As any mountain climber would tell you, reaching one peak will always make you crave for another. Here at Shift Line, we are ascending our next slope: the A+ Everest M.
The Everest M is a new revision of the Everest reverb/delay pedal. It retains the gorgeous sounds and simple controls of the original, adding new features for greatly improved functionality.

Demo by  Nikita Demchenko

Demo by ShurSoma

Review by delicious audio

Review by wolfe with an e's blog

Product Page

Everest M

The Olympic MkIIIS is the newest revision of Shift Line's bass preamplifier that combines the classic tube sound with modern audio processing technologies, creating a true "Swiss Army knife" for bass players as a result. Sculpting your signature sound and taking it anywhere you go has never been easier.

The Olympic MkIIIS is a compact, fully-featured tube preamplifier with a warm, deep and characteristically compressed sound. The device's universal connectivity allows to use it even in the most complex setups.

The cabinet simulation is based on the Impulse Response Convolution technology, which provides a realistic and detailed sound while preserving the character of the power amp, cabinet and microphone used to record the impulse.

The device comes with two built-in cabinet impulses: SUNN 200s 2х15 and AMPEG SVT-810E 8х10. The microSD card slot allows users to upload their own cabinet impulses.

Manual

Demo by Shift Line 

Review by Adam Aarts 

Olympic MkIII

Who said bass guitar didn't need distortion? We believe it definitely does - and there's a growing number of bass players who agree with us. Alas, there are still few dedicated bass distortion pedals; for the most part, bass players have had to use either guitar stompboxes or no distortion pedals at all.

Here at Shift Line, we take bass distortion seriously - most of us are bass players, after all. As soon as we released our Olympic MkII bass preamp, we started working on our brand new distortion pedal for bass: the A+ BUZZ.

And let us tell you this: we are very happy with the sounds Buzz can produce. It sings, it growls, it saturates - and it does it all at your command. With A+ Buzz, your bass guitar will truly stand out in the mix. Let there be rock!

Demo by Adam Aarts

Demo by Patrick Hunter

Review by Talk Bass.com

Buzz v1

LIVE — universal reverberation pedal for rehearsals, live performances and work in the studio.

For a variety of sounds, 8 reverberation algorithms (patches) are embedded in the pedal, each of which « makes » the sound of the guitar, gives it color and volume, adding the sound of the room, long hall, reflection of the sound waves of the plate, spring delay or organ room.
A set of algorithms allows you to choose the appropriate type of effect for any musical style, since they are designed in such a way that for good sound it is enough to choose the algorithm itself and the ratio of clean and processed signals.

For acoustic sounding, the device can be used independently, and together with the overload pedal, a minimum but complete set of effects for work is formed, on which you can play everything from jazz to very heavy styles.

Demo by Living Room GD

Demo by shnobel

Live

The Prism III is a unique sound texture generator. The pedal's 22 complex algorithms combine additive synthesis, reverb and various types of modulation (frequency, amplitude, time). It's hard to pinpoint a single role for this compact stereo device, so the name highlights its three key elements: modulation, filtering, and pad creation.

The Prism III can be easily integrated into any setup (even the most esoteric one). The pedal's interface saves settings automatically, and the parameters can be controlled externally via MIDI or CV.

Official Product Video

Demo by Harp Lady

Prism III

Prism III by Shift Line

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Prism III

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Everest M

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Olympic MkIII

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Buzz v1

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