If there’s one pedal that captures the history of sonic rebellion and the soul of classic rock, then the Fuzz Face is it. Bold and raunchy when fed power chords, velvety smooth and angelically soaring when presented with lead lines and with an almost too-good-to-be-true volume knob cleanup, which allows for the best clean tones you’ve ever heard, the Fuzz Face is truly a multi-faceted tonal treasure. Jimi Hendrix, Eric Johnson, Stevie Ray Vaughan and Pete Townsend all carved their undying legacy with this iconic fuzz machine and with our If 6 Was 9 MKII, you can instantly tap into those legendary tones or go far beyond to discover your own saturated signature sound.

Demo by Prymaxe

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Review by Vintage Guitar Mag

Review by The Gear Page

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If 6 Was 9 BC183CC

While the Western world was preoccupied with smooth and soulful Fuzz Faces and Muffs, Asian audio gear manufacturers were creating gnarly mystical fuzzes, heavily imparted with earthshaking Godzilla DNA. This very distinct era in fuzz history gave us many treasures that have been rightfully crowned fuzz legends: the Univox Super Fuzz, Ibanez Standard Fuzz, Ace Tone Fuzz Master, Shin-Ei Companion and several others.

Just like its predecessor, the SolidGoldFX 76 MKII offers up a comprehensive guided tour to the best that the Standard Fuzz and its ilk has to offer without any of the drawbacks. On face value, the improved 76 MKII gives you a multi-voiced fuzz unit that offers loads of octave-up snarl and clang, at the same time as ruthlessly pummeling your amp with hair and fangs.

Review by Pete Thorn

Review by BassTheWorld.com

76 MKII 

Für das 76 Plus haben sich Solid Gold FX vom Univox Super Fuzz und dem Shin-Ei Companion inspirieren lassen. Man weiß also, wohin die Reise geht. Auch hier gibt es oktaviert eins drauf – ein Octave-up auf den Sägezahn, dazu ein integrierter Auto-Wah – in Kombination also auch wieder echte Vielfalt, aber in Abgrenzung zum Lysis: weniger Synthie-Charakter, mehr brachialer Fuzz. In Sachen Features deckt sich das Gegebene mit dem Lysis: Breite Maße, zwei 6,3 mm Klinken für den Ein- und Ausgang, eine Klinke für ein Expression-Pedal. Und auch das Panel ist in Sachen Aufbau identisch zum Lysis: zwei Fußschalter, vier Kippschalter, fünf Regler.

The Canadian effects company's Solid Gold FX 76 Plus combines a premium vintage octave fuzz guitar effect pedal with a fixed octave-up setting and a flexible, wah-wah-like filter to create a highly versatile FX pedal for friends and connoisseurs of hairy distortion. While the Fuzz pot controls the intensity of the fuzz distortions as usual, the Texture control smoothly transitions from an extremely low-middle scoop sound to a juicy grind with emphasized midrange frequencies. In addition, the three-level Color and Clip controls determine the amount of treble and compression of the fuzz effect. If desired, the filter effect of the Solid Gold FX 76 Plus brings additional life to the sound. The Speed slider determines the speed of the filter sweep, while the Mode and Shape switches determine its sound character. Thanks to the Expression Input , the filter of the Solid Gold FX 76 Plus can also be controlled in real time via an optionally available Expression pedal.

Review by AMAZONA 

Demo by The Pedal Zone 

Demo by AndyDemos 

76 Plus Octave Up Fuzz & Filter

The BETA-V is a Bass Preamp pedal that kicks! This latest incarnation of our top selling Beta Series is designed to capture the warmth and grit of favorite vintage tube amps. You know, that distinctive drive and tone that seems to be lacking from much of today’s modern bass amplification. 

Review by Talk Bass.com

Review by reddit /guitarpedals

Review by guitar pedal X

Demo by BassTheWorld.com

Demo by Patrick Hunter

Beta-V Bass Preamp

If you think you have Flangers all figured out and placed neatly in your little square genre-defined box, then get ready to have your world turned upside down by the Oblivion Quad Flanger. An otherworldly vast sonic sea awaits you with this device, as every turn of a knob and flick of a switch unlocks mind-melting tones. From epically lush modulated movements to intense regenerating alien airwaves, lo-fi bit-crushed textural landscapes and much more, Oblivion is not here to capture a snapshot of the past, it’s here to open portals to the future!

With the OBLIVION, you have the traditional Speed, Range and Regen controls, but where this pedal really shines is in the three distinct Flange modes available.

We start with a classic Flanger and throw in Thru-Zero capabilities to pull you in and out of space. To push things a little bit further, we then came up with the Bi-Flange mode - offsetting a pair of modulating delay lines for even more sweeping movement.

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Oblivion - Quad Flanger

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If 6 Was 9 BC183CC

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76 MKII

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76 Plus Octave Up Fuzz & Filter

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Beta-V Bass Preamp

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