystal clear sound. Standard knobs for Speed and Depth dictate the rate and intensity of the syrupy phase tone offered by Phase Ranger. The two LFO controls are joined by a single, push-button toggle switch that selects either 4-stage or 8-stage phase shifting. The 4-stage mode takes you straight to the late 1970’s with a wide-open, groovy sound. The 8-stage mode creates a more complex and detailed phaser previously found only in high-end studio gear from the glory days of analog synthesis. Available exclusively at Guitar Center.

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Phase Ranger 

Phase Ranger  by Pigtronix

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