Review by delamar

Official Product Video

Demo by Prymaxe

Product Page

Blackstar w/ Girth

Based on the Korg MS-20, the M3 brings the sounds of 70s monophonic synthesizers without the modular complications.

Instead of dual oscillators, the M3 employs 3 digitally controlled oscillators for super fat synth sounds that never go out of tune.

Eleven oscillator combinations cover string sounds, analog bass, bell tones, fifths and more. The algorithm knob’s eleven settings further shapes the sound controlling everything from the filter, two envelope generators, LFOs, portamento and more.

Review by guitar pedal X

Review by BassChat

Manual

Demo by  SpiralCasterPlaysPedals

Demo by collector//emitter

Review by The Gear Page

The Quasar DLX is back in black. The original LFO waveforms return, with improvements in the phaser’s tone and usability.

Like many classic designs the heart of the Quasar DLX mkII is an analog 4 stage OTA based phaser. This phaser is made special by the features and functionality possible only with digital control. Eleven LFO shapes ranging from the tried and true sine and triangle waves to random sample/hold and even an argyle waveform. (Yes you read that right! Argyle!)

Demo by  SILVERGUN K

Quasar DLX

Ring modulation is a particularly mathy effect and challenging to describe. “Multiplying two signals creating sum and difference frequencies.” tells us little musically. Often cold, dissonant and conjuring  up whatever emotion it is that machines from the future feel. A rarely used effect, but you know it when you hear it. Carefully tuned ring modulator can create musical harmonic structures like Black Sabbath’s use on Paranoid. More often we hear them in science fiction films to make robots sound like evil emotionless killing machines.

Review by reddit /synthesizers

Vitruvian Mod

The Octasynth is more than a simulation or an attempt to mimic analog synthesizers.  It is an analog synthesizer. The heart and soul of the octasynth are two different effects both built around IC’s commonly used in analog synthesis. The first is an octave generator that converts your guitar into three square waves.  The octaves then run through a second effect: A resonant low pass filter.  90% of the analog synth tones you are familiar with are just this – Raw waveforms and resonant filters.

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