It’s a dub-flavoured digital delay (based on our Echo-X delay pedal), that also produces low, throbbing drones that can also be mixed through the delay circuit. If you play shoegaze, doom/heavy/psychedelic rock, or ambient music it’s a fantastic tool for making a powerful base note to play over. Maybe you play in a two piece band? Then it’s essential! You’re a solo electric guitarist making sonic textures?…. You improvise over an atmospheric backing? The Drone Rainger is for you!

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Drone Rainger

The Air Traffic Controller mixes a Rainger FX optimum distortion circuit with a white noise 'hiss' generator, and sends the sound through a low pass filter. The cut-off frequency of the filter is controlled in three possible ways; by the envelope of the note (the volume), the pitch of the note, or in a random mode.

This gives variations ranging from a biting edgy funk tone, to airy whisps of sound (hence the name), from fusiony solo-ing with 'synth tracking' to dense shoe-gazy walls of distortion, guitar / electronic-percussion morphing... It's a hugely flexible palette of sounds that's never been possible before.

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Review by Premier Guitar

Review by delamar

Demo by Dennis Kayzer

Demo by Pedal Experiments

Air Traffic Controller

The Snare Trap is a drum machine you play guitar or synth/keyboards through! It’s designed to be used either on the desktop – by hand – or on the floor – by foot. The drum sounds are bass drum, snare, and hi-hat, and these can be individually triggered externally by a CV – so it’s very useful for modular synthesists.

It has handy shortcuts to get a beat going quickly, plus a bunch of inspiring features and effects, including delay, low-pass filter (manual or LFO-controlled), side-chaining and correctible tap tempo. There’s a pad for adding drumfills and white noise effects, which also doubles up for inputting a tempo.

Demo by collector//emitter

Demo by Do Noise

Review by AMAZONA

Review by guitar pedal X

Snare Trap

The RaingerFx Dr Freakenstein Fuzz DrFF-3 and Igor is a full-on fuzz distortion pedal, housed in Rainger's own original design steel desk-type enclosure.

Along with a volume control, there’s an overtone knob which controls the pitch of the harmonic overtone in the sound. This sounds great at any setting, but becomes very exciting as you adjust it – like a cross between a wah wah and a phaser. So an LFO option is incorporated to modulate this control (giving a triangle wave-shape, speed adjustable from a slow sweep to a fast wobble). There’s a switch (‘MOD’) on the front panel to turn this on or off, the status and speed of the oscillator shown by the red and white throbbing meter backlight.

The DrFF-3 has a hi/lo intensity pushbutton on the back panel, switching the overtone from a lower ‘inside the sound’ to a higher-pitched in-your-face zip. On the low setting it’s possible to get a strong – perfectly tracking – low octave introduced, especially when the guitar’s neck pickup is selected. Add an LFO fast wobble, and great thick organ-esque tones are possible.

Review by delicious audio

Demo by Perfect Circuit

Demo by  ifeel mononoaware

Dr Freakenstein Fuzz DRFF-3

The Echo-X is a digital delay mini-pedal with unprecedented real-time control over crucial parameters, and now comes with a ‘gate’ switch option – giving the world’s first gated echo effect! 

It’s the echo version of the Reverb-X.

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