Der Source Audio One Series Ultrawave Multiband Bass Processor beginnt eine bahnbrechende Reise in das fortgeschrittene Potenzial von Overdrive- und Tremolo-Effekten und erkundet ein neues Universum von Klängen, die es so noch nie gegeben hat. Das Herzstück des Ultrawave ist ein dynamischer und mehrdimensionaler Ansatz, der als Multiband-Processing bezeichnet wird. Dieser Prozess teilt das Frequenzspektrum des Signals in mehrere diskrete Frequenzbänder auf, die speziell auf den Bass abgestimmt sind, und stattet jedes Band mit einer eigenen Reihe einstellbarer Parameter aus. Für Overdrive- und Distortion-Effekte teilt der Ultrawave das eingehende Signal auf und bietet separate Regelmöglichkeiten für Drive und Output Level für jedes einzelne Band. Das Ergebnis ist eine satte und reichhaltige Verzerrung mit vielen einzigartigen Obertönen und einem dynamischen Zusammenspiel. Das breite Spektrum an Distortion- / Overdrive- / Fuzz-Effekten umfasst unter anderem Tube, Diode, Foldback, Octave Up, Negative Flip Diode und mehr. Der Ultrawave verfügt mit dem Neuro Desktop Editor (kostenlose Bearbeitungssoftware für Mac oder Windows) oder in der Neuro Mobile App (kostenlos für iOS und Android) über eine unglaubliche Sammlung innovativer Sound Processing Tools, mit denen sich die Klangbearbeitung in völlig neue Richtungen lenken lässt. Neben einem Dual Channel Kompressor / Expander, einem Multiband-Tremolo mit regelbaren Parametern für jedes Band und einem regelbaren LFO bietet das Pedal zusätzlich ein Sound Morphing Feature, das es Musikern ermöglicht, mit einem externen Expression Pedal, einem LFO oder einem Envelope-Follower stufenlos zwischen zwei Sounds zu wechseln. Mit dem True Stereo Setup lassen sich innovative Stereo-Effekte mit unterschiedlichen Signalen an beiden Ausgängen oder umwerfende Ping-Pong-Sounds erzeugen. Alternativ kann der Ultrawave so flexibel an zwei unterschiedlichen Stellen in Signalweg genutzt werden.

The Source Audio Ultrawave Multiband Bass Processor explores the ground-shaking potential of advance overdrive and tremolo effects with the bass. At the Ultrawave’s core is a dynamic and multidimensional approach known as multiband processing. This process splits the frequency spectrum of the signal into multiple, discrete frequency bands especially tuned to the bass, and equips each band with its own array of adjustable parameters. In the case of overdrive, the Ultrawave splits the incoming signal and provides separate drive and output level controls for each individual band. The result is a thick and punchy distortion with loads of unique overtones and dynamic interplay. Split the signal into 1, 2, 3, 4, 8, or 10 frequency bands, and apply any of the band splitting options to an exciting collection of overdrive types, including Tube, Diode, Foldback (a method of distortion often heard in the world of synthesizers), Octave Up, Negative Flip Diode, and more. The Ultrawave Bass also has an incredible companion collection of innovative sound processing blocks that take bass tone into endless miles of unexplored territory. These are found in the Neuro Desktop Editor (free editing software for Mac or Windows) or Neuro Mobile App (free for iOS and Android). All presets created in the Neuro editors can be loaded directly to the pedal, saved to a personal, cloud-based preset library, and published to the Neuro Community to be easily accessed by other Ultrawave owners. The dual channel compressor block includes studio level controls that can be placed before or after the drive circuits. The Multiband Tremolo block provides individual control of each band's tremolo depth, rate, and start time as well as its LFO wave shape. Changing the LFO wave shape and varying the tremolo start times of each frequency band creates fantastically propulsive sounds reminiscent of sequencer or arpeggiator effects. The Morph feature explores the marvelous potential of sound morphing, which allows bassists to smoothly transition from one thunderous tone to another with an external expression pedal, LFO, or envelope follower. The Ultrawave also has advanced stereo features that can send entirely different drive effects to each of the outputs for a wide stereo field, place the effect in two places in a signal chain, or generate mind-spinning, ping-pong tremolo effects. Plug in, turn up, and explore the wonders of multiband processing built on over a decade of refinement and experimentation.

Official Product Page

Source Audio One Series Ultrawave - Review by Gitarre&Bass [DE], [09-2021]

Source Audio SA 251 - One Series Ultrawave Multiband Bass Processor - Official Demo Video

Source Audio SA 251 - One Series Ultrawave Multiband Bass Processor - Demo Video - Nate Navarro

Manual

Ultrawave Multiband Bass (SA251)

Der Source Audio SA 252 One Series Atlas Compressor bietet eine umfassende Sammlung unterschiedlicher Kompressor-Schaltungen, die den Klang und das Feeling der begehrtesten Kompressoren am Markt perfekt einfangen und mit einem Knopfdruck lässt sich Atlas einfach für Gitarre oder Bass optimieren. Mit den Factory Presets bietet Atlas sechs verschiedene Kompressor-Stilrichtungen, die von klassischen Stompbox-Kompressoren bis hin zu High-End Studio Rack Units reichen. Das Pedal verfügt außerdem über eine fortschrittliche Dual-Band Compression, die eine getrennte Kompression der Höhen und Bässe mit individuellen Einstellungen ermöglicht. Jede Compression Engine verfügt über Onboard-Regelmöglichkeiten für Threshold, Ratio, Attack, Release, Output, Tone und Mix, die eine fein abgestimmte Steuerung der kompakten Hardware der One Series ermöglichen. Wie bei allen Pedalen der One Series ist es möglich, noch mehr aus dem Atlas Compressor herauszuholen, wenn man das Pedal mit dem Neuro Desktop Editor oder der Mobile App verbindet. Der Neuro-Editor entfesselt die Leistung eines komplexen Studiokompressor-Moduls, ähnlich dem, was man in einem DAW Plug-In oder einem analogen Rackmount-Gerät sehen würden. Der Neuro Editor enthält eine Signalanzeige, die die Gain-Reduktion des Kompressors in Echtzeit anzeigt. Darüber hinaus verfügt der Neuro Editor über besonders tiefgreifende und leistungsstarke Parameter für weitere Optimierungen und klangliche Anpassungen. Mit dem One Series Atlas Compressor liegt Musikern die gesamte Geschichte der Audio-Kompression, von VCA über RMS bis hin zu Optical und mehr, sprichwörtlich vor den Füßen!

The Source Audio SA 252 One Series Atlas Compressor features a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry's most sought-after compressors and with the push of a button, Atlas can be easily optimized for either guitar or bass. Straight out of the box, Atlas delivers six different styles of compression, ranging from classic stompbox compressors to high-end rack units. The pedal also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Mix, allowing for fine-tuned control over the compact One Series hardware. Like all One Series pedals, it is possible to get even more out of your Atlas Compressor by connecting to the Neuro Desktop Editor or Mobile App. Neuro editing unlocks the power of a full studio compressor module, similar to what you would see in a DAW plug-in or analog rack-mount gear. The Neuro Editor includes a signal readout display that shows the compressor's gain reduction in real time. In addition, the Neuro Editor features extra deep and powerful parameters for further tweaking and tonal exploration. Discover the full history of audio compression, from VCA to RMS to Optical and more with the one-of-a-kind Atlas Compressor.

Source Audio SA 252 - One Series Atlas Compressor - Demo / Review Video - HarryAndAGuitar

Source Audio SA 252 - One Series Atlas Compressor - Official Demo Video (Bass)

Source Audio SA 252 - One Series Atlas Compressor - Official Demo Video (Guitar)

Source Audio Atlas Compressor - Review by Gitarre & Bass, 11.22  [DE]

Source Audio SA 252 - One Series Atlas Compressor - Demo Video - HarryAndAGuitar

SA 252 Atlas Compressor

Das Source Audio One Series Collider Stereo Delay+Reverb kombiniert zwei der beliebtesten Effekt-Typen in einem einfachen und intuitiven Effektpedal. Basierend auf den Effekt-Algorithmen des preisgekrönten Nemesis Delay und des Ventris Dual Reverb vereint das Collider das Beste aus beiden Welten in einer Stompbox. Das Pedal bietet jede mögliche Kombination aus einer der fünf wählbaren Delay-Engines und einem der wählbaren Reverb-Effekte mit einem separaten An- / Ausschalter für jede Sektion. Zusätzlich lassen sich einzigartige Dual Delay oder Dual Reverb Presets erzeugen. Das Collider kommt mit einem MIDI Ein- / Ausgang und unterstützt Expression Control und Remote Switching. Die Grundlage der Schaltung bilden zwei unabhängige 56-bit DSP Prozessoren, die jede Sektion komplett eigenständig betreiben. Die Dual-DSP Plattform gibt dem Pedal eine immense Leistung um so zwei separate Effekte in uneingeschränkter Studio-Qualität zu ermöglichen.

The Source Audio One Series Collider Stereo Delay+Reverb combines two of the most popular effect types in one simple and intuitive pedal. Drawn from the effect engines of the award-winning Nemesis Delay and Ventris Dual Reverb, Collider offers the best delay and reverb effects in one compact, no-compromise package. The pedal allows for any combination of its five delay engines with any of its seven reverb effects and has dedicated ON/OFF switches for each effect. It is also possible to create independent dual delay or dual reverb presets. The pedal has dedicated MIDI input/output as well as support for expression control and remote switching. The Collider contains two completely independent 56-bit DSP processors, essentially housing a high-powered delay pedal and a high-powered reverb pedal in a single box. Its dual DSP platform gives the pedal the massive processing power to deliver two studio quality effects simultaneously.

Source Audio Collider - Review by Gitarre&Bass [DE], [04-2020]

Source Audio Collider - Review by Gitarzysta [PL], [02-2020]

Source Audio Collider Stereo Delay/Reverb Pedal Demo - The Pedal Zone

Source Audio Collider - Review by Muzikus [CZ], [03-2020]

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - Mike Hermans

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - AndyDemos

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Official Demo Video (Stacking Delays)

Source Audio Collider - Review by GrandGtrs [DE], [01-2020]

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Demo Video - Sweetwater

Source Audio SA 263 - One Series Collider Stereo Delay+Reverb - Official Demo Video

SA 263 Collider Delay+Reverb


The Soundblox Pro Bass Envelope Filter evolved from the hugely popular Soundblox BEF. The Soundblox Pro BEF features 22 different envelope filter effects including 2 and 4 Pole Low Pass, Single Peak, Triple Peak, Peak/Notch, as well as Phaser effect engines. Each filter effect can be further modified with a variety of control options including a 7-band equalizer, positive/negative filter sweeps, sweep range, attack and decay speed settings, or frequency range selection.
Choose from four different modulation sources including classic envelope filters, selectable LFO wave forms with tap tempo, a passive expression pedal and the Hot Hand motion sensing ring. Use an external expression pedal to modulate filters like in a standard wah pedal or to control a wide variety of parameters including sweep range, effect selection, LFO speed and more. Like all Pro Series pedals, the BEF Pro features three footswitches with two banks that hold six customizable presets

SOUNDBLOX PRO BASS ENVELOPE FILTER

Bass Effects Pedal Demo - Soundblox Pro Bass Envelope Filter

Soundblox Bass Envelope Filter

The Classic Pro features distortion effects that are re-creations of popular pedal and amplifier based distortions. We have chosen names for the
distortions that will be suggestive of the sounds you will get with all of
the controls in the central part of their range. We are not trying to imply
exact simulations of the various analog effects. Rather, this is a different
take on classic sounds based more upon evaluating the sounds by ear
and overall circuit function instead of attempting to do a mathematical
model or emulation (which, incidentally, we think is really not possible
for distortions). 

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Soundblox Classic Distortion

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Ultrawave Multiband Bass (SA251)

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SA 252 Atlas Compressor

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SA 263 Collider Delay+Reverb

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Soundblox Bass Envelope Filter

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