As any mountain climber would tell you, reaching one peak will always make you crave for another. Here at Shift Line, we are ascending our next slope: the A+ Everest M.
The Everest M is a new revision of the Everest reverb/delay pedal. It retains the gorgeous sounds and simple controls of the original, adding new features for greatly improved functionality.

Demo by  Nikita Demchenko

Demo by ShurSoma

Review by delicious audio

Review by wolfe with an e's blog

Product Page

Everest M

Every guitar or bass player has their own favorite amps and cabinets. Yet however much you love a stack's sound, you will probably have trouble hurling it on and off the stage, let alone playing it at home (unless you don't mind your family and neighbors going deaf). And you never know the quality of the backline the venue is going to provide you with.

The solution for gigging players came in the form of cabinet simulation units (cabsims), which let you approximate your favourite cabinet's sound. Analog cabsims were pretty good for plugging into the PA but used to lack detail in their sound — and they only modeled a limited number of cabinets. Next came digital cabsims, and their incredibly detailed sound pushed cabinet simulation to a whole new level. They were, however, quite expensive and not pedalboard-friendly enough.

This eventually led us to creating the A+ Cab Zone LE — a digital IR-based cabinet simulation device. The Impulse Response Convolution technology provides a realistic sound and preserves the unique character of the cabinet and microphone used to record the impulse.

Demo by the wetter bass

Official Product Video

Instruction Pages

CabZone LE

The A+ Everest II is the result of the Everest M evolution. Aside from the new enclosure, stereo mode and tap tempo, the new pedal has got a new architecture with completely reworked algorithms. The combination of reverb and delay in a single compact pedal allows for otherworldly atmospheric textures along with classic spatial sound processing. The pedal is suited for use with any kind of instrument: guitar, bass, synths, drums, or anything else.

Manual

Demo by Brett Kingman

Everest II

The A+ Prism-9 is a truly inspiring stompbox for any musician looking for new ideas. With this pedal, even the most ordinary sound can turn into an outlandish chorus of awesomeness!

The Prism-9 is a unique, complex, fully-featured effect that embraces analog synthesis techniques — particularly modulation and filtering. The pedal has two switchable global modes — "classic" and "modern" — which are comprised of the same elements but in a different order.

Review by reddit /guitarpedals

Demo by Chords of Orion

Demo by Shur Soma

Prism-9

Who said bass guitar didn't need distortion? We believe it definitely does - and there's a growing number of bass players who agree with us. Alas, there are still few dedicated bass distortion pedals; for the most part, bass players have had to use either guitar stompboxes or no distortion pedals at all.

Here at Shift Line, we take bass distortion seriously - most of us are bass players, after all. As soon as we released our Olympic MkII bass preamp, we started working on our brand new distortion pedal for bass: the A+ BUZZ.

And let us tell you this: we are very happy with the sounds Buzz can produce. It sings, it growls, it saturates - and it does it all at your command. With A+ Buzz, your bass guitar will truly stand out in the mix. Let there be rock!

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Buzz v1

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Technische Daten

Weitere Pedals von Shift Line

Shift Line

Everest M

Shift Line

CabZone LE

Shift Line

Everest II

Shift Line

Prism-9

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