The Red Menace is one of the first, modified, muff circuits I did that combines two of my favorite muffs, the early Red Army Overdrive and the 1972 Triangles.

The low end has the perfect balance of low-end and clarity. You can feel the punch of the bass notes cutting through the fuzz. The high strings have a sweet, high-gain, sustain just like the later Triangle pedals.
While adding the mids control I also had to modify the circuit to keep the original punch on chords and the smooth, singing tone on leads.

Review by guitar pedal X

Review by Premier Guitar

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Demo by gearmanndude

Demo by Demos in the Dark

Review by The Gear Page

Red Menace

The Civil War is for those searching for the sound of the early 90's Russian fuzz.

Even though it has less gain than its predecessors, the Civil War is a full-bodied machine and works great on guitar as well as bass.
The low-end of the pedal gives you incredibly smooth lead tones and bass notes and chords are earth-shaking.

Review by Talk Bass.com

Civil War

Many years ago I was sent some pictures of Frank Zappa's, modified, late 1970's Big Muff™. The mods made to the pedal give it a very smooth, warm sound on the bass side but allows a little brightness on the high strings. 

They also reduce the gain of the pedal making it more of a low to medium overdrive/fuzz mix.
The pedal yields a full-bodied, smooth, low-end and sweet highs with a little bite on lead notes.
In 2016 I made a very limited run of the pedal and called it the Utility Muffin, named after Frank Zappa's recording studio, the Utility Muffin Research Kitchen. 

Review by delicious audio

Demo by Shwan Hatfield

Review by PedalPCB

Demo by Tim Cole

Utility Muffin

The Dire Wolf is a low to medium gain, drive pedal that has a ton of clarity and a sweet, transparent tone that sounds like it is part of your amp.

You can use the Dire Wolf for so many styles and also stack it with your favorite high-gain and fuzz pedal.

Review by reddit /guitarpedals

Demo by Toby & Davvy

Demo by Brett Kingman

Dire Wolf

Based on the 1977 op-amp fuzz, the Pumpkin Pi is mostly associated with the fuzz tone on the Smashing  Pumpkins "Siamese Dream" album but the pedal is capable of so much more.

The velcro-like, fuzz tone is perfect for monstrous chords and cutting and full lead tones. Dialing back the gain will give you a little more control for warm and sweet lead tones.
The Pumpkin Pi is great for many styles of music including rock, blues, doom and stoner rock.

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