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Infinity Looper

Disnortion is an analog Fuzz and Overdrive offering gushing tone. A single gain knob controls the saturation of both the fuzz and overdrive circuits simultaneously. Disnortion features the ability to switch from parallel routing to a new, super-saturated series routing where the 6-stage CMOS overdrive circuit is cascaded into unique diode-clipping fuzz and then output through a 6-way passive filter network. The Parallel routing mode is ideal for players who like to pile on the gain without sacrificing clarity, dynamic response, punch or low end. It’s like double-tracking your guitar within a single pedal. The Series routing mode offers an even wider range of gain and more extreme filter effects for metal tones and beyond, including self-oscillating timbres that can be modulated by pickup selection and guitar control settings.

Demo by The Guitar Effect

Demo by Leon Todd

Review by The Gear Page

Review by guitartest.de

Review by reddit /guitarpedals

Manual

Disnortion OFO 

igtronix Rototron is an all analog rotary speaker effect that combines frequency modulation, phase shifting, tremolo, bucket brigade-based chorusing and a three-way crossover all meticulously voiced to achieve unsurpassed, three-dimensional rotary realism in a compact, easy to use pedal.

Designed by Howard Davis and David Koltai, the Pigtronix Rototron accurately recreates the complex acoustic phenomenon of the legendary dual rotor 122 and 147 cabinets as used by Peter Frampton, Danny Gatton, the Beatles and many more. The analog design approach used within the Rototron sounds warmer, fatter and feels far more realistic than the digital rotary effects currently available from other companies. Line-level headroom and full stereo input and output options make the Rototron ideally suited to keyboardists as well as guitarists who use a stereo setup live or in studio.

Demo by PJ and the Beard

Demo by Mike Hermans

Review by delicious audio

Review by musicradar

Rototron

MORPH ACROSS THE SPACETIME SPECTRUM.
Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces—Theatre, Temple, and Cosmos—as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it’s fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both “red” and “green” values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.

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Cosmosis

Pigtronix Quantum Time Modulator produces a parallel universe of analog time stretching effects with only three knobs and a single switch. Reflecting the fundamental principals of modern atomic physics in pedal form, the Pigtronix Quantum can be in any number of places at once and will change in response to both input and observation. Pigtronix Quantum utilizes multiple bucket brigade delay lines with independent clocks modulated by a continuous blend of envelope and LFO sources. The corresponding sensitivity, speed and source controls are augmented by a Chorus / Vibe switch which allows the user to choose between pure effect or a mix of clean signal and modulated audio. This eminently flexible, yet easy to use configuration, combined with a TRS stereo output provides numerous sound field configurations for mono, true stereo, wet / dry and wet / dry / wet rigs.

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