From huge jet plane sweeps to swirly pitch vibrato the Starlight does everything a flanger should and more. This all analog bucket brigade based (MN3209) flanger adds the flexibility of digital control. There’s classic triangle shape modulation and wobbling sine wave for a super deep throb. We’ve also gone beyond the norm and included some of our favorite LFO’s from the Quasar DLX. Triangle/Square mix, Random Sample/hold and Step Triangle. There’s also a manual setting allowing you to use the speed knob to manually control the flanger.

From lush dreamy chorus to a cold metallic clang.

Demo by MrExcane

Demo by Prymaxe

Review by Harmony Central

Review by The Gear Page

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Manual

Starlight Quantum

The Stupid Box from Sub-Decay Studios. This stomp box is not very intelligent, but works as a super versatile distortion. The Stupid Box employs soft clipping just like vintage tube screamers, but driven much harder and with a full range frequency response. This Dumb Box can go from high gain to blues, with a twist of the gain knob.

What's it all about?

If you play a clean open cab 6L6-based amp, and don't want to give up your great clean tone, but have always been jealous of those guys with the half stacks, the stupid box is what you have been waiting for. If you play a 2 channel high gain amp, and struggle for those in-between tones this is a great pedal to have as well. The Stupid Box has a variable frequency filter unlike most distortion boxes which only let you control the roll off, making it much easier to match the pedal to the natural voicing of your amp.

Official Website

Demo by JAM's Factory 1996

Demo by Brett Kingman

Stupid Box

By analyzing the design, sound and physics of real spring tanks we captured the nuances of tube driven spring reverb. Even something as innocuous as unplugging your guitar cable (kerplangagnangang)  sounds like real deal. A tone control allows you to dial in the perfect timbre. There is also an internal reverb send trimmer serving two purposes- 1. It allows you to turn down for hotter input signals. 2. It does essentially what the dwell control does on an outboard reverb tank. You can turn it up for a more dramatic effect or back it off for subtlety.

Unlike a real spring tank the the decay knob allows you to dampen the springs for shorter reverb or bend the laws of physics resulting in long psychedelic resonating trails.

The clean signal path is all analog. JFET amplifiers carryout the send and recovery of the reverb signal for even more tube like dynamics. The Super Spring Theory is equally at home in front of a clean or dirty amp.

Review by TDPRI

Review by Premier Guitar

Demo by  HarryAndAGuitar

Official Product Video

Super Spring Theory

The Quasar v4 offers eleven modes paired with a simple control surface. An abundance of non-traditional options are on tap. Rhythmic modulation patterns. Sci-fi discombobulation. Envelope speed control.

Traditional phaser and rotary tones are in the box too, but you want more, right? Something different? Something that stands out?

Review by Talk Bass.com

Demo by Living Room GD

Quasar Phaser v4

The Proteus mkII – Our plug and play filter, with a new design closely related to the original Filter Sample/Hold. The resonance control adds a new dimension to the effect that goes from subtle to greasy gritty synth tones. We also added an external switch allowing you to change from low-pass to band-pass filter.

Demo by BUZZBEE TV

Proteus v2

Proteus v2 by Subdecay

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Starlight Quantum

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Super Spring Theory

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Quasar Phaser v4

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