The Prism III is a unique sound texture generator. The pedal's 22 complex algorithms combine additive synthesis, reverb and various types of modulation (frequency, amplitude, time). It's hard to pinpoint a single role for this compact stereo device, so the name highlights its three key elements: modulation, filtering, and pad creation.

The Prism III can be easily integrated into any setup (even the most esoteric one). The pedal's interface saves settings automatically, and the parameters can be controlled externally via MIDI or CV.

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Demo by Harp Lady

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Prism III

True tube sound in compact casing.

Shift Line are huge fans of the Fender sound. Shift Line Twin mkII is based on the '65 Fender Twin combo amp. Twin recreates the authentic sound of the 30kg (64lbs) combo in a 600g (1.3lbs) box, adding some useful features in the process. Overall design and testing took us about 5 years. We spent most of this time comparing our preamp with the original amp face-to-face, (we had the original one in our workshop). After that, the device was tested for live and studio use by musicians.

We also added some options to further improve Twin's flexibility. We added a series effects loop, a phones output and an aux input. The recording output with a specifically designed switchable speaker simulator is the final touch to this Swiss knife for any guitar player.


Review by Rukind

Demo by Brett Kingman

Demo by Stanislav Galitskiy

Twin MkII "Blackface"

The Shift Line Stages is an overdrive with an excellent dynamic range and deep tone-shaping capabilities. If you're looking for a pedal with a meticulous response to your playing and great control over the tonal balance, the Stages is for you.

The Stages was primarily designed for use with electric guitar, but you can certainly run other instruments through it as well. For instance, the pedal works really well with bass (even despite the lack of wet/dry mix control).

Demo by intheblues

Review by guitar pedal X

Stages

Who said bass guitar didn't need distortion? We believe it definitely does - and there's a growing number of bass players who agree with us. Alas, there are still few dedicated bass distortion pedals; for the most part, bass players have had to use either guitar stompboxes or no distortion pedals at all.

Here at Shift Line, we take bass distortion seriously - most of us are bass players, after all. As soon as we released our Olympic MkII bass preamp, we started working on our brand new distortion pedal for bass: the A+ BUZZ.

And let us tell you this: we are very happy with the sounds Buzz can produce. It sings, it growls, it saturates - and it does it all at your command. With A+ Buzz, your bass guitar will truly stand out in the mix. Let there be rock!

Demo by Adam Aarts

Demo by Patrick Hunter

Review by Talk Bass.com

Buzz v1

Shift Line presents the A+ Buzz V.2 bass drive.

Bass and distortion go hand in hand — at least, that's what we believe, and many bass players seem to agree. The A+ Buzz has found its place in bass pedalboards all over the world, and now it's time for a new and improved revision: the Buzz V.2 bass drive.

The new version builds up on what made the Buzz so popular. The strong core sound, great dynamic response, and simple controls with a wide sweet spot are all present in the Buzz V.2 — but now they are joined by an improved EQ section along with separate volume controls for the dry and distorted signal. And due to the top-mounted jacks, it's now even easier to fit into your pedalboard!

Demo by bajjjan records

Demo by Erik Arkö

Buzz v2

Buzz v2 by Shift Line

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Buzz v2

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Prism III

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Twin MkII "Blackface"

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Stages

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Buzz v1

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