The EXTC Stereo allows you to connect guitar effects pedals to the inputs and outputs of pro audio equipment such as recording interfaces and mixing consoles, so you can incorporate stereo pedals into your recordings and explore new creative possibilities.

The EXTC-Stereo gives you the ability to connect stereo effects pedals such as reverbs and delays to the line-level inputs and outputs of your console or recording interface. Use it to send drum overheads to a multi-tap delay, or breathe new life into a stale keyboard patch with a flanger or chorus pedal. Try it on vocals, strings, or any prerecorded track to add a new creative element to your mixes and revitalize your old pedal collection. 



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Review by Radial Engineering 

Demo by RecordingMag 

EXTC-Stereo

Radial SGI Studio Guitar Interface is a transmit (SGI-TX) and receive (SGI-RX) pair of
modules that allows a guitar signal to travel across 300 feet of balanced cable to a distant
amplifi er. The SGI is a unity gain device that features 100% discreet Class-A circuitry for
great sound and transformer isolation to eliminate ground loops.
For the studio, the SGI allows the guitarist to play in the control room while listening to the
studio monitors. For live performance, the SGI allows amplifi ers to be located off stage while
improving sound and reliability over wireless systems.

The SGI-TX is the transmitter end, powered by a wall wart.

Review by Tape OP

Demo by the DAW Studio

Demo by Full Compass

Review by the Audio Magazine

SGI TX

Es gibt genug verrückte Gitarristen, die sich gleichzeitig in mehrere Amps stöpseln. Warum fragst du? Mit einem breiten Repertoire an Songs und der Möglichkeit jeweils den richtigen Amp auszuwählen, klingt es nicht nur besser, sondern du groovest auf der Bühne auch leichter! Im Studio schnell mal zwischen Amps zu schalten ohne ein Rack und große Multi-Selektor-Switches rum zu schleppen macht die Sache auch um einiges einfacher… Für genau diese Leute ist der Headlight gemacht! Das Design beginnt mit Radials preisgekröntem Class-A Buffer und Drag™ Regler. Ein einfacher Fußschalter schaltet durch die, an den verschiedenen, durch Transformatoren isolierten Outputs angeschlossenen Amps. Ground Loops können per Knopfdruck eliminiert und das Signal um 180° in der Phase gedreht werden. Der Mute Schalter lässt dich entweder das Signal komplett stumm schalten oder per Knopfdruck die Sonne aufgehen lassen…!

There are plenty of crazy guitarists that will plug into four amps at the same time! Why, say you? With a catalog of songs, having the ability to select the right amp for the right tune not only sounds better, it makes them groove on stage. In the studio, quickly switching between one amp to another without having to bring a rack and large multi-selector footswitch makes things all that much easier. The Headlight is made for these folks. The design begins with Radial’s award winning Class-A buffer and Drag™ control load correction for absolute best tone and natural feel. A single rotational footswitch advances the signal to all of the outputs that are connected. A series of color-coded LEDs follow along for instant visual feedback. To ensure quiet performance, the outputs are transformer isolated. These eliminate ground loops and the hum and buzz that seems to always be present with other switchers. Ground lift and 180º polarity reverse switches are also available to further quiet down the system and ensure all amps play in phase. A mute switch works double duty to either turn all amps off for tuning, or turn them all on to unleash the power of the sun!

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Headlight

Basierend auf High-Gain-Verstärkerdesigns verwendet der Hot British eine dreifache Hybrid-Verstärkungsstufe, die die control und Dynamik von Solid-State mit der Wärme- und harmonischen Erzeugung kombiniert, die nur von einer echten 12AX7-Röhre möglich ist. Dieses einzigartige Design erzeugt ultra-reiche harmonische Texturen und voll gesättigte Röhreneinstellungen ohne den Schlamm oder das Geräusch, das bei anderen Pedalen typisch ist. Hören Sie zu und Sie werden hören, wie jede Note ihre Eigenständigkeit und Klarheit bis in die tiefsten Töne beibehält.
Schalten Sie die Contour ein, wählen Sie den interaktiven EQ und Wham und betreten Sie eine Welt, in der riesige, musikalisch reiche Töne, von denen Sie nie gedacht hätten, dass sie auf magische Weise lebendig werden könnten. Kein anderes Pedal liefert mehr - kein anderes Pedal kommt auch nur annähernd!

The Radial Tonebone Hot British Tube Distortion first appeared half a century but is still well-worn and loved by professional and semi-professional musicians alike. The Radial is literally 50 years worth of Marshall tube distortion in one little stompbox. However, this is no one-trick-pony. Use the top-end, mid boost and drive gain switches, the control pots for high, low, filter and drive and push the resulting sound from a classic plexi-drive to an all-guns-blazing, pure Hot and British high-gain. For guitarists using a tight sounding tube or standard amp, the Tonebone is a welcome addition to their arsenal and will only broaden their sound palette.

Review by Vintage Guitar Magazine 

Demo by Reverb 

Demo by Wall of Sound 

Tonebone Hot  British

The MIX 2:1 uses a completely passive circuit that requires no power to operate and allows you to sum two signals together with minimal coloration or distortion. Either signal can be attenuated to create the desired blend between the two, or the level controls can be bypassed altogether, summing each input equally. The MIX 2:1 automatically compensates for the 6dB in voltage gain when summing two in-phase signals together, so you don’t overload the next device in your signal chain. Ground lift switches are provided to remove buzz and hum from ground loops, and the MIX 2:1 is housed in a rugged steel chassis to handle use in the studio and on the road.

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