Adds dimensional shimmer and syrupy swirl, from hypnotic slow to dizzying fast

Extremely low noise and clean, maintains neutral eq and volume footprint
Plenty of headroom and fuzz friendly, before or after
Big knob for easy foot control
Goes from almost standing still to super fast rotary spin

Demo by Rock TheEagle

Demo by Joe Perkins

Review by guitar pedal X

Review by The Gear Page

Review by Premier Guitar

Product Page

Little Miss Sunshine

Specifically tuned to the sound of a block-buster 1979 album (okay, it's "The Wall") and emulates the "magic" 70's era fuzz pedal that was somehow clear and articulate on high notes while still fuzzy and aggressive on low notes, without excessive low-end muffiness or high-end fizz.  The mids are scooped just enough to keep it from sounding congested, the lows are rolled off just enough to keep it from sounding wooly or boomy, and the highs are gentle, present, and well balanced.

Its clarity will encourage you to dig in and express yourself; it's not an overwhelming "wall of fuzz" type effect.

A wide variety of aggressive and clear-sounding applications, particularly excelling in sustaining, biting, legato lead work

Demo by JetCityMusic

Demo by Greg's Guitar Lessons

Demo by Brett Kingmann

Demo by VJN Sound

Review by reddit /guitarpedals

Review by Musiker-Board

Reissue using better quality/higher-gain/lower-noise transistors than the 2006 version.

A vintage, 4-transistor distortion, made with a tasteful blend of NOS and new parts, resulting in a creamy, fat, circa 1973 fuzz tone (but with some extra kick).  Modern upgrades include SMALL SIZE, mid-boost switch, standard DC power, LED on/off indicator, and true bypass switching.

Demo by Dennis Kayzer

Demo by Vintage Stompboxes

Mayo

The Skreddy Pedals™ BC239 FUZZ is a throwback to the late "rams head" era.  The BC239 transistor will tend to render less bass, resulting in a more biting and articulate muff tone.  Add to that the fact that the later rams heads employed plastic film capacitors instead of the softer, grittier tone of ceramic discs used in the triangle knobs and earlier rams heads, and you get a clear, cutting top end.  You'll hear every detail of its velvety distortion.  I'm preserving articulation by keeping the gain in check just enough and not letting it get too mushy or syrupy.  Nice and hot with ample harmonics and of course great sustain.  Rather than a round, fluty tone, you'll get a meaty grind even in your high notes. 

Demo by Marc Ahlfs

Demo by PSQRCL

BC239

The Skreddy Pedals™ Perestroika hearkens to the early 1990's Russian tank version fuzz which had a gritty bite to the top end, a smooth, gently scooped midrange, and a warm, but not boomy low end. Okay, it can get boomy.  Depending on where you set the tone control.  Has just enough gain to propel your solos and never mushy on chords.

We're adding our customary midrange boost mini toggle, too, for flat mids, no scoop!

Demo by  NICHOLAS LEE

Demo by drowninginguitars

Perestroika

Perestroika by Skreddy Pedals

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