One of the best fuzz pedals for an outstanding experimental sound. Termofuzz offers an enormous sound palette, ranging from break-up crunch to super hi-gain fuzz tones, octafuzz, gated fuzz, self-oscillation and anything you can ever imagine.

Demo by  bajjjan records

Official Product Video

Review by The Gear Page

Review by guitar pedal X

Review by Guitar World

Review by Pedal of the Day

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Termofuzz

Who said bass guitar didn't need distortion? We believe it definitely does - and there's a growing number of bass players who agree with us. Alas, there are still few dedicated bass distortion pedals; for the most part, bass players have had to use either guitar stompboxes or no distortion pedals at all.

Here at Shift Line, we take bass distortion seriously - most of us are bass players, after all. As soon as we released our Olympic MkII bass preamp, we started working on our brand new distortion pedal for bass: the A+ BUZZ.

And let us tell you this: we are very happy with the sounds Buzz can produce. It sings, it growls, it saturates - and it does it all at your command. With A+ Buzz, your bass guitar will truly stand out in the mix. Let there be rock!

Demo by Adam Aarts

Demo by Patrick Hunter

Review by Talk Bass.com

Buzz v1

The A+ Everest II is the result of the Everest M evolution. Aside from the new enclosure, stereo mode and tap tempo, the new pedal has got a new architecture with completely reworked algorithms. The combination of reverb and delay in a single compact pedal allows for otherworldly atmospheric textures along with classic spatial sound processing. The pedal is suited for use with any kind of instrument: guitar, bass, synths, drums, or anything else.

Review by delicious audio

Demo by Brett Kingman

Everest II

The Prism III is a unique sound texture generator. The pedal's 22 complex algorithms combine additive synthesis, reverb and various types of modulation (frequency, amplitude, time). It's hard to pinpoint a single role for this compact stereo device, so the name highlights its three key elements: modulation, filtering, and pad creation.

The Prism III can be easily integrated into any setup (even the most esoteric one). The pedal's interface saves settings automatically, and the parameters can be controlled externally via MIDI or CV.

Demo by Harp Lady

Prism III

The A+ Prism II is a new version of the Prism-9 complex effect pedal. Combining multiple techniques in a single unit, the device employs an outside-the-box approach to sound processing. The Prism II is comprised of subtractive and additive synthesis elements along with reverberation and various types of modulation (frequency, temporal and spatial). Rather than being lined up in a typical linear fashion, all parts of the system form a single "organism", allowing multiple parameters to be tweaked simultaneously. You could try and replicate it by using a chain of multiple time-synced effects — but that would be no easy feat, as the Prism II has 3 pitch shifting sections, 4 multimode filters, 2 modulation blocks, and a single reverb section. All the elements are organized in two identical chains (as the device works in stereo) with a separate mix section at each stage. The pedal's four LFOs provide extensive control over the stereo field and filter automation. The Prism II can be controlled via the TAP footswitch or synced to an external clock. Additionally, the device offers an expression pedal simulation mode along with a DETUNE function.

The Prism II is a compact inspiration generator which can single-handedly replace a sizable Eurorack system. In the guitar world, fully replicating the effect would be difficult even with a huge pedalboard.

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