Ghost Writer is a pedal that transforms the notes you play into MIDI data. This means you can connect to a synth and literally play your synthesizer from your guitar. You can also trigger phrases or samples, and add functionality to your MIDI-equipped pedals.

Independent controls allow you to toggle audio and MIDI signals or use both. The monophonic MIDI data is automatically assigned to MIDI Channel 1, and transmitted through a *3.5mm TRS MIDI cable* on the back of the pedal. The audio is processed through a high-quality buffer stage to ensure no loss of signal.
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Ghost Writer provides a simple way to interact with your synths and MIDI-equipped gear as you play. It’s an essential tool for creative musicians who are on the search for innovation.

Demo by Sean Daniel

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Review by Waveform Mag

Review by Get Offset

Manual

Ghost Writer

The Pearl sinks its teeth into the low end and doesn’t let go. Its modified vintage circuit delivers a heavy bass fuzz tone with versatile controls to work with your music. This pedal was created for bass, but you can also plug your guitar into it to make your low-end dreams come true!

At the heart of the pedal is an all-analog silicon design that sounds great with any pickup type. We use hand-picked, new-old-stock “oil can” BC109 transistors that add a classic, vintage tone to this modern fuzz. The user interface includes a range of controls including intensity, tonality, compression, output level, and a high/low switch that affects the amount of bottom end. The Pearl is a compact, simple-to-use, player-friendly pedal with a monster, low-end tone. In short, it is a force to be reckoned with.

Demo by  Theo And His Pedals

Review by Talk Bass.com

Review by Stompbox Steals

Pearl

(Glitch, Pitch, Slice, and Dice)

Is it a distortion pedal? Is it a ring modulator? Delay? Just call it the Bad Comrade, the world’s first hand-wired glitch, pitch, slice, and dice pedal. For the adventurous guitarist (or anyone wielding a 1/4” jack) who craves unthinkable tones. The Bad Comrade lets you distort, modulate, glitch, and slice on the fly.

Demo by Duskmos

Review by The Gear Page

Bad Comrade

The first mode offers a modulated “oil can” style delay with shorter, vintage style repeats, paired with a small room reverb. The second mode delivers a long, high-fidelity, analog-style delay with a large hall reverb. The reverb level can be dialed to taste or completely removed in either mode, allowing it to function as a traditional delay pedal. The reverb can be boosted while keeping the mix low, generating the effect of a reverb with an adjustable pre-delay. 

The Dirty Murals will quickly become an essential part of your sound. It is your go-to delay and reverb solution in a small size that will free up space on your pedalboard by combining the perfect delay and reverb in one device.

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