This is a sidechainer pedal, an effect that ducks your instrument’s signal each time it gets a trigger – capable of putting deep spaces into your sound!

It’s an effect that’s heard on many recordings, often subtly – like when a rock rhythm guitar is sidechained with the kick drum, so every time the kick drum hits, the guitar volume dips slightly for that instant – giving a really powerful overall effect… The guitar sounds pumping, or spring-loaded!

Whatever way you use it, this sidechaining effect has NEVER been so easily available – and controllable – as with the Deep Space Pulsar! (Up to now, it’s always been an effect that’s added in post-production – hardly ever live).

Demo by Knobs

Demo by  НОЙЗ

Review by Gearnews

Review by guitar moderne

Review by AMAZONA

Review by Premier Guitar

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Deep Space Pulsar

This is a digital reverb mini-pedal, simple to use, but giving a whole selection of unique – and very useful – new sounds. It comes with an Igor expression pad for real-time control. ‘Size’ adjusts the length of the effect, and ‘Level’ the amount of it you hear (the original guitar signal is always present).

Demo by collector//emitter

Review by The Gear Page

Review by reddit /guitarpedals

Review by Get Offset

Reverb-X

The Chop Fuzzz is an uncompromising all analog, full-on gated fuzz pedal - with a whole bunch of interesting ways of manipulating the signal. 

It’s the latest instalment in the Dr Freakenstein dynasty!!!

As well as fuzz, it has two types of modulation, a pressure-operated expression pedal (to do wah wah-like effects), a tunable drone facility - capable of ring modulator tones - and a noise gate; it’s actually a very specific kind of multi-effects pedal.

Official Product Video

Demo by Harp Lady

Review by guitar pedal X

Review by delicious audio

Chop Fuzz

The Snare Trap is a drum machine you play guitar or synth/keyboards through! It’s designed to be used either on the desktop – by hand – or on the floor – by foot. The drum sounds are bass drum, snare, and hi-hat, and these can be individually triggered externally by a CV – so it’s very useful for modular synthesists.

It has handy shortcuts to get a beat going quickly, plus a bunch of inspiring features and effects, including delay, low-pass filter (manual or LFO-controlled), side-chaining and correctible tap tempo. There’s a pad for adding drumfills and white noise effects, which also doubles up for inputting a tempo.

Demo by Do Noise

Snare Trap

The RaingerFx Dr Freakenstein Fuzz DrFF-3 and Igor is a full-on fuzz distortion pedal, housed in Rainger's own original design steel desk-type enclosure.

Along with a volume control, there’s an overtone knob which controls the pitch of the harmonic overtone in the sound. This sounds great at any setting, but becomes very exciting as you adjust it – like a cross between a wah wah and a phaser. So an LFO option is incorporated to modulate this control (giving a triangle wave-shape, speed adjustable from a slow sweep to a fast wobble). There’s a switch (‘MOD’) on the front panel to turn this on or off, the status and speed of the oscillator shown by the red and white throbbing meter backlight.

The DrFF-3 has a hi/lo intensity pushbutton on the back panel, switching the overtone from a lower ‘inside the sound’ to a higher-pitched in-your-face zip. On the low setting it’s possible to get a strong – perfectly tracking – low octave introduced, especially when the guitar’s neck pickup is selected. Add an LFO fast wobble, and great thick organ-esque tones are possible.

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Dr Freakenstein Fuzz DRFF-3

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