By analyzing the design, sound and physics of real spring tanks we captured the nuances of tube driven spring reverb. Even something as innocuous as unplugging your guitar cable (kerplangagnangang)  sounds like real deal. A tone control allows you to dial in the perfect timbre. There is also an internal reverb send trimmer serving two purposes- 1. It allows you to turn down for hotter input signals. 2. It does essentially what the dwell control does on an outboard reverb tank. You can turn it up for a more dramatic effect or back it off for subtlety.

Unlike a real spring tank the the decay knob allows you to dampen the springs for shorter reverb or bend the laws of physics resulting in long psychedelic resonating trails.

The clean signal path is all analog. JFET amplifiers carryout the send and recovery of the reverb signal for even more tube like dynamics. The Super Spring Theory is equally at home in front of a clean or dirty amp.

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Review by TDPRI

Review by Premier Guitar

Review by The Gear Page

Demo by  HarryAndAGuitar

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Super Spring Theory

The Vagabond Tremolo embellishes upon one of the most tried and true effects of all time. Tremolo with vintage personality fused with added depth, more speed and more control. 

In the simplest terms tremolo modulates volume. This definition doesn’t exude the inflection of wah, the blunt weaponry of fuzz, or the obvious psychedelic ramifications of echo. In spite of the boring definition, tremolo is a defining sound of so many classic songs and artists. Like many other things in music the early classic designs were imperfect, and those imperfections made them what they were. It made them interesting.

Demo by Deluxe Tone

Review by Pedalpost Blog

Vagabond Tremolo

From the ringing faux sitar sound to the rise and fall of jet plane sweep, flangers fire up very specific neurons in our brains, reminding us of certain music genres and eras often to the point of being cliché. Far more interesting to us is the way flanging and “flanger like” effects are used in mixdown or soundtracks to create a sense of focus, tension or space. How does this translate to a guitar effect? This really goes beyond the scope of most simple stompboxes. The Starlight DLX lets you make new sounds that conjure up imagery and emotion.  We hope you’ll find sounds which even we couldn’t have imagined.

Review by guitar pedal X

Review by Reverb.com

Demo by Prymaxe

Starlight DLX

The Octasynth is more than a simulation or an attempt to mimic analog synthesizers.  It is an analog synthesizer. The heart and soul of the octasynth are two different effects both built around IC’s commonly used in analog synthesis. The first is an octave generator that converts your guitar into three square waves.  The octaves then run through a second effect: A resonant low pass filter.  90% of the analog synth tones you are familiar with are just this – Raw waveforms and resonant filters.

Demo by Pedalicious

Review by Talk Bass.com

Review by AMAZONA

Octasynth

Take a trip back in time to the underappreciated 12bit era of synthesis. A time of experiments built for mass appeal. Finally, synthesizers were available to the everyday musician. One new idea was phase distortion synthesis.  Casio sold it as the answer to Yamaha’s FM synthesis. Ultimately, Casio discontinued the CZ phase distortion synthesizers, but these synthesizers garnered a cult following for their versatility and relative affordability.

The PixelWave covers a wide range of synthesizer sounds. From string ensembles to filter sweeps and resonant noise. Oscillators can be offset over four octaves by half-step increments and fine-tuning. Use this to create massive 80s unison leads or modern one key dance chords.

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Pixelwave Phase Distortion Synthesizer

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